5 TIPS FOR THE VAMPIRE CHRONICLES REBOOT

alice-the-red:

Excellent article on Nerdist about Universal wanting to reboot Rice’s Vampire Chronicles. This is my favorite part:

Plus, of all the art forms, music is the most subjective. Readers of the novels could imagine Lestat’s music sounding like anything they wanted it to; hair metal people probably thought they sounded like Mötley Crüe, while New Wave fans might have thought Lestat sounded like Bowie. Anne Rice has said that in her mind, Lestat sounded like Jim Morrison of the Doors. (For the record, as a pseudo goth kid, in my mind Lestat sounded like Peter Murphy of Bauhaus.) I’m pretty sure no one ever wanted them to sound like Korn, but that’s what we ended up with.

Lemme just give you the main points. My comments in italics.

  1. Don’t Chase The Twilight Audience: PREACH.
  2. Consider Cable Television: There are alot of TV vampire series but this one really could be unique among the rest.
  3. Use the Broadway Musical Structure: It’s worked since Ariel the Little Mermaid, and before that. It’s worked in countless movies. 
  4. Skip “Rock Star” Lestat: I think it could be handled differently than in QotD. It’s very much a part of his modern bravado. Korn was probably chosen for QotD because (I think) the lead singer had expressed interest in the project. It was also a time when Korn was among the EXPLICIT CONTENT evil corrupting-of-innocents bands of the time. 
  5. Keep Anne Rice As Part of the Creative Process: YES. Whatever you feel about her, she did a great job keeping the IWTV movie close to the source material. These ARE her precious babies, and she’s gonna make sure they’re handled with care ❤

5 TIPS FOR THE VAMPIRE CHRONICLES REBOOT

Christopher Rice on “The Vines”, “The Vampire Chronicles” and Universal

i-lie-awake-in-some-silent-night:

Christopher Rice with some more news about the acquisition of The Vampire Chronicles by Universal.

Christopher Rice on “The Vines”, “The Vampire Chronicles” and Universal

Claudia’s fingers reached out to gently fiddle with a lock of his blond hair. “We’re not so different you and I…” She found herself saying as she gazed at him gently and passionately.

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Her touch was light but sent a calming ripple through him, and he nuzzled his cold cheek to hers in gratitude. In their earliest days together, Claudia had often boldly played with handfuls of his hair as she rode in his arms, or when they reclined together on a divan at home, discussing the evening plans. On this night Lestat needed her reassuring touch more than ever. Their argument just a few hours prior had been scathing, the two at odds over her decision to end her flute lessons.

Louis had not had been home to voice his opinion, but Lestat knew well enough what it would have been. Lestat had surrendered. He could no longer ignore the glint of her hungry eyes when he and Louis deposited her at these lessons, the manner in which they waved goodbye to her, inching closer together before the door closed, she knew these lessons were in fact a carefully plotted arranged absence. So that they could be alone together. So that they could have one another in a way that she could not.  
“Mon ange,” he began, unable to say what needed to be said, “it’s our similarities that cause these fights, but also…” and he placed a kiss delicately on her lips, “what bring us together again.” He looked away, navigating the dark streets. They were almost at their destination.