Gallery

Gallery

yosbougrerie:

ps im actually going to study “body image in french visual culture: 18th and 19th century" 

aka the king’s body, republican corporeality; the problem of the nude, bodily spectacles; race; otherness; androgyny; monstrosity; pornography; representations of hysteria; images of desire; fetishism; body and/in space; body and the self

I really want to know your stance on the musical – I personally love the score, but think that the book and production value tore it apart.

image

^fanart by @garama, who must have seen it live or the video of it, and has drawn fanart based on the musical, so he must have liked it! This is one of my all-time fave fanarts of Nicki/Lestat ❤ i just want to buy a whole graphic novel in this beautiful heartfelt style is that so much to ask *cries*

Some ppl loved Lestat the Musical, and more power to them! I am jealous of them. IDK if you saw the SF version or NYC version, live or video of it, but I saw the NYC version live and I did not like it. I partially blame the NYC producers for that, bc they apparently stripped out alot of the flair and gay stuff, maybe they were afraid it was pushing the envelope too far? But isn’t that what theatre is supposed to do? *sigh*

You can find ppl who enjoyed it, and other stuff about it, in my #Lestat the Musical tag.


Sadly, I mostly feel second-hand embarrassment for Lestat the Musical bc I made the mistake of inviting my cousin to go w/ me. She was not in the fandom, and she was uncomfortable the whole time *facepalm* Idk I thought she’d be into it, but the NYC version we saw was stripped so bare, and there was little to engage with. I can’t even listen to the soundtrack! It just brings me back to how disappointed I was in the bareness of the production, at the whole audience’s lack of enthusiasm… much cry, very sad.

So I have to be cautiously optimistic about the adaptation in the works and hope that they considered Lestat the Musical and can avoid its pitfalls.

prema-ja:

Des marques sur le beau marbre

When it’s good, there’s sort of nothing like it. When you’re in the moment, and the audience is with you, and you’re telling that story, and it’s alive, and it’s happening… and it feels like it’s never happened before, there’s nothing better. It’s just like flying.

When it’s bad, it’s awful.

David Tennant, 4/6/2016, on the extremes of being on stage (via jeeno2)