hm. I miight not be reading the new book after all… has Anne finally lost it?? this sounds crazy.. So what happened with the title Blood Paradise?

Your guess is as good as mine! I’m guessing Blood Paradise was pushed back to be published after this book. Could be that AR had this book ready and BP is not, bc planning a wedding is pretty complicated and all that! 

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And my guess, based on outside of tumblr discussions, for the PLROA (yes that is our new acronym gawds) book is that it will be mostly Amel telling us how awesome Atlantis was, and why it fell, and that there’s some unresolved thing for Lestat to swim run over there and fix, and then return to lounging around the castle or whatever they’re doing, bc the Proem seems to set up that everything’s been resolved and this is the report after the fact, like QOTD.

UPDATE: She changed the title of Blood Paradise to Prince Lestat and the Realms of Atlantis:

FURTHER, that the Atlantis story had already been smtg she was working on for years and Lestat was added in later:

riverofwhispers:

lucifuge5:

tygermama:

gothiccharmschool:

What? WHAT? I don’t even know. But I’ll read it. Of course I will. 

this looks like it will be the finest crack in all the land and I can’t wait to read it!

Wow. I’m legit O_o about this.

@i-want-my-iwtv

THIS IS NOT A DRILL

I’m gonna read this book w/ a classy adult beverage within arm’s reach. But I have to say, after reading the excerpt, it could actually be a fun read. We don’t have to accept it as canon, just a fun read nonetheless. AU fanfic. 

My prediction, based on discussions outside of tumblr, is that it will be Amel narrating the story of Atlantis to Lestat for 75% of the book and then Lestat adventuring and finding the place itself for 25% of the book. WE SHALL SEE.

Hit the jump for the excerpt (which is linked above but I wanted to put it here under a cut for some kind of greedy collector reason idk TODAY IS A RED LETTER DAY.)

Proem

In my dreams, I saw a city fall into the sea. I heard the cries of thousands. It was a chorus as mighty as the wind and the waves, all those voices of the dying. I saw flames that outshone the lamps of heaven. And all the world was shaken.

I woke, in the dark, unable to leave the coffin in the vault in which I slept for fear that the setting sun would burn the young ones.

I held the root now of the great vampire vine on which I was once only another exotic blossom. And if I were cut, or bruised or burned, all the other vampires on the vine would know the pain.

Would the root itself suffer? The root thinks and feels and speaks when he wants to speak. And the root has always suffered. Only gradually had I come to realize it — how profound was the suffering of the root.

Without moving my lips, I asked him: “Amel, what was that city? Where did the dream come from?”

He gave me no answer. But I knew he was there. I could feel the warm pressure on the back of my neck that always meant he was there. He had not gone off along the many branches of the great vine to dream with another.

I saw the dying city again. I could have sworn I heard his voice crying out as the city was broken open.

“Amel, what does this mean? What is this city?”

We would lie together in the dark for an hour like this. Only then would it be safe for me to throw back the coffin lid and walk out of the crypt to see a sky beyond the windows full of safe and tiny stars. I have never taken much comfort from the stars, even though I’ve called us the children of the moon and the stars.

We are the vampires of the world, and I’ve called us many such names.

“Amel, answer me.”

Scent of satin, old wood. I like seasoned and venerable things, coffins padded for the sleep of the dead. And the close warm air around me. Why shouldn’t a vampire love such things? This is my marble vault, my place, my candles. This is the crypt beneath my castle, my home.

I thought I heard him sigh.

“Then you did see it, you did dream it too.”

“I don’t dream when you do!” he answered. He was cross. “I am not confined here while you sleep. I go where I want to go.” Was this true?

But he had seen it, and now I saw the city flashing bright again in the very midst of its destruction. Suddenly it was more terrible than I could bear. It was as if I saw the myriad souls of the dead released from their bodies rising in a vapor.

He was seeing it. I knew he was. And he had seen it when I dreamed of it.

After a while, he gave me the truth. I’d come to know the tone of his secret voice when he admitted the truth.

“I don’t know what it is,” he said. “I don’t know what it means.” His sigh again. “I don’t want to see it.”

The next night and the night after he was to say the same thing.

And when I look back on those dreams I wonder how long we might have gone on without ever knowing any of it.

Would we have been better off if we had never discovered the meaning of what we saw?

Would it have mattered?

Everything has changed for us, and yet nothing has changed at all, and the stars beyond the windows of my castle on the hill confide nothing. But then the stars never do, do they? It’s the doom of beings to read patterns in the stars, to give them names, to cherish their slowly shifting positions and clusters. But the stars never say a word.

He was telling the truth when he said he didn’t know. But the dream had struck a chord of fear in his heart. And the more I dreamed of that city falling into the sea, the more I was certain I heard his weeping.

