shipping-isnt-morality:

the thing is,

if i wanted to fictionalize the story of my abuse. if i wanted to tell it properly, the way a good story should be told; tell it so that it would be believed, so it would be felt

i would have to make the reader fall in love with her, the way that i was in love with her.

i’d have to tell them about her eyes. the way that they were gold-brown, a color i didn’t know before her. the way her black hair erupted in the sun into shades of deep reds and golds.

i’d have to tell them about how she dropped things when she looked at me. how when her voice broke on the phone as she confessed to being scared, i felt my life realign to care for her. how she touched me with trembling hands and called me “beautiful”, and told me she didn’t deserve me. that she dreamt of me. how she told me she knew i could be better, knew i could be amazing.

tell them about the tingles that raced all over my skin when she cornered me in the dark tech booth and leaned into me all night, making excuses until she didn’t. how she almost kissed me in the abandoned hallways after school, and in the office she’d sneak into while I TA’d, and in the classroom after everyone had left, and how every time it happened my heart beat so hard I felt bruised.

i’d have to tell them how she finally kissed me and how she’d meant to leave after one kiss but she didn’t, bent down and kissed me again and whispered “you have no idea how long I’ve wanted to do that”, i’d have to tell them that I said, “i think i might” and pulled her back in and felt the world fade away.

and then i’d have to tell them about the second time she kissed me, when I tried to pull her in again and she pressed both hands to my throat until lights flashed in front of my eyes, until i considered that she might really kill me as she told me not to touch her.

how she changed her mind about that two days later and threatened to leave me because i wasn’t assertive enough.

and how she laid in bed with me, petting my hair and reading the sherlock holmes novels with me the day after. how we read at the exact same rate, turned pages in unison and she told me her mind fit mine like a puzzle piece.

the problem with edward cullen, with christian grey, is not that we as readers are meant to love them. that is arguably the only thing that the books get right, is how wildly charismatic, how intense, how perfect an abusive relationship can look at first.

if i wanted to really tell the story of my abuse, i’d have to make them love her like i did and hate her like i did and fear her like i did and long to protect her like i did. i’d have to make them sick with confusion, literally sick, so twisted that even bleeding on the side of the road they’re not sure what went wrong or whose fault it was.

i want them to sympathize with her, because i did, extensively, running antiseptic over the places she cut me watching my phone on the counter so i’d know if she texted me. i want them to know how someone gets to the point of worrying about the person who is hurting them even as they’re still doing it.

if i told the story of my abuse and it was not romantic, if the reader was not in love, if some part of them does not try to make excuses for her, if they don’t try to turn the pieces around in their head to find a way to have the joy without the agony – if they don’t ache with longing for the good parts, i have told the story wrong.

how can we talk about abuse if we cannot talk about why people stay? how can we deny fiction’s ability to explore every fractal: maybe in some universe i fix her. maybe in some universe she kills me. maybe in some universe i kill her. maybe i write a hundred endings to the story. see if any of them bring us peace.

vampireapologist:

thepsychoticfuckingbiotic:

vampireapologist:

xxdarthvaderofmiddle-earthxx:

thecosmicjackalope:

vampireapologist:

unlimitedgoats:

vampireapologist:

vampireapologist:

one time i was on an old street in glasgow and i made a loud joke about vampires and as i did this beautiful man with long hair on the other side of the street made direct eye contact with me and then ten minutes later he walked by again and looked at me and I still count that on my list of the five closest times I’ve ever come to dying

likely: I am just too loud to not look at in public places and he was just lost downtown

also likely: vampire, scoping me out for the kill

maybe the vampire just thought you were hot and funny?

a vampire finding u hot and interesting is AS bad as them finding you ugly and annoying as far as the Trying To Remain Human And Alive thing goes

It must be hard for the vampire too. Technically as they prey on humans for their blood, they rank higher than us in the food chain. To them, we are but sentient sandwiches. A vampire finding a human attractive has my eternal sympathy, because it’s basically like falling in love with a sandwich and that must be difficult to process.

Any vampire can see me like a human sandwich and I’d still want to be around them. Are there vampires? I’m in! ❤

LOVE YOURSELF!!!!!!!!!!!!!!!!!!!

You’re a fucking vampire APOLOGIST. What are you even saying rn

I DON’T!!! APOLOGIZE FOR ANYONE WHO IS. ACTIVELY EATING ME!!! AS MY FRIEND I HOPE YOU WOULDn"T EITHER

andromxeda:

idk if this is old news to the VC fandom or not, but there was an actual theater in paris that operated in the late 19th century & early 20th, that was the equivalent to le théâtre des vampires – it’s called Le Théâtre Du Grand-Guignol (the theater of great puppets). it’s themes were always dark and always gory. one owner measured a play’s success by the number of people who feinted during a performance; they even had a real doctor on hand in the theater to attend to everyone who feinted.

anne rice has said that she didn’t know about the grand-guignol when she wrote Interview, lmao