Finished a commission for @thevampireforthesetimes of Lestat and Marius enjoying some body paints~
I was glad to do a commission for a pairing I rarely see fanart of..! Glad to finally draw some VC nsfw~
Note that the painting on Lestat’s body is much more skilled; Lestat’s more of a fingerpaints-level artist and we see what u did there w/ the arrow lol
Rebecca Yanovskaya – https://www.facebook.com/pages/rebecca-yanovskaya-illustration/129513563749842 – https://www.behance.net/rebeccay – https://instagram.com/ryerordstar – http://rebeccayanovska.tumblr.com – https://twitter.com/RebeccaYanovska – https://www.pinterest.com/rebeccayanovska – http://www.inprnt.com/gallery/rebecca_yanovskaya – http://www.everydayoriginal.com/artistprofile/?artist=rebeccayanovskaya – http://drawcrowd.com/ryanovskaya7de9 – https://ca.linkedin.com/pub/rebecca-yanovskaya/10/205/1a7 – https://www.etsy.com/es/people/RYanovskaya?ref=pr_profile
Jessie Arms Botke (1883-1971) – White peacock with hollyhocks and poppies, oil on canvas, 76,2 x 63,5 cm. 1926.
RIP MOJO THE BEST MOST LOVABLE AND COMPLETELY UNPROBLEMATIC VC CHARACTER IN THE ENTIRE SERIES *cries 5ever w/ you*
[^X by @woutertulp]
It’s funny you mention Lestat turning him bc the question was raised, when old age finally started to rear its ugly head… “What if we could heal him with-”
Louis: NO Lestat. No.
Lestat: Just an experiment to-
Louis: We’re not making a vampire dog that’s a crime against nature we have to draw the line somewhere.
Lestat: *pouts*
Louis: *glares*
Lestat: *pouts harder*
Louis: *glares harder*
Lestat: Ok confession time: I already tried to give him a few drops of blood and he was not at all interested. Repulsed really.
Louis: *ragged sigh*
Lestat: It was worth a try!
Louis: Then why were you even asking me?
Lestat: I thought he might prefer yours–
Louis: *slaps Lestat hard across the face and storms out*
Lovely intervention by Outings Projects in Paris
No one before Bernini had managed to make marble so carnal. In his nimble hands it would flatter and stream, quiver and sweat. His figures weep and shout, their torses twist and run, and arch themselves in spasms of intense sensation. He could, like an alchemist, change one material into another – marble into trees, leaves, hair, and, of course, flesh.
– Simon Schama’s Power of Art. Bernini
I-want-my-IWTV 