In dreams and waking hours he and I were bound as no two others. I loved him and he loved me. And I knew then as I know now that love is the only defense we ever have against the cold meaninglessness around us — the Savage Garden with its cries and songs, and the sea, the eternal sea, ready as ever to swallow all the towers ever created by human beings to reach Heaven. Love bears all things, believes all things, hopes for all things, endures all things, says the Apostle. “And the greatest of these is love….”

I believed it and I believe in the old commandment of the poet-saint who wrote hundreds of years after the Apostle: “Love and do what you will.”

Gallery

[^IG, FBFANART BY @l–e–s–t–a–t FROM 6/5/15 PREDICTING THIS MESS]

@queenofthesavagegarden​ and @roselioncourt​ inform us that AR has a special announcement in about 7 hours, and she is using the Prince Lestat font, holy crap.

FURTHER: a listing has appeared on Amazon and it is… a watery tart mindfrack:

Prince Lestat and the Realms of Atlantis: The Vampire Chronicles Paperback – November 29, 2016

From Anne Rice, conjurer of the beloved best sellers Interview with a Vampire and Prince Lestat, an ambitious and exhilarating new novel of utopian vision and power, uniting the ancient worlds and the legends of the Vampire Chronicles.

“In my dreams, I saw a city fall into the sea. I heard the cries of thousands. I saw flames that outshone the lamps of heaven. And all the world was shaken …” –Anne Rice, Prince Lestat and the Realms of Atlantis

At the novel’s center: the vampire Lestat de Lioncourt, hero, leader, inspirer, irresistible force, irrepressible spirit, battling (and ultimately reconciling with) a strange otherworldly form that has somehow taken possession of Lestat’s undead body and soul. This ancient and mysterious power and unearthly spirit of vampire lore has all the force, history, and insidious reach of the unknowable Universe.

It is through this spirit, previously considered benign for thousands of vampire years and throughout the Vampire Chronicles, that we come to be told the hypnotic tale of a great sea power of ancient times; a mysterious heaven on earth situated on a boundless continent–and of how and why, and in what manner and with what far-reaching purpose, this force came to build and rule the great legendary empire of centuries ago that thrived in the Atlantic Ocean.

And as we learn of the mighty, far-reaching powers and perfections of this lost kingdom of Atalantaya, the lost realms of Atlantis, we come to understand its secrets, and how and why the vampire Lestat, indeed all the vampires, must reckon so many millennia later with the terrifying force of this ageless, all-powerful Atalantaya spirit.

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Do you know when or if or where the Anne Rice Fan Club’s ball will be this year? OR what its called?

It gets a different name every year, this year it’s “Midnight in the Savage Garden of Blood and Evil Halloween Ball.” I’ve never been to one myself, but apparently they are alot of fun, and lots of ppl dress up and/or cosplay as the characters!

It’s in New Orleans, LA, USA (almost always there, not sure if it has been held elsewhere) on 10/28/16.

It’s run by the Anne Rice Vampire Lestat Fan Club (main site, FB page) and it looks like they’re also trying to do “a pure New Orleans night out in the Lafayette Cemetery on Thursday night Oct. 27th to benefit Save Our Cemeteries…” so there’s that, too.

Looks like there will be an actual official Lestat, walking around Mastering the Ceremonies!

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I gave the vampire’s fear of sunlight a physiological explanation that had to do with the physiological laws that govern a spirit world or a cosmology. The spirit that has taken them over and made them inhuman is too sensitive to sunlight. It can’t thrive in sunlight — it’s simply paralyzed by sunlight, and weakened — and it can’t enliven their flesh. Therefore, the flesh starts to burn, because the flesh is dead anyway. The dark gift of immortality has different effects on different people. That they respond in different ways. Some people are emboldened, and some people are weakened. Some people are crippled by it, and destroyed by it. Other people are made into monsters by it. But the fundamental thing that happens with Louis is that it doesn’t change him. He is a guilt-ridden adult, living in grief over his dead brother, and he becomes a guilt-ridden vampire, living in grief over the fact that he has to take life in order to live. Perhaps it’s a lesson to Lestat that the basic personality doesn’t always change.

Anne Rice (via jardinsalvaje)

[X]

What’s your opinion about the VC lack of PoC characters?

One can criticize a work, create AU fanworks of it, or create an entirely original work. I would encourage everyone to write the story they want to read. Be the change you want to see in the world!

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(^Unfortunately, many PoC in VC have unhappy endings. Keep in mind that she’s an evildoer in the book, which wasn’t explicitly stated in the movie. She murdered her clients.) 

I’m a straight white lady, but I can understand how frustrating it must be to see one of your favorite authors release novel after novel in one of your favorite series and feel left out of the story bc your race/gender/etc. is not represented (or it’s fetishized, or represented negatively). I can understand how it might feel like the author is saying that you don’t exist (or matter enough) to them to place someone like you on their stage. It may be that they would love to write about a character like you but don’t have the knowledge/confidence/etc. to do the character the justice they need. 

