Hi! May I ask your opinion on something? If the tower on top of which Armand lived in and that he and Louis climbed in IwtV was Magnus’ tower that Lestat gave to Armand, how come there were people living in it? Was the change of ownership not official and at some point the apparently empty estate went to the state (does that even happen? I have no idea)? Did Armand rent it to people or something? This has been bothering me years

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[^Armand nudging Louis into climbing a tower which is not at all some kind of phallic symbolism EMBRACE IT! by @garama]

I have these kinds of questions, too, things that have bothered me for years, I know that feel. 

TL;DR: I don’t think the tower that Armand nudges Louis to climb is the same tower as Magnus’ tower. I think Armand has made himself several lairs, maybe bc of his later canon experience that having one lair isn’t all that safe. I don’t think Louis got to visit Magnus’ tower in IWTV.

One reason I think this is that when they get up to the window to let themselves in, it’s a window w/ a sill; Magnus’ tower had barred windows. It’s possible Armand had them changed, but why remove defenses on a such a secure fortress?

“Higher and higher we climbed, until we
had reached the window of the tower itself, which Armand quickly
wrenched open, his long legs disappearing over the sill; and I rose up
after him, feeling his arm out around my shoulders.”

Hit the jump for more.


I don’t think Louis got to visit Magnus’ tower in IWTV.

Why? BC that scene begins w/ Louis and Claudia going w/ Madeleine to burn down her doll shop. After she’s done, M and C run off to celebrate w/ a manicure (or smtg girly? IDK but Louis does not seem to be invited) and Louis goes off w/ Armand. They take off powerwalking towards the Seine:

“We were walking together now, fast, nearing the Seine,”

They come to some kind of older part of town that Louis doesn’t recognize, maybe they’re on the outskirts of the city, but they powerwalked there, didn’t take a carriage:

“I didn’t knew where we were now, only that in my wanderings I’d
passed here before: a street of ancient mansions, of garden walls and
carriage doors and towers overhead and windows of leaded glass
beneath stone arches. Houses of other centuries, gnarled trees, that
sudden thick and silent tranquility which means that the masses are
shut out; a handful of mortals inhabit this vast region of highceilinged
rooms; stone absorbs the sound of breathing, the space of whole lives.”

Here’s the tower:

“…

Above, I could see story
after story rising to a lone tower that barely emerged from the dark,

teeming rain. ‘Listen to me; we are going to climb to the tower,’ Armand was saying.”

Armand says, Don’t acknowledge it if the ppl see you or you’ll fuck this up for me, n00b:


‘But note
this. The inhabitants of this house have known me far a hundred years
and think me a spirit; so if by chance they see you, or you see them
through those windows, remember what they believe you to be and
show no consciousness of them lest you disappoint them or confuse
them. Do you hear? You are perfectly safe.’ ”

So I don’t think it’s that far outside the city.

Whereas, in the Vampire Lestat, when Lestat’s looking out the window of the cell in Magnus’ tower:

“It was evening. And through a wide, heavily barred stone
window I saw hills and woods, blanketed with snow, and the vast tiny
collection of rooftops and towers that made up the city far away. I
hadn’t seen it like this since the day I came in the post carriage…

Battlements. I opened my eyes again. And I knew I was lying
in a high tower room several miles from Paris.”

Lestat doesn’t mention that there’s anything around that tower except a little village he explores some distance away, when he’s an orphan wandering around alone.

The one issue w/ my theory that it’s not Magnus’ tower is that Lestat also says there are no higher towers.

Louis, IWTV: “… Above, I could see story after story rising to a lone tower that barely emerged from the dark,”

Lestat, TVL: 
“I ran to the edge of the roof and
looked down. Nothing but a sheer drop of hundreds of feet, and then
to another edge and it was exactly the same. I almost fell! I turned
desperate, panting. We were on the top of some square tower, no
more than fifty feet across! And I could see nothing higher in any
direction.”

