“Come home with me,” he said. Such a human voice. So kind. “There’s time to come here and reflect. Wouldn’t you rather be home, in the Quarter, amongst our things?”

If anything in the world could have truly comforted me, he would have been the thing—with just the beguiling tilt of his narrow head or the way that he kept looking at me, protecting me obviously with a confidential calm from what he must have feared for me, and for him, and perhaps for all of us.

My old familiar gentleman friend, my tender enduring pupil, educated as truly by Victorian ways of courtesy as ever by me in the ways of being a monster.

At the end of Memnoch the Devil (via merciful-death)

merciful-death added:

#[ sobs aggressively over these two ]#mon coeur

Ditto, merciful-death, ditto so hard. *cries*

I believe that quote is from MtD. Which is hilarious because it’s one of my absolute favorite quotes but I really hated that book. (I hated it less upon a later reread, but then I’d read the LATER books, and it was kind of awesome by comparison.)

Thank you, much appreciated, post updated. I totally agree with you, that book started out alright, found the quote about 1/3 into MtD (ch.10). It just got crackier and crackier. I had to skim it the first time, it was so bizarre.

Yes, in retrospect, MtD was definitely kind of awesome by comparison to the EVEN CRACKIER BOOKS (Blood Canticle, more like WTF Canticle.)

Evidence of Lestat & Armand actually getting along:

“When you found me under Les Innocents,” he said, “you wanted to bathe me with perfume and dress me in velvet with great embroidered sleeves.”

“Yes,” I said, “and comb your hair, your beautiful russet hair.” My tone was angry. “You look good to me, you damnable little devil, good to embrace and good to love.”

We eyed each other for a moment. And then he surprised me, rising and coming towards me just as I moved to take him in my arms. His gesture wasn’t tentative, but it was extremely gentle. I could have backed away. I didn’t. We held each other tight for a moment. The cold embracing the cold. The hard embracing the hard.

…“I can’t remember anything bad between us,” I said.

“You will,” he responded. “And so will I. But what does it matter what we remember?”

“Yes,” I said, “we’re both still here.”

From Memnoch the Devil

*cries*

(More of this scene under the cut.)

This was Armand.

He sat on the stone park bench, boylike, casual, with one knee crooked, looking up at me with the predictable innocence, dusty all over, naturally, hair a long, tangled mess of auburn curls.

Dressed in heavy denim garments, tight pants, and a zippered jacket, he surely passed for human, a street vagabond maybe, though his face was now parchment white, and even smoother than it had been when last we met.

In a way, he made me think of a child doll, with brilliant faintly red-brown glass eyes; a doll that had been found in an attic. I wanted to polish him with kisses, clean him up, make him even more radiant than he was.

“That’s what you always want,” he said softly. His voice shocked me. If he had any French or Italian accent left, I couldn’t hear it. His tone was melancholy and had no meanness in it at all.

“When you found me under Les Innocents,” he said, “you wanted to bathe me with perfume and dress me in velvet with great embroidered sleeves.”

“Yes,” I said, “and comb your hair, your beautiful russet hair.” My tone was angry. “You look good to me, you damnable little devil, good to embrace and good to love.”

We eyed each other for a moment. And then he surprised me, rising and coming towards me just as I moved to take him in my arms. His gesture wasn’t tentative, but it was extremely gentle. I could have backed away. I didn’t. We held each other tight for a moment. The cold embracing the cold. The hard embracing the hard.

“Cherub child,” I said. I did a bold thing, maybe even a defiant thing. I reached out and mussed his snaggled curls.

He is smaller than me physically, but he didn’t seem to mind this gesture.

In fact, he smiled, shook his head, and reclaimed his hair with a few casual strokes of his hand. His cheeks went apple-perfect suddenly, and his mouth softened, and then he lifted his right fist, and teasingly struck me hard on the chest.

Really hard. Show-off. Now it was my turn to smile and I did.

“I can’t remember anything bad between us,” I said.

“You will,” he responded. “And so will I. But what does it matter what we remember?”

“Yes,” I said, “we’re both still here.”

He laughed outright, though it was very low, and he shook his head, flashing a glance on David that implied they knew each other very well, maybe too well. I didn’t like it that they knew each other at all. David was my David, and Armand was my Armand.

I sat down on the bench.

“So David’s told you the whole story,” I said, glancing up at Armand and then over at David.

David gave a negative shake of the head.

“Not without your permission, Brat Prince,” David said, a little disdainfully. “I would never have taken the liberty. But the only thing that’s brought Armand here is worry for you.”

“Is that so?” I said. I raised my eyebrows. “Well?”

“You know damned good and well it is,” said Armand. His whole posture was casual; he’d learned, beating about the world, I guess. He didn’t look so much like a church ornament anymore. He had his hands in his pockets. Little tough guy.

Gallery

kaon4shi:

alwaysenduphere:

Le génie du mal [The genius of evil, aka; Lucifer]; Guillaume Geefs 

“The statue was originally a commission for Geefs’ younger brother Joseph, who completed it in 1842 and installed it the following year. It generated controversy at once and was criticized for not representing a Christian ideal. The cathedral administration declared that “this devil is too sublime.” The local press intimated that the work was distracting the “pretty penitent girls” who should have been listening to the sermons.” [x]

[The original ‘sublime’ version shown below, and the ‘revised’ one in the photoset above]

image

> Make sculpture of the devil

> No this sculpture is too hot for church

> Make another one

> It’s even hotter

This is pretty much my headcanon of Memnoch the Devil. I prefer it this way, rather than in actual canon, which I think indicated it/he was supposed to be made of a black granite.