Angelina Jolie’s Subservient Pull Toy, by 14* on the Gallery of the Absurd, March 05, 2006
According to the tabloids, Brad Pitt has gone from sexiest man alive to subservient, pitiful yes-man who does whatever his girlfriend says. Ever since he met Angelina, he seems to have completely forgotten his self-identity. Don’t believe us? Consider the following: Angelina wears dark clothes, and what do you know…..Brad has started wearing dark clothes. Angelina is a pilot….and SURPRISE! Brad wants to be a pilot. Angelina is a Goodwill Ambassador, now Brad wants to be a Goodwill Ambassador. AND…. the most obvious example of Brad’s spineless metamorphosis can be observed in how Angelina grabs his hand and leads the way at each and every photo op. Brad is a pull toy, a handsome man on wheels who tends and entertains the kids while Angelina dazzles. Curious about the shiny red button on the Pull Toy’s back? Press it and Pull Toy happily responds: “Yes dear.” “Whatever makes you happy, dear.” “I agree with you dear, excellent idea.” “Whatever you say dear.” Medium: Ink on paper, digital color.
^I forgot how much I adored Gallery of the Absurd, it definitely had an impact on my sense of humor.
*Yes the artist is called “14,″ not a typo there 😉
Thanks for the praise on the recent Louis posts (links under the cut)! #we appreciate and love Louis in this house ❤
I think ppl forget that Louis is just as passionate and vengeful as Lestat, it’s just that he isn’t as vocal or showy about it. He’s more intimate and intense.
yeah he’s pretty but how can one forget him murdering a theatre full of ppl or that unlike most of our vampire friends hes the one that kills indiscriminately.
IKR? It took planning to kill a theatre full of older vampires who had honed their vampiry gifts. Louis does get pushed around, but he learns from it, and he comes back with a strategy. Lestat’s more of an impulse fighter.
And yes, Louis kills indiscriminately, which is scarier bc there’s nothing you can do to avoid it other than to not cross his path. At least you know you’re safe form Marius or Lestat as long as you’re not a certifiable Evildoer™
;D
In case anyone else missed them and you want to indulge in some Louis praise/discussion:
That thing you wrote that isn’t “good enough” to put up on the AO3. You can put it up there! The AO3 isn’t meant to be The World’s Classiest Showcase. It’s an archive. It exists because most other forms of hosting fannish work eventually degrade or disappear. Accounts get deleted. Websites shut down. The AO3 preserves those things. Ten years from now you’ll be like, “Shit, there was this really great tag essay, but the person changed their Tumblr URL and then Tumblr closed up shop…” (look, even Tumblr will die eventually) and your only hope of finding it will be if the page was cached, or if somebody uploaded it to the AO3.
The AO3 exists to preserve ephemera as much as substantial works. You know how valuable it is for archaeologists to be able to read the graffiti on the walls of Pompeii? The little things, the notes, the headcanons, the notfics, the meta, the back-and-forths, are all important too.
YES YES YES THIS.
Tumblr’s likely to die sooner than you expect, and suddenly – it’s owned by Yahoo. (Anyone remember
del.icio.us, later delicious.com?) Yahoo’s trying really really hard to squeeze money out of tumblr and it’s not working, for all the reasons discussed in synec’s post and because a huge portion of its userbase is 13-18 years old and HAVE NO DIGITAL MONEY so can’t buy things online even if they wanted to.
There is no “worthy to be on AO3.” None. The early fics were often really well-written; it was a high-standards archive – not because “it strove for high standards” but because the only people who knew it existed, who cared about a new multifandom archive, were the ones who’d been around watching archives disappear for years; they were veteran fic writers who wanted a permanent place to share their stories. It took a long time for AO3 to have enough server capacity to allow open invites; in the early days, it was friend-of-a-friend for invite codes. (They wanted more people; they couldn’t handle a flood. So they handed out a few codes at a time)
We even talked about it while setting up the original terms of service – knowing that by saying, our standards are less restrictive than ff.net, less restrictive than LJ, we were going to eventually have HUGE amounts of really bad fic. FF.net got the nickname “pit of voles,” and AO3 was going to outdo that… eventually.
And. We wanted it ALL. All the reader-insert Mary Sue “date with hot dude” fic; all the “quiz to find out which power ranger you would be” fic; all the “band came to my home town and their bus broke down in front of my house and they needed a coffee and…” fic. And later, all the meta: the thinky character analyses; the “who’d be best on a first date” discussions; the “why the new movie sucked rocks and should never have been made because they ruined my favorite sidekick” rants.