^But I don’t think Lestat’s on Magnus’ tower yet, bc that’s the night he’s kidnapped, and maybe Magnus made a stopover for a quick bite first. So I’m sticking with my theory that Louis didn’t visit Magnus’ tower in IWTV w/ Armand.

Hey there! I’m in NOLA for the weekend and was curious if you knew any good landmarks to visit in relation to our beloved books. I’m on mobile so I can’t search, sorry if this has been asked!

I do! I’m actually planning on making a better post about it, but for now, since I’m on mobile, all I can give you is:

Gallier House is the flat AR modeled the Rue Royale home of Louis, Lestat, and Claudia. It’s a historic location and they give tours there. Take one! See the Master bedroom! See Claudia’s room!

AR used to live in the garden district. 1239 First St. There is a little plaque about her there now.

Near AR’s garden dist. home is Lafayette Cemetary No. 1. There was a scene or two in IWTV that took place there, but it closes at sunset.

In movie!IWTV, Lestat watches Claudia kill someone right near the Cabildo in Jackson Square. 

I think Louis kills a priest in book!IWTV in the St. Louis cathedral in Jackson Square.

Pointe du Lac plantation was based on Oak Alley plantation. They give tours there. Movie!IWTV was filmed there, too. Destreham plantation was also in movie!IWTV for Pointe du Lac plantation.

oakalley:

Spring 2016 Photography Contest eBook Now Available to Download

Our staff is constantly amazed and thrilled by the perspectives of the plantation that we fail to notice on a daily basis, all the more reason to cherish the gift that these photographs represent. Our Spring 2016 eBook of this photography is now available for our fans to download for free, and works on PC & Mac, and tables from iPad to Android. The download link is near the bottom of this page.

Congratulations to all of our winners and to all who participated in this contest. We certainly hope you can visit with us again soon and share more photographs!

Thank you for supporting Oak Alley Foundation through your visitation, your photo entries, and your donations.

We encourage you to visit Oak Alley often and to feel free to share your photos with us via our FaceBook page, or post them on social media with the hashtag “#OakAlley”.

Download free at:

http://www.oakalleyplantation.com/news/spring-2016-photography-contest-ebook-now-available (at Oak Alley, Louisiana)

elisepolo:

Finally, a week after my arrival, I found David in the empty Rijksmuseum, just after sunset, sitting on the bench before the great Rembrandt portrait of the Members of the Drapers’ Guild.

The Tale Of The Body Thief – Anne Rice

I went to the Rijksmuseum today and I brought my book with me just to take this picture. I like to imagine Lestat really stood at the exact spot where I was standing today.

I’m not fishing for attention, but I think @i-want-my-iwtv might want to look at this because it’s VC related.

This is absolutely VC related!! Vampires appreciating the hell out of and talking about art is one of my favorite things ❤

Syndics of the Drapers’ Guild – Rembrandt, 1662

“The faces
are exquisitely beautiful, full of wisdom and gentleness and a near angelic
patience. Indeed, these men more resemble angels than ordinary men.

 They
seemed possessed of a great secret, and if all men were to learn that secret,
there would be no more wars or
vice or malice on earth. How did such persons ever become members of the
Drapers’ Guild of Amsterdam
in the 1600s? 

’Are
there any vampires in this world who have such faces?’ [David] asked.
He
gestured to the men staring down at us from the canvas. ‘I am speaking of
the knowledge and understanding which lies behind these faces. I’m speaking of
something more indicative of immortality than a preternatural body anatomically
dependent upon the drinking of human blood.’ 

‘Vampires
with such faces?’ I responded. ‘David, that is unfair. There are no
men with such faces. There never
were.

Look at
any of Rembrandt’s paintings. Absurd to believe that such people ever existed,
let alone that Amsterdam was full of them in Rembrandt’s time, that every man
or woman who ever darkened his door was an angel.
No, it’s Rembrandt you see in
these faces, and Rembrandt is immortal, of course.’ ”
 
– Lestat, The Tale Of The Body Thief