As we’re on Botticelli, I have to say that I always associate Armand with Botticelli’s St. Sebastian! Fits with his backstory & there’s something inhumane (preternatural, to use anne’s word, lol) about that Seb, calmly flirting with the viewer while bleeding to death.

That’s a good one for Armand, too! Yeah, he seems preternaturally chill considering he’s riddled with arrows…how does he not feel them??! (I mean yes he’s an illustration but still)

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Sandro Botticelli: Saint Sebastian, 1474. 

With his martyrdom in progress, the young saint fixes the viewer with a firm, serene gaze. The facial expression, conveying belief in victory over Death, underscores the trust placed at the time in Saint Sebastian that he would protect people from the Bubonic plague.

[X]

There are many depictions of this subject, apparently! I really like Reni’s here.

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Guido Reni’s Saint Sebastian, “probably one of the most famous, probably because the martyr’s placid expression conveys the idea that he’s already halfway in Heaven. [X] This looks more angelic to me, more like my headcanon of Armand. BTW, who shoots a guy in the armpit?? Gross. RUDE. Gross and rude.

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^And I knew that looked familiar, the Reni version was used for the cover of Violin! Which I didn’t read… but I should, right? 

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^[X] Similarly, here’s one by Andrea Mantegna. Who shoots a guy in the head like this??? Like, at first I thought it was one arrow going thru his face, but there are two arrows there, a forehead arrow and an under-the-chin arrow, it’s just awkward, gross, and rude.

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^[X] Sculpture of Saint Sebastian by Antonio Giorgetti (1672). One of my faaaave fanfic writers used this re: their Lestat, and I hope they write more, as they’ve said they are trying to! But anyway, this reminds me of when Lestat was in a coma ;A;

There’s a painting that looks like this and they used it for the cover of Blood & Gold and I know I’m going to have to post about that.

Full shot of Botticelli’s St. Seb under the cut, cut for length.

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^He doesn’t look like he’s in any pain at all, really. More like he’s really proud of himself. Very Armand. #CONCEAL DONT FEEL.

Gallery

Primavera by Botticelli, painted ca. 1482, vs. the first US cover of The Vampire Armand, published 1998.

WHILE WE’RE ON THIS BOTTICELLI TOPIC. I was thinking about the cover for TVA, and a quick google turned out that was ALSO a Botticelli youth! I don’t know how much input, if any, AR had in this cover design. But it’s a Botticelli so we have to assume whoever pulled the trigger on it knew smtg about AR’s affection for Botticelli, especially as applied to describing Armand.

I tried to put it back into the painting, it had to be flipped twice and rotated a bit…

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^IDK about the colors, it does look like the TVA cover made his skin a little rosier, but I’m not sure that Wiki had the right colors for their version. The Wiki article says this person is Mercury. 

What does it mean that it was flipped upside down and backwards from its original context? What does the cropping off of the helmet mean? Any other thoughts?

Hello, sorry to bother you if you’ve seen this before, but I just found Botticelli’s Portrait of a Young Man for the first time, and his expression reminds me of Armand even more than the angel paintings! Maybe how Armand stares and stares at people lol. Hope you have a nice day!

My day was very good, thank u! Hope yours was/is, too. 

I looked for the painting and I found 3, there are probably even more than that… thanks for pointing these out to me, I hadn’t seen them before, I can definitely see some Armand in each of them. 

In all of them I see the “spun amber” hair thing, as David Talbot being a borderline perv including touching him w/o asking first describes Armand in TVA:

“Your hair’s like something spun from amber, as if the amber would melt and could
be drawn from candle flames in long fine airy threads and let to dry that way to make
all these shining tresses. You’re sweet, boylike and pretty as a girl. I wish I had one
glimpse of you in antique velvet the way you were for him, for Marius. I wish I could
see for one moment how it was when you dressed in stockings and wore a belted
doublet sewn with rubies. Look at you, the frosty child. My love doesn’t even touch
you.”

Apply that description to these:

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^Portrait of a young man holding a medallion. Altho this one doesn’t resemble Armand to me, it reminded me of his painting the ikons in the caves. “Yeah this took me maybe a half hour… commissions are closed.” Bonus points for the subtle trompe-l’œil effect of his finger sort of out of the frame like that.

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^Portrait of a Young Man 3. This is more physically Armand to me, and of the attitude of Armand, who has perfected the very difficult to achieve front-facing side-eye expression. He’s also throwing a gang sign, is that a W for west coast or an E for east coast? Armand is a riddle, wrapped in a mystery, inside an enigma.

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^Portrait of a Young Man. This one has awesome hair, all swirled like that. You might call this portrait boring at first glance but if you give it more of a chance, it has a haunting effect. Is he leaning forward a little? It seems like it. This is more of the coven master face to me than the other two. “If there were a leader… I would be the one.”

gothiccharmschool:

luzialowe:

soapamine:

I’M SCREAMING

I will never not reblog this. 

nigra-lux:

DAHL, Johan Christian (1788-1857)

View of Dresden by Moonlight, detail
1839
Oil on canvas, 78 × 130 cm
New Masters Gallery, Dresden
Ed. Orig. Lic. Ed.