Gallery

faceofabotticelliangel:

BIANCA SOLDERINI the murderous courtesan, Marius & Amadeo’s lover

They took me to the home of the slender and beautiful courtesan, Bianca Solderini, a lithesome and incomparable charmer, with Botticelli-style wavy locks and almond shaped gray eyes and a generous and kindly wit. I was the fashion in her house whenever I wanted to be, among the young women and men there who spent hours reading poetry, talking of the foreign wars, which seemed endless, and of the latest painters and who would get what commission next.
Bianca had a small, childlike voice which matched her girlish face and tiny nose. Her mouth was a mere budding rose. But she was clever, and indomitable. She turned away possessive lovers coldly; she preferred that her house be full of people at all hours. Anyone in proper dress, or carrying a sword, was admitted automatically.
                 Almost no one but those who wanted to own her were ever turned away.

Gallery

Primavera by Botticelli, painted ca. 1482, vs. the first US cover of The Vampire Armand, published 1998.

WHILE WE’RE ON THIS BOTTICELLI TOPIC. I was thinking about the cover for TVA, and a quick google turned out that was ALSO a Botticelli youth! I don’t know how much input, if any, AR had in this cover design. But it’s a Botticelli so we have to assume whoever pulled the trigger on it knew smtg about AR’s affection for Botticelli, especially as applied to describing Armand.

I tried to put it back into the painting, it had to be flipped twice and rotated a bit…

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^IDK about the colors, it does look like the TVA cover made his skin a little rosier, but I’m not sure that Wiki had the right colors for their version. The Wiki article says this person is Mercury. 

What does it mean that it was flipped upside down and backwards from its original context? What does the cropping off of the helmet mean? Any other thoughts?