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Brad Pitt is doing a subtly different performance in these two roles, using similar physical mannerisms, but not identical. A comparison can be drawn. Maybe Louis would be the colder version, Mills the hotter version, of reacting to this similar situation.

  • Both have been roughed up somewhat by their antagonists at this point, but are dressed nicely. 
  • Both are reacting to the first moment of being informed that their wife/S.O. and infant child was murdered (for Louis, Madeleine is the freshly made child!).
  • What’s especially upsetting about Louis’s loss is that it echoes the beginning of the movie, in which he’d lost his wife and child in childbirth. He’s come all this way and IT F*&KING HAPPENED AGAIN GDI SANTIAGO ;A;
  • What’s especially upsetting about Det. Mills loss is that he didn’t know he was going to be a father! ;A;
  • Both have to grieve very quickly in order to move on to…
  • ☆*:.。. ~VENGEANCE~ .。.:*☆
  • Det. Mills serves it up fresh, impulsively, just walks right into the trap laid for him by his antagonist.
  • Louis serves it a bit cooler, the next night, with some planning involved, and alot more death, taking his antagonists by surprise.
  • Both essential use fire to do it. Firearm! Get it?? yeah.
  • Louis knows Revenge is a dish best served en Flambé.
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“I could see a world of frescoes and murals surrounded us, their colors deep and vibrant above the dancing flame, and gradually the theme and content beside us came clear. It was the terrible `Triumph of Death’ by Breughel, painted on such a massive scale that all the multitude of ghastly figures towered over us in the gloom, those ruthless skeletons ferrying the helpless dead in a fetid moat or pulling a cart of human skulls, beheading an outstretched corpse or hanging humans from the gallows…. So vivid, so perfect was it, I shuddered.”

– Louis de Pointe du Lac, Interview with the Vampire

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MY HOW THE TABLES HAVE TURNED

… but they approach each other very differently in these scenes. There’s the pull of love underneath, but on the surface Lestat has to do the taunting, a defense mechanism against possible rejection. Louis approaches Lestat without a word, just his presence. He’s there for closure, not really to get anything from Lestat beyond that. 

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enchantedbyhiddles:

They always remind me of each other.

YES.

Also this, Adam and Claudia tiptoeing around the sunlight (OLLA deleted scene)

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autosafari:

カプセルホテル Kapuseru hoteru (capsule hotel)

[X]

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Comparison of burning vampire flesh. 

[OLLA scene from here]

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Comparison I’ve been meaning to do for awhile. I don’t think these shots’ similarity was an accident. 

  • Claudia and Madeleine are both wearing green, signaling youth, envy, (Madeleine’s might also relate to her still being part of nature, as a mortal). 
  • Louis and Lestat are both wearing warm colors (purple & red), being in positions of power.
  • Lighting is reversed; Lestat is back-lit and Louis is front-lit.
  • Louis and Lestat are looming into frame from the upper right, Claudia and Madeleine are pushed back, and react from the lower left. 
  • Claudia and Madeleine’s reactions are different but similar in their initial expression and silence.
  • etc…