However, in my opinion, an author is not a vending machine. No matter how successful they are, an author is not required to cater to their readership. Sometimes they make an effort to do so, as in the case with J.K. Rowling supporting her readers in their headcanon of Hermione Granger as a PoC. (Another concise article on that here: X).

AR has always advised us to write the story we would want to read. Publishing houses turned her work down for years until she found one that chose her story for what it was. Knopf felt her story would sell really well so they took the gamble on it. A publishing house doesn’t want to invest huge sums of money in something unless they think the odds are very good that they’ll make a worthwhile profit. I would ask that the criticism be leveled more towards publishers than the authors of stories which lack representation.

In this day and age it is easier than ever before to self-publish and get your story out there. Anna Todd did that with her One Direction fan fiction, “After”, and here’s a quote from AR (w/ my underlines) about it bc I feel it’s relevant here: [X

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In the same post, AR writes: “And in this great world in which we live, no writer is really in direct competition with any other writer. There’s room for us all. We can each try our personal best to write the books of our dreams and to become the writers of our dreams. And I’m really glad Fifty Shades came along. I am happy for E.L. James. And I’m happy for all the people who like “Fifty Shades.“ ”

“…The amazing thing about the writing world is that there has always been a lot of room in it, and a lot of heartbreak. We’re never directly in competition with some one who makes it big; there are so many avenues, so many spots on the bestseller lists of the world…… We’re really in competition with ourselves, driven to outdo ourselves. That’s how I see it anyway.”

So, write the story you want to see in the world! If it’s compelling, others will want to read it, too.

List of more VC PoC under the cut. 

(Not including PL characters bc there are so many! And some ppl do not recognize PL as canon. Go to wiki for those.)

David Talbot – he becomes Anglo-Indian

Davis – from the Fang Gang, not explicitly stated other than “black,” so African American, possibly.

Merrick Mayfair – mixed race 

Tarquin Blackwood (I think he is, can’t remember specifically), and other supporting characters in Blackwood Farm.

Akasha – from Egypt

Enkil – from Egypt

Khayman – from Egypt

Avicus – from Egypt

Azim – 

Himalayan? Maybe? He has bronze skin. That’s where his temple is. 

Benji – Arab, Bedouin 

Eudoxia – Can’t remember specifically, but I think she is a VoC. She is described as having white skin, but that may be due to her age (centuries old already when Marius meets her).

Hey so I really want to make VC fanart. Does Anne Rice still do legal things when she finds out? I know that all happened a while ago (wayyyyyy before my time in being in fandoms) and I know there is fanart and fanfic out there but I am still paranoid.

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^This is a legit screencap from her FB page, I just added the highlight. For the record, AR loves fanart, so keep it coming! ☆° 。:.゚ヽ(´∀`。)ノ゚.:。+゚ ☆

As for the fanfic, here’s my long post on it, with a bunch of her statements about it, but basically, she ignores fanfic:

“I got upset about 20 years ago because I thought it would block me,” she says. “However, it’s been very easy to avoid reading any, so live and let live.

If I were a young writer, I’d want to own my own ideas. But maybe fan fiction is a transitional phase: whatever gets you there, gets you there.” – Anne Rice, Nov. 2012.

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Still, her POTP occasionally bring things to her attention needlessly (like this blog post about someone’s bad experience in VC RP), with overly polite language like, “Anne, I hope that you’re aware that…” trying to provoke a response out of her. She still has rights and a lot more money than we do, so it’s important that we respect her. 

“To get ready to write any novel does take a lot of preparation. I do a lot of research. I do a lot of coexisting with the ideas about what the novel’s going to be. I take a lot of notes beforehand. I write in freeform on my computer; I just create different documents discussing all aspect of the novel. But then when I actually plunge into the novel, and live in the novel’s world, I have a very hard time doing anything but writing. I write from the first page to the end, going back and forth, back and forth revising the whole time, but I’m living in that novel in a very painful and joyful way. I frequently sit that the computer writing for hours everyday talking out loud while I’m writing — actually reading the words, or speaking the words, especially if they’re dialogue. To prepare for that, you prepare your own courage to take that kind of plunge; to loose yourself totally; to take yourself that far away from the delicious idleness that the rest of life seems to be.”

– Anne Rice [7/10/16 X]

“I get feelings of total defeat. I get feelings of total nihilism. I get so depressed sometimes that I look at my hands and I think why even lift them off the table…why turn on the computer…why touch the keys…why write anything? But what I do then is write about that. If nothing else, I turn it on and I write about despair, and I try to write my way through it. I think the most important thing, more than anything in the world, is to write, and use any excuse in your mind that you can to write. Don’t ever let despair or depression stop you. Remember this, that if you don’t write it, it isn’t going to be there. It’s that simple. And, if you are really down and out and really sad, look at it this way–decide that you are going to write it, and if you don’t like it, you are going to throw it away. I’ve done that quite a few times, and I’ve never wound up throwing the book away.”

– Anne Rice [6/26/16 X]