-cocks an eyebrow- Lestat, obviously. …You poor bastard.

a-misunderstanding-my-love:

merciful-death:

Tell my muse who you ship them with. Be as subtle or as obvious as you like!

Indeed.

i-want-my-iwtv:

♛Oh Nicki, darling, so nice to see you’ve finally acquiesced to your replacement. And for the record, I would’ve stayed with you through it all, but you were clearly more in love with yourself for there to be any room left for anyone else. -theatrically empathetic frown-

I’m sorry—are we talking about me, here, or you?

♛I’m simply defending Louis… you yourself ‘ship’ Louis and I, yet you call him a “poor bastard” for it. As if he were trapped in this ‘ship.’ He chooses me. Time and again.
-sigh- Fine, though, let’s play this modern opinion game… I ‘ship’ you with your violin.

-cocks an eyebrow- Lestat, obviously. …You poor bastard.

merciful-death:

Tell my muse who you ship them with. Be as subtle or as obvious as you like!

Indeed.

♛Oh Nicki, darling, so nice to see you’ve finally acquiesced to your replacement. And for the record, I would’ve stayed with you through it all, but you were clearly more in love with yourself for there to be any room left for anyone else. -theatrically empathetic frown-

a-misunderstanding-my-love:

“‘All a misunderstanding, my love,’ he said. Acid on the tongue. ‘It was to hurt others, don’t you see, the violin playing, to anger them, to secure for me an island where they could not rule. They would watch my ruin, unable to do anything about it.’” – Nicolas de Lenfent, The Vampire Lestat

 

nightmare

a-misunderstanding-my-love:

Leave "Nightmare" in my askbox
dont-send-memes-here:

And I’ll generator a nightmare my character has with yours in it. Numbers range between 1- 16.

Read More

4. Your character is trapped somewhere and mine can’t save them, try as they may.

Nicolas knew only that he was running. 

Around him were the streets of Paris, but it was not Paris, it was the Auvergne as well—twisted little roads and back alleyways: sometimes the walls of the buildings were tall, sometimes they were the smaller buildings of the village where he had grown up. He run through puddles and mud, alternating between straw-strewn hard-packed earth and the cobblestones of their adopted city. 

He stopped. Before him was the castle of the Marquis—or was it the Palais du Louvre?—the aging stones offering no solace to the anxiety that pumped through his body, the fear that shook his fingertips. 

He yelled something unintelligible that was carried away in the wind. His hands closed into fists, beating at the ancient wooden doors that barred his way. 

Then the screaming began. 

He could hear the cries and knew immediately (in the way one always does in dreams) that they were Lestat’s. The panic rose in his chest as he beat the door harder, kicking against it with his boots and crying out to be allowed entrance. The screams grew in volume, sometimes tapering out into a groan, sometimes cutting out completely, as though they’d been shut up with the crack of a fist meeting a jaw. 

He was crying now—the door would not budge, and no one was heeding his cries to open it, open it please! He leaned his cheek against the wood, sobbing, his fists beating ineffectually against that barrier. If he could only get in, if he could get past those terrible creatures that were the de Lioncourt sons, if he could burst into that dungeon room, that oubliette of sorrow where he knew they took him to beat him—then he might be able to help him, to cover Lestat’s body with his own, to take the whippings and beatings for him. 

But he could not he could not he could not and he would never be able to save Lestat from the biggest monster, that terrible, dark, hulking force that lived within those walls and took him at will that tortured him and petted him and warped his mind until all Lestat had was a fractured memory and a broken soul. 

When Nicolas awoke in his bed in San Francisco, he was weeping, the blood tears streaming down his face. 

Still broken, two hundred years later.

Neither of them would ever be saved. 

How has your skill as a musician translated into the bedroom? Fingering technique, perhaps? Do you like to set the mood with any particular music?

a-misunderstanding-my-love:

Rest assured, my fingering technique is quite impressive. 

I have made love once or twice whilst playing, though that requires a great deal of concentration. And precision. On both ends. 

Send ✿ for a happy memory.

a-misunderstanding-my-love:

A night at Renaud’s when I was not in the Orchestra but spent the performance backstage, on the pretense of helping Lestat with his costume changes. 

He had one particularly lengthy one, which included a bit of a break from the stage itself (Pantelone had an abusive scene with one of the Zanni, granting the lovers a reprieve). 

Folded into the velvet curtains, his costume hanging upon the wall, Lestat had begun to remove his trousers when I caught him by the hip and spun us deeper into the curtains, his back against the wall. One hand cupping his ass, I remember kissing him as I took him in hand, his groan vibrating through my lips as our tongues fought each other. 

We made hurried love in those curtains, and, though it was not the first time (nor would it be the last), as we finished and Lestat’s moment to return to the stage approached, I laced up his breeches and left a kiss on his hipbone. He pulled me up quickly and kissed me feverishly, his heart thrumming as it often was just before he went on, and I remember my breath hitching as he looked at me and paused. He should have already been onstage, he should have left seconds earlier—he was already late. But he paused, he looked at me, and his kissed me, again, softly this time. “I love you, do you know that?”

I remember that I couldn’t speak—the emotion was stupidly too much for me, my heart too full to answer him.  He grinned as he placed his hat upon his head, cocking it at a foppish angle. “I do, you know. God, how I love you.” And he kissed me again as he hurried out of the wings. 

I would be lying if I said that I never missed him. But the Lestat I miss is that young man, clad in my red velvet coat, making love to me in the wings of that claptrap little theatre. 

TRUTH SERUM: What is the sexiest thing you ever did with/for Lestat? Were either of you into anything kinky when you were mortal? TELL US.

a-misunderstanding-my-love:

-shrugs- What do I care? Nothing about those days merits keeping private. 

With Lestat: Honestly, the first time we made love was, for lack of a better descriptor, one of the “sexiest’ things we ever did. His hesitance combined with the absolute, soul-crushing sincerity of young love was almost painfully beautiful. There were other times, of course, when the undeniable synchronicity of our love-making brought tears to the eyes, but that time stands out above and beyond so many others. 

For Lestat: This is more…difficult. To be quite honest, despite his duplicity and his inability to remain monogamous, Lestat treats his lovers with an undeniable amount of sweetness and care. In almost all instances, he comes out far above me where our mortal relationship is concerned. There was a time, once, in Paris, in our little flat, where he had one of his…mental collapses. After much coaxing, coddling, and sweet soft kisses, he did allow me to make love to him—slowly, carefully, as one might treat a frightened and wounded animal. It sounds frightening, but there was a beauty to his sadness, his sweet naivité on that night. But does that qualify as ‘sexy’?

I hate to disappoint you, but aside from some very mundane spanking, there was very little about our sexual lives that contained what mortals now refer to as ‘kink.’ We were quite vanilla, I’m afraid. 

;A;