Dracula 200% does not have any characters who turn into passive pawns devoid of personality, IMO. (Dracula *tries* to turn Mina into a pawn, quite literally through mind-control, but it ends up backfiring spectacularly when she turns their psychic connection back around on him to help defeat him.) The main issue with it as regards what radiatorfromspace wants is that all the canon romances are between humans. (Dracula/Mina was a thing added in by later movie adaptations)

(cont’d) (I mean, you could make an argument for Dracula and his Brides, but nothing about their relationship is really shown as positive or romantic. Everything else consists of vampires victimizing unwilling humans, which is definitely not romantic *or* consensual.)

[^This was a followup response to this post from @radiatorfromspace​]

Thanks for this addition, @luanna801!

(Dracula *tries* to turn Mina into a pawn, quite literally through mind-control, but it ends up backfiring spectacularly when she turns their psychic connection back around on him to help defeat him.) 

^Hmmmm, maybe I’ll give it a try, that’s intriguing. I’ve seen a few of the film adaptations but not watched them with the attention they deserved.

image

Re: Dracula and his Brides, I like this comparison pic of them from the 1931 “Dracula” v. the ones from the 2004 ”VAN HELSING”, and while I haven’t watched the ‘31 adaptation, from this still one could argue that they look frumpy/dowdy by today’s standards, but maybe they’re MORE scary bc of the no-frills aesthetic. Could be that that way of dressing and hairstyling was sexual and scary for its time. Plus historical context, the Depression, World War I, all that stuff would need to be considered.

The Brides always struck me as being pretty flat, I don’t remember them having distinctive personalities, and maybe the polygamy of it felt like Dracula was collecting a harem rather than really respecting and loving each of them as individuals, but again, I haven’t read the book to know if they do each have their own developed character and/or a more substantive relationship with him. Or maybe the sister-wife aspect was part of the horror of the story, or perhaps the story was ahead of its time in terms of polyamory being more socially accepted today. Again, historical context would be needed for all of that, but it’s all good food for thought.

(I mean, you could make an argument for Dracula and his Brides, but nothing about their relationship is really shown as positive or romantic. Everything else consists of vampires victimizing unwilling humans, which is definitely not romantic *or* consensual.)

I’ll leave this part unaddressed bc I’m not invested enough in Dracula to engage in a discussion about this part, I hope that’s okay with you. 

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