firelight-fading:

@i-want-my-iwtv Thought you and the rest of the fandom might want to see this, about 4/5 down from the new interview!
Director Josh Boone basically just confirmed himself (instead of the other source I had earlier) that the new film WILL be an adaption of The Vampire Lestat, but will have tiny bits of influence from other books (I’m assuming he means IWTV and QTD). He also said he’s aiming for a trilogy AND a spin-off tv series! Super exciting!

THANK U @firelight-fading A+ REPORTING!

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Your synopsis was gr9, but I must have it from his own words (my highlights):

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I trust this man. Why? It appear that he’s not rushing into it to make the $$$, he’s doing it bc he respects and has affection for the source material, dating back from his youth. “These were hugely inspiring books when I was young. They really helped shape me the same way [Stephen King]’s books did.”

He is totally in the VC fandom, an honorary member. He just may not know it yet ;]

LOOKIT THE WAY HE TAGGED UP THE STAND TO PREP IT FOR ADAPTATION THAT IS SOME SERIOUS FAN LOVIN’ [X]

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^He’s gonna take care of us similarly ❤ 

Reasons (in no particular order) why I trust Josh Boone w/ this adaptation, from his IG account:

Hit the jump.


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^Mentions the VC in his IG caption. It would appear that he’s honored to be part of it! Also he shares his icon pic w/ Stephen King, and really, Stephen King is also one of my faves for his amazing storytelling abilities, I mean, I just don’t even have words for what he does, but he seems to come from a similar place that AR did, they were both steeped in the horror media of their youth and he alchemizes through his own unique filter and GOLD COMES OUT. A different flavor of gold than AR’s, for sure, but they are comparable. 

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^He collects the old industry magazines, old publicity from the time period. He keeps himself updated on horror movie FX and topics so he’s not just gonna give us some shitty 90′s eye makeup, slap on a pair of fangs and a wierd accent and expect us to swoon. LIKE SOME MOVIES HAVE DONE.

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 ^Like seriously he takes care of his books, and he has the nice hardcover editions. 

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Daddy/daughter sci fi movie night too cute. TOO CUTE. E.T. is worth 50+ viewings, absolutely.

Gonna restrain myself from suggesting he cast his adorable daughter as Claudia. But if he wanted to do it, I would certainly not stand in his way.

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^Also I think that’s a

Jeffrey Alan Love illustration. Gruesome. I love it.

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^BROKEBACK. HE IS NOT SCARED OF M/M. Give it to us, Mr. Boone. We can handle it. We’ve been writing fanfic of it for 30+ yrs. 

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^His list of fave movies includes alot of great ones. Also pleased w/ his director crushes.

Did you really make it through this whole post?? NICE.

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i-want-my-iwtv:

life-on-night-island:

thelistenersfury:

life-on-night-island:

Louis has a PHD in ignoring Lestat

-Art by Admin F

Okay, but why is Louis wearing eyeliner and lestat isn’t? Shouldn’t it be the other way around, you know, rock star and all?

That isn’t eyeliner tho; those are dark circles under his eyes that show off just how done he is with his undead life. And Lestat. Mostly how done he is with Lestat.

At least 90% of those dark circles have accumulated because of Lestat-related-stress.

Worry = top quality guyliner/eyeliner

Also file this under:

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merciful-death:

devilsfool:

thelionscrimsonclaws:

i-see-light:

Can we talk about… how Louis repeatedly has visual/auditory/tactile hallucinations, episodes of dissociation and depersonalization, and panic and anxiety attacks all throughout IWTV but these things are never really touched upon again in the series… like these are all possible symptoms of very severe depression, which I guess Rice alludes to Louis having throughout the series, but like honestly Louis was barely functional in IWTV and that’s never really been demonstrated again… in the later books Louis is always described as being calm, quiet, morally exceptional, conveniently kind, and romantically “sad.” I’ve always felt like the others’ perception of Louis was completely different from Louis’s perception of himself in his own account, and I wonder what ever happened to that intensity in his character in IWTV. I think if it’s touched upon later at all, it’s in Merrick? A little? Still though, it feels like Louis was conveniently stabilized and made static in the narrative in order to make him an easier character to sideline lmao

Very much so…..

