what is the main difference(s) of gothic horror / tragedy etc. and horror? aka why is crimson peak gothic?

annabellioncourt:

I don’t know what post it was, but if its any help, horror is more of an element while gothic is a genre/mode/mood (scholars like to butt heads on it), horror would be a madman breaking into your house and slaughtering you–it scares you, its dark and grim, but it doesn’t effect you beyond the scare. 

A Gothic would have you anxious over the madman, questioning your belief in such a story, and possibly in God and superstition as a whole, while wearing something elegant in a gracefully lit room, with overtones of love running through that anxiety–the madman still shows up and there may still be a slaughter but there is a chase, there is hiding, there is terror instead of horror.

Compare Crimson Peak to Halloween, or Jane Eyre to any lifetime movie where a girl marries a person with a dark secret. Hammer Horror films were very good at treading the line between Gothic and Horror, as was the original Dracula novel. For another book comparison: Frankenstein is a Gothic, but IT is a horror.

Tragedy is common but not a necessity in the Gothic, it often comes as the price for including the terror. Crimson Peak ends in tragedy (and opens with it, as most Gothics do), but the terror and suspense and questions overpower the tragedy–if you haven’t seen it yet, I’ll tell this much: you leave it excited rather than depressed, there are a handful of questions like melting snow in your hand that drip away between your fingers before you can fully form them, ethereal and haunting visuals wash away the last of the nightmare, and then the credits roll–this is the Gothic, as opposed to pure tragedy where we see Horatio speaking of Hamlet’s nobility as he stands over the corpses of the last of his friends.

I’m trying to prove that classical music isn’t boring. Can you give me facts that show how hardcore classical music, musicians, and composers are (like the 1812 overture canons or the riot of spring)?

fluterants:

gay-440:

I’d love to have a more in-depth discussion of this sometime, but here’s a few facts off the top of my head

  • Mozart used to stay out all night partying and getting laid and then he’d sleep until noon and his long-suffering jerk of a father had to drag him out of bed to practice
  • He also wrote the overture for the opera Don Giovanni the morning it premiered, while extremely hungover
  • The interval between a perfect 4th and a perfect 5th (a tritone) was called “the devil’s interval”, and for centuries composers avoided it at all costs because it was believed to cause madness, violence, and sexual desire
  • Franz Liszt played so intensely that he physically destroyed pianos and they had to invent a stronger one (which is the model still used today)
  • Another thing about Liszt: women used to throw their underwear at him while he was performing. He was the first one-man boy band.
  • At the premiere of The Rite of Spring the audience was so alarmed by the dissonance and non-traditional style that they left their seats to storm out or beat each other up in the aisles
  • Many symphonies use non-traditional percussion like canons or massive wooden mallets, modern classical composers like John Cage like to stick things in piano strings
  • Shostakovich was the most hardcore composer (though I’m biased because he’s my fave). He barely escaped being exiled or killed by Stalin while continuing to write music containing forbidden folk melodies or thunderous movements depicting the dictator himself.
  • Paganini had no teeth and apparently looked like the devil

If folks have other facts I’d love to hear them!

  • J.S. Bach straight up lost one of his first jobs because he got in a sword fight with one of his students. He was 20. His student was 23. Apparently he called the student a “nanny-goat bassoonist”.
  • There is an opera about a magical ring that gives the wearer the power to rule the world. Through all the carnage for ownership of the ring, ALL the gods die, and Valhalla is destroyed. The opera is known as “The Ring Cycle” by Richard Wagner, and it is 15 hours long.
  • Oh and another thing about Liszt, he used to wear gloves and then throw them dramatically into the audience (of what I can only imagine as screaming teenage girls) before he performed.
  • Mozart wrote a piece called “"Leck mich im Arsch“, or “Lick Me in the Arse.”
  • Before batons was used for conducting, they used “pointed staffs” that would beat the tempo against the ground. Jean-Baptiste Lully stabbed himself through the foot with it, and therefore died from gangrene from the wound.
  • There is an aria in Lucia di Lammermoor in which the soprano has gone completely mad and has stabbed her husband to death. She sings with an accompanying flute (a bird that she’s hearing in her head), while in her wedding dress – covered in blood.
  • In Berlioz’s Symphony Fantastique, movement IV – “The March to the Scaffold”, the music depicts a young man’s march to the guillotine. You can hear the moment his head is cut off and bounces down the stairs.

