
[^Appropriate gif bc he’s all decked out for the opera]
I know like 3% about opera/musicals/plays so @annabellioncourt helped me out w/ this one. She says (btw this was a chat so italics are my comments and I edited it into this format, and she can correct me however needed):
- FAUST – As a vampire he prefers Faust, which is about a man who sold his soul to a devil for youth and fame, and I think its self explanatory as to why he’s drawn to it.
So for Louis, the themes of darkness and the dark side of religion and the supernatural, the cost of damnation, those themes in Faust would stick out to him, even if the story itself is not one he approves of. The audience is not supposed to like the character of Faust.
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Don Giovanni is just an amazing show, and was incredibly popular during the 19th century. As a mortal, Louis had a soft spot for Giovanni (but never admitted to liking anything other than French opera). It’s about a man who’s a womanizing creep, but at the end he’s dragged to hell by demons and the ghost of the father of a woman he wronged. In opera, the themes and music are always more important than the story.
- Phantom of the Opera: (technically a musical but still) Louis would definitely enjoy POTO.
- Les Mis: Lestat tolerates Les Mis bc even though its not THE French Revolution, its anti-aristocracy themes bother him.
Lestat loves some of the characters in Les Mis tho, like Enjolras (who he says looks like him). Louis enjoys it; he finds it patriotic.
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Elisabeth, the German musical:
Its a rock musical and Louis would love this. The “Der Tod,” his character is basically Lestat. It’s about the Austrian empress and her life, as well as a love triangle with herself, her husband, and Death himself. Der Tod is German for Death. And he’s a main character.
Louis would probably enjoy any of the “traditional” musicals, but the more rock based ones would be more up Lestat’s alley.