//Frankly, this is an astute observation. And I think a lot of the changes in Louis’ character came, frankly, from his author no longer wishing to associate with him. Anne made it quite clear that she hated Louis’ voice and never wished to write in it again–and it took her almost forty years (39, to be exact) for her to be able to write in it again (I’m referring to the Epilogue in Prince Lestat). 

ooc; I agree with @devilsfool re: Anne.  I believe she was actually quoted at one point after writing Merrick saying that she didn’t want to ever write in Louis’ voice again???  Or something like that.  She definitely expressed not caring all that much for his character.

But I can agree with what you’re saying too, because ultimately, IwtV was the only first-person narrative from Louis until the last chapter of PL.  I’ve always felt Louis to be this intense perfectionist that can’t tolerate his own downfalls, and I definitely agree that he shows numerous symptoms of depression.  He’s his biggest critic, and I think that shows a lot in IwtV.

I feel like IwtV would have seemed a lot different if told from Lestat’s perspective?  Because while Lestat may get really, really angry with Louis sometimes, his descriptions of Louis are the most glorified in the books.  He’ll talk about Louis moping around, but he paints a general picture of Louis being a very strong person that is dedicated to his convictions.  Louis is literally his emotional rock, and really, I don’t believe Lestat would actually ever openly write of any breakdowns Louis may or may not have had.  And I feel like if Louis was to have a bad bout of depression, Lestat would be the one to know, above anyone else.

Then you have Khayman’s description of Louis, where he flat out says that Louis can’t exist without Lestat.  And Armand’s bit about Louis in TVA paint him as very melancholy, imo.

I also look at where Louis was when he gave the interview.  He’s a very careful, private person, and he had his reasons for giving the interview in the first place (which can be debated in itself; I’ve always thought it was a cry out for Lestat and/or suicidal recklessness).  He’d been alone for years and felt he’d nothing left.  He was infuriated that Daniel didn’t see his story as despairingly as he himself viewed it to be.  Louis felt down on everything at that point, and I don’t know that he’d really be that open with his experiences and feelings on any other night?

Idk, I’ve always felt that for as emotional as Louis seems to be, he still sucks majorly at actually dealing with his own emotions.  Which is how I reason his major breakdown(s) in Merrick.

/writing this at 1am and hopes it makes sense lol

#YES #THIS #this post cannot be improved upon

Gonna add 2 things anyway.

1 – AR wrote IWTV after the loss of her daughter. Louis was pretty much AR herself, dealing with that grief, questioning a God as to why he had to punish her so much. What did Louis do to deserve a life-in-death living hell? What did Claudia do to deserve eternal imprisonment in that little body? What did AR’s daughter do to deserve dying so painfully at such an early age?

In the end, Louis (and the readers) draws his own answers and has to come to some kind of peace in order to move on. Lestat has his Savage Garden, in which peace lies in the fact that there is no explanation, bad things just happen to good people. The most we can do is try to do Good and help eachother survive the slings and arrows, try not to be the slinger of arrows, and if we are, to do it for the sake of Good. We’re all imperfect.

2 – Louis’ voice is pretty damn hard to write, when done well. My guess is that AR didn’t see a need to revisit his POV, especially with the intensity of focus it required. @annabellioncourt​ had some excellent points on this awhile back:

“Louis is more along the lines of the Oscar Wilde’s era of the very late 19th century, which is what most people think of today when they think “Victorian writing.” Similar in voice (though not subject) would also be Matthew Arnold (read some of his essays, and tell me that’s not how Louis talks), Wilkie Collins, and Henry James.

”…Louis is not so much involved in human goings on, he’s aware of events and films, but still speaks in the language of the century where he spent the most time communicating with others–also he would not have lost his speech patterns over those decades with Armand because Armand was mostly isolated in his language circles. So we can look at all of that as to why Louis talks the way he does.“

“Louis does show a HEAVY influence from the French symbolist poets (the school that Charles Baudelaire was from).”

And of course Louis would express himself in the language of the writers he enjoyed. OF COURSE HE WOULD. We all know he’s basically a big ol’ bookworm w/ fangs.

thelionscrimsonclaws:

This is the seedier side of literature and sometimes when it’s late, I cruise the streets until I find him….sprawled in some dusty corner of a well-used bookshop with pages draped over his bare arm, a glazed look in his eyes, high as a kite on Chaucer or Fitzgerald, and a trail of crumpled bills leading to the counter. As I pick up his inert body and walk past the shelves, dog-eared, greasy, stained pulp novels that have seen things, call me ‘Sugar’ and put their wares on display to tempt me. I keep going with his weight in my arms. For him, I cannot give in.  It’s fortunate that I love him so…..even though he’s an addict.  *shakes his head*

Gonna need you to read smtg for the team, you glutton for punishment. Think you can take it? Your mission, should you choose to accept it: “Bleeding Indy” by Siobhan A Stevens (supposedly has a “Lestat” in it?? Has vampires anyway). Apparently it’s the first in a series and was given away in goodiebags at one of AR’s NOLA balls.

high-fructose-lesbianism:

Yeah I think I can do that. Not until next month though.