ALL. WE WANT IT ALL.
AO3 is not about “the best of fandom;” it’s about “the truth of fandom.” And the truth is, fandom is not comprised of 90% well-written tightly-plotted carefully proofread fic. Fandom is comprised of people who love their favorite shows and books and characters and want to share that love with others.
AO3 are not the fanfic standards police. We’re the ones cheering for the “GLOWING BLUE SKELETON DICKS” tags.
Someday, some fandom archaeologist (and yes, there will be fandom archaeologists, isn’t that awesome?) will sift through the badfic, the quick drabbles, the Mary Sues, and write articles for peer-reviewed journals chronicling the complete collected works of some of the 21st century’s greatest authors and how you can see in THIS self-indulgent Protagonist/OC clusterfuck the origin of those characterization tactics and flow of prose that make your subsequent masterworks truly shine as beloved classics, and THIS short character drabble gives THAT story arc in your well-known later story an exceptional poignancy and depth if one considers it backstory.
Also that fandom archaeologist’s teenage daughter will think the self-indulgent Protagonist/OC clusterfuck is the best thing she’s ever read.
BRYAN FULLER WILL BE PRODUCING THE VAMPIRE CHRONICLES TV SERIES!!!!!!! ❤ ❤ ❤ ❤ ❤ ❤
Christopher posted this on the Facebook page of the Vampire Chronicles:
“Christopher here, with an exciting announcement about our show. Sometime in the 1980’s, a young teenager from Washington State, who dreamed of working in Hollywood one day, decided it was his destiny to write a film adaptation of a novel called INTERVIEW WITH THE VAMPIRE. So that teenager did what any resourceful, gifted and determined young person would do in such an instance; he got a copy of the San Francisco phone book and checked to see if the novel’s author had a listed phone number.
It turns out she did. To his astonishment, the author, my mother Anne Rice, answered the phone herself when he called, and when this young man declared his intentions to adapt her book for the big screen, she gave him the number of the producer in Hollywood who owned the rights. Naturally, the producer’s response was something along the lines of, “You’re too young, kid. Go hone your talent. Maybe someday.”
Today I’m thrilled to inform you that the young man of which I speak is Bryan Fuller, who grew up to be one of television’s most innovative creative forces, responsible for such an amazing array of shows as HANNIBAL, DEAD LIKE ME and PUSHING DAISIES. Even better, the opportunity he asked for all those years ago has finally arrived.
It’s our great pleasure to officially announce that Bryan has become a member of the creative family working to bring the story of the vampire Lestat to television. For a year now, my mother and I have had the joy of working with creative partners at Paramount Television and Anonymous Content who share our vision for a prestigious, long-form, high quality and high production value television series focusing on the journey of the immortal Lestat as he travels the lengths of the vampire world detailed in The Vampire Chronicles. Almost instantly after we sold the rights last April, we knew we were working with some of the finest producers television had to offer. And those producers knew that Bryan would be a perfect addition to our creative team.
For months now, we’ve been developing written material that focuses Lestat’s story for television while also delivering on the promises Mom made to her fans last year when she first announced her intentions for the show. We’re confident this material will garner more exciting announcements in the months ahead. But for now, please help us welcome this brilliant and wildly talented force to Team Vampire Chronicles.
If you’d like to hear Bryan tell the story of his fateful, teenage phone call to his favorite author, I’ve included a clip from his interview with The Dinner Party Show in the comments below. Bryan and I will be together tonight, along with our friend and fellow writer, Eric Shaw Quinn, at the Hollywood premiere of THE ALIENIST, another eagerly anticipated adaptation of a popular novel, and a show that we’re sure will demonstrate to all why Paramount and Anonymous are the perfect home for Lestat and all of his fledglings, fellow vampires and rivals.”
Sometime in the 1980’s, a young teenager from Washington State, who dreamed of working in Hollywood one day, decided it was his destiny to write a film adaptation of a novel called INTERVIEW WITH THE VAMPIRE.
… To his astonishment, the author, my mother Anne Rice, answered the phone herself when he called, and when this young man declared his intentions to adapt her book for the big screen,
she gave him the number of the producer in Hollywood who owned the rights. Naturally, the producer’s response was something along the lines of, “You’re too young, kid. Go hone your talent. Maybe someday.” Today I’m thrilled to inform you that…the opportunity he asked for all those years ago has finally arrived.
I-want-my-IWTV 