I could probably go on forever. Classical music is fascinating!

penthesileas:

THE DEVIL’S TRILL / 20 pieces of classical music for halloween

01. Swan Lake Suite, Op. 20: Scene – Tchaikovsky
02. Organ Fugue in G Minor – J. S. Bach
03. Concerto in D Minor “L’Estro Armonico #11” i. Allegro – Vivaldi
04. Pictures at an Exhibition: Catacombs, Roman Sepulchre – Mussorgsky
05. Violin Sonata in G Minor “Devil’s Trill” – Tartini
06. Sonata No. 12 in A-Flat Major, Op. 26 iii. Funeral March for a Dead Hero – Beethoven
07. Impromptu #4 in C Sharp Minor, Op. 66 – Chopin
08. Quartet No. 3 v. Moderato – Shostakovich
09. Subito – Lutoslawski
10. Danse Macabre – Saint-Saens
11. Sonate pour alto seul, Chaconne chromatique – Ligeti
12. Scottish Fantasy for Violin & Orchestra, i. Einleitung – Bruch
13. El Amor Brujo: Ritual Fire Dance – de Falla
14. Sonata in G Minor for Cello & Piano, Op. 19 ii. Allegro Scherzando – Rachmaninoff
15. Otello: Preludio – Verdi
16. La Muerte del Angel (tango) – Piazzolla
17. Concert Suite in G Minor for Violin & Orchestra, Op. 28 v. Tarantella: Presto – Taneyev
18. The Firebird Suite: Infernal Dance – Stravinsky
19. Le Mandarin merveilleux, Op. 19 – Bartok
20. Symphonie Fantastique, Op. 14 v. Dreams of a Witches’ Sabbath – Berlioz

LISTEN

the-random-fandom-phantom:

IF YOU THINK THAT I’M GOING TO SIT AND WATCH A SIX TO SEVEN HOUR MOVIE JUST BECAUSE IT’S AN EXACT REPLICA OF ONE OF MY FAVORITE BOOKS WITH EVERY SINGLE WORD AND DETAIL INCLUDED then you are absolutely right, just let me make some popcorn and get some drinks, we’re gonna be here awhile

doctorcrocker:

Shout-out to fan-fiction writers who don’t or can’t write the 50k fan-fictions, because of a lack of focus or motivation, or mental illness.

Shout-out to fan-fiction writers who don’t or can’t write smut, but are still lumped into a group that is almost expected to write smut. 

Shout-out to fan-fiction writers who can’t update chapters frequently for maybe a multitude of reasons, and get messages daily from people asking for “their” new chapter. 

Shout-out to fan-fiction writers who aren’t big name fans and hardly get ten kudos or one comment on their fan-fictions. 

Shout-out to fan-fiction writers who stay up all night editing and rewriting and don’t get much attention on their work no matter how much they feel like they promote their writing.

Shout-out to fan-fiction writers who don’t write a lot and are constantly asked to write more but can’t for whatever valid reason they have. 

Shout-out to fan-fiction writers who have the courage to post their writing online and only have it publicly made fun of for grammar or poor characterization. 

Shout-out to fan-fiction writers for writing their fan-fiction, posting it online, and continuing to do it no matter how much or little attention they get, and constantly improving as a writer with every upload.

You all rock.

tzeentchgodofchange:

sueslayer:

captoring:

just-shower-thoughts:

Your DNA contains millions of years worth of software updates.

nah man your dna contains millions of years of totally random bugs, some of which don’t really change anything, some of which are rly bad and annoying, some of which miraculously make the software work better

#so I’m a bethesda game

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