Huzzah! I’m opening this up to anyone else, too. Who’s gonna join Team hyperbeeb in this misson:impossible undesirable?

Okay, so not Louis. He doesn’t read trash.

Hi most beautiful of the beautiful :* I have kinda sorta read that you ship Louis and Lestat pretty hard (and who doesn’t) so what do you say to Anne Rice seemingly forgetting about Louis once in a while? I mean, he’s been on a pretty low profile in many of the books, unless I missed something?

annabellioncourt:

i-want-my-iwtv:

Why thank u dear, such a lovely compliment! I shall have to post more selfies… unless u are referring to my inner beauty of which I have an abundance *u*

I do ship L/L! Absolutely! However did u guess?? sometimes Louis doesn’t ship them but thats fine bc nobody ships L/L as hard as Lestat ships L/L.

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[fanart by FiestaTB ]

ANYWAY: Why u no write so much Louis, Anne Rice?

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[memeything by vampchronfic]

I don’t remember when exactly, but I think AR did call Louis a “damaged pilgrim” at one point. There’s that.

If you want to cry over Louis, read Merrick, if you haven’t already. He has a lead role in that one ;] But be prepared because your feels will be squarely hit.

Hit the jump for my thoughts on why we don’t get much Louis action post-IWTV.

Keep reading

(ok because Louis spoke in English, and the French followed MOST of the same patterns in literary history, I’m going to base this mostly with British literature)

Yep! Louis manner of talking was much more flowery. It was lush and decorative without the higher philosophical trappings of the earlier 1800′s. Louis is more along the lines of the Oscar Wilde’s era of the very late 19th century, which is what most people think of today when they think “Victorian writing.” Similar in voice (though not subject) would also be Matthew Arnold (read some of his essays, and tell me that’s not how Louis talks), Wilkie Collins, and Henry James.

The trade mark of the era was the fading out in popularity of language for the sake of language: the British (and to a lesser extent the French) had a love for the intricacy of the language, how it all worked together, and (take a look at Charles Dickens for an Example of this) it would result in using several paragraphs to tell what could be summed up in a couple sentences. 

The realists in France and a few in Russia (as the Russians idolized France in the 1800′s) were starting something new by the close of the century: keeping their prose short, sweet and to the point. With no less artistry they found beauty in a minimalistic approach: instead of “Roses of velvet that matched the shade the rubies dripping from the mark of the asp on Cleopatra’s breast,” for example, it was now “soft, bloody roses.” 

They still evoke the same image, but not the same tone

Going back to what this has to do with Louis: he’s not so much involved in human goings on, he’s aware of events and films, but still speaks in the language of the century where he spent the most time communicating with others–also he would not have lost his speech patterns over those decades with Armand because Armand was mostly isolated in his language circles. So we can look at all of that as to why Louis talks the way he does.

I’m sorry if that was incoherent and rambling; I’m cooking and writing at the same time.

^I knew I could count on annabellioncourt for some​​ excellent points ❤ 

She also added: “Louis does show a HEAVY influence from the French symbolist poets (the school that Charles Baudelaire was from).”

Of course Louis would express himself in the language of the writers he enjoyed. OF COURSE HE WOULD. We all know he’s basically a big ol’ bookworm w/ fangs.

Greed:a headcanon about something your character hordes or collects

merciful-death:

ooc; Everything.

He collects books, obviously.  Tons and tons of books, and he particularly likes finding first editions of classics.  He knows where all of his favorites are around the house, even if they’re in some random drawer or placed under a pillow somewhere.  He’s not tidy at all and, as I mentioned a few days ago in a headcanon post, he had a tendency to leave a trail of his stuff behind him when he gets up or leaves.

Besides books, he loves office supplies.  A lot.  He’s got dozens of notebooks that he’s never written in, and more nice, smooth-writing pens than he can remember.  He constantly buys new things because he actually can’t remember where he put that-notebook-he-bought-last-week.

He also hoards various knick-knacks that he finds in stores that he thinks are pretty/useful/whatever.  They end up everywhere.