I want you so terribly. I want you in every sense, but I want you quite terribly. You know how. You’ve no idea what it is like with me. I tried to tell you once in Monte Carlo. Something must be done about it. You don’t realize a great many things about me. I am terribly and unashamedly passionate, how passionate I don’t suppose even you know. I wouldn’t like you to know. All the force of that passion is centred on you. I want you, I desire you, in addition to everything else, as I have never desired anyone in my life (I can’t see anyone even ordinarily pretty without being emotionally stirred, so what do you suppose I feel about you?). In the tunnel I shut my eyes and I seemed to feel you bending over me, and kissing my lips. O Mitya, mon amour, ma vie, reviens. Il faut que tu reviennes [my life, my love, come back. You must come back].

Brad Pitt was really successfull as Louis, because Brat Pitt hated the movie and hated everybody.

I design clothes because I don’t want women to look all innocent and naïve…I want woman to look stronger…I don’t like women to be taken advantage of…I don’t like men whistling at women in the street. I think they deserve more respect. I like men to keep their distance from women, I like men to be stunned by an entrance. I’ve seen a woman get nearly beaten to death by her husband. I know what misogyny is … I want people to be afraid of the women I dress"

So we reach into the raging chaos, and we pluck some small glittering thing, and we cling to it, and tell ourselves it has meaning, and that the world is good, and we are not evil, and we will all go home in the end.

I find that, for me, the work is a safe place to put all the stuff you don’t want to put in your real life. I don’t want to be a crazy, manic asshole. I don’t want to have an affair. I don’t want to have a fucking gunfight. But! There’s a part of your brain that wants to experience everything, and so work’s a safe place to explore it all. Both in the writing and in the performing. I get to write about an affair. I get to have the guilt and the feeling of that without having to fuck my life up. [laughs]

Art is the place to safely explore all those other sides of you, because the side you want to bring home is the side that wants to be a good father and be a good husband and be a good son. In art we can be fucking nuts

“Welcome,” she said. “Welcome, and thank you for agreeing to be a volunteer with Multnomah County Libraries. We are so grateful for you and your commitment to our community. For the next hour, we’re going to go over some important information that you need to know as a volunteer, no matter what role you play.”

I expected that we were going to learn about things like policies for canceling our shifts, or maybe where to find first aid kits. We probably did talk about those things. But the part that I remember most vividly is the first thing she talked about.

“We’re going to start with the Library Bill of Rights from the American Library Association,” she said, and she projected the text of the document onto the screen. “Everyone who works for libraries, including volunteers, helps to support and uphold the Library Bill of Rights.”

This was new to me. I’d been a regular patron at my local public library for years, graduating from Dr. Seuss to The Babysitters Club series to, most recently, my fixation on books about neo-paganism and queer sex. No one had mentioned this whole Bill of Rights thing. It was a short document with just a few bullet points.

“Libraries support free access to information,” Bess explained. “One of our core values is intellectual freedom. This impacts all of you because when you’re volunteering for the library, we expect you to support the rights of library users to find and read whatever they want, even if you don’t agree with what they’re looking for.”

She continued, “For example, let’s say that a small child came up to you and asked where to find the Stephen King books. You might think those books are too scary for someone that age, or that he shouldn’t be reading that kind of stuff. But that doesn’t matter. No matter what, we help people find the information they want, and we don’t censor their interests. Does that make sense?”

Heads around the room nodded, and I leaned back into the wall, letting her words sink in. It was absolutely, positively the most radical, punk rock thing I had ever heard in my life.

I can read whatever I want. No one can stop me.

I can help other people read what they want. And no one can stop them.

“This is core,” Bess added, “to a functioning democracy. We believe that fighting censorship and providing free, unrestricted access is key to helping citizens participate in the world. And, most importantly, we keep everyone’s information strictly confidential. So, even if you know what books your neighbor is checking out or what they’re looking at on the computer, you don’t share that with anyone.”

As someone who kept carefully guarded notebooks full of very personal thoughts, I was especially excited by the library’s emphasis on privacy. All of this sounded great. I wanted more. I wanted in. I wanted to be a crazy, wild, counterculture librarian-witch who would help anyone read anything from The Anarchist’s Cookbook to Mein Kampf. I would be a bold freedom fighter in the face of censorship. I would defend unfiltered Internet access and anatomically correct picture books. Maybe I was only in the eighth grade, but I was ready to stand up to anyone who tried to threaten the ideal of intellectual freedom. Fuck blink-182. Libraries were the real punk rock.