“Back to Tom: other great moments.

Tom riding his horse through the slaves’ fire, and then turning the horse around so that he could face the suspicious mortals. That was on a par with Errol Flynn and Rudy Valentino. It was on a par with the opera greats who have played Mephistopheles. Only a genuine “star” can make a moment like that, and I’m as confused as to why… just as much as anyone in Hollywood. Let’s close this one out with one word: Grand! (No, can’t stop talking about it.)

If I had to settle for one picture in this film, it would be that shot of Lestat on horseback looking back at the suspicious mortals.

That was and is my hero. That was and is my man. Lestat just won’t be afraid of anybody. He won’t stand for it. He hates what he is as much as Louis, but he cannot do anything but move forward, attempt to make existence worth it, attempt to create. He knows the formula for success, and has no patience with the formula for failure. That’s Lestat.”

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FROM ANNE RICE: ON THE FILM, INTERVIEW WITH THE VAMPIRE