monstersinthecosmos:

In case anyone gets stuck on their @vcsecretgifts or if the holidays are getting you down in general I put some prompts together to push you along! Big thanks to @superhiki for donating the cute artwork. 😀 Write some fics! Draw some stuff! GIVE US THE DARKEST GIFTS! 

Bonus points for sneaking in sweaters (cozy or ugly or otherwise, possibly knitting it themselves?!) and mistletoes (imagine your OTP!), and you will absolutely win my heart if someone gets the Replimoids hammered at the Christmas party. I HC that they make good alcohol conduits. Make it happen.

Tag it #DarkXmasGift so I can stalk you, thanks. 

List in text under the cut!

Keep reading

zetablarian:

berlynn-wohl:

venndigo:

k8thescout:

can someone explain the alignment chart for me but in like, the simplest wording possible lmao

lawful good: i want to do the right thing, and following society’s rules is the best way to do that

neutral good: i want to do what’s right, and i’m willing to bend or break the rules as long as no one gets hurt

chaotic good: i’m willing to do whatever it takes as long as it’s to do the right thing

lawful neutral: following the rules of society is the most important thing, and that matters more to me than doing what’s right

true neutral: i just want myself and the people i care about to be happy

chaotic neutral: i want my freedom, and i don’t care what i have to do to keep it

lawful evil: to impede the protagonists (in whatever evil way) is my primary goal, but i follow my own code of morals even when it’s inconvenient

neutral evil: to impede the protagonists (in whatever evil way) is the my primary goal, and while i’ll do what it takes to achieve it, i also won’t go out of my way to do unnecessary damage

chaotic evil: i relish in destruction and want to do as much damage as possible while i try to achieve my primary goal

Here is a handy visual guide I made a while back. Part of my intention was to show the variety of ways that each of the alignments can be represented:

You can see/reblog my original posts here, here, and here.

BEST ALIGNMENT CHARTS EVER.

That Nicolas ask made me curious.. Do you have any headcanons about what any of the characters’ voices sound like?

That’s a really tough question! When I read the books I read them all in MY voice, which sounds like an 11 yr old girl’s. So that wouldn’t work.

Probably gonna get alot of disagreement on this and that’s fine, bc voice casting is even MORE subjective that acting casting but I’ll give it a shot anyway. Reblog w/ your own ideas, and try to include links to vids.

Lestat – His voice is actually not that low, bc he was turned at 20-21, but it gets higher-pitched when he raises his voice. Has that slightly ragged singer’s voice edge to it. Can do a wide range, though, can imitate voices, musical notes, animal sounds, etc. Usually to perturb others.

Lestat will go up to Armand and say something like, “Ooooh Marius, paint me like one of your Italian boysssss…” in Armand’s voice which is always amusing, whatever reaction he gets.

Other than Tom Cruise (bc he’d be the easy answer), I’m gonna go w/ Sebastian Bach in the 80’s. Or Ewan McGregor in Velvet Goldmine.

Hit the jump for more.


(I didn’t include PL characters for the sake of brevity)(You can add them in the comments)(I also didn’t find good vid examples for all of these, sorries)

Louis – A mellow, calming voice. He can silence a room with a concise and gentlemanly eloquent statement. In canon, it’s mentioned more than once that you can hear his French accent. He himself doesn’t notice it, of course, bc he’s Mr. Pointe du Lacking-Any-Vanity-Whatsoever. Louis Garrel would be a good pick.

Armand – I’ve always felt like the Smashing Pumpkins’ Billy Corgan was very Armand in his singing voice, he has all the anguish and beauty that is Armand. In his speaking voice, it’s soft, and you can hear something broken there, but it’s smooth, controlled.

Daniel – Has a slight vocal growl, like River Phoenix (Or maybe Aaron Tveit), and altho he has a relatively low voice, he’ll always sound like he’s 20 on the phone.

MariusMichael Fassbender, @sheepskeleton​ made me see it and I can’t unsee it. A commanding but gentle teacher’s voice.

David – As an old man, he had that perfect older Dad-vibe; comforting, ex-adventurer, wise, with more than a touch of charming sass. So Kurt Russell would be a good voice, but he needs the noticeable British accent.

post-TOBT David is David Gandy. He’s got the British voice, the charm, etc.! Young or old, David’s laugh is that old-man whiskey laugh, mostly air!

Gabrielle – She has a dignity about her and it comes through in her voice. Her laughter sparkles, but it’s rare. She has a very commanding Mom Voice, the kind where she can yell w/o raising her voice. Gonna go with fan favorite Charlize Theron. Or Nicole Kidman, or Michelle Pfeiffer, obviously, too.

BiancaScarlett Johansson. @everlastingporcelain​ has convinced me that Scarlett = Bianca and I can’t unsee/hear it. Sass, charm, vocal growl, wholesomeness, and an advanced maturity.

When I’m 80 years old and sitting in my rocking chair, I’ll be reading Harry Potter. And my family will say to me, ‘After all this time?’ And I will say, ‘Always.’

RIP Alan Rickman (1946-2016)

^Apparently Rickman did not say this but I think he’d agree with the sentiment

on censorship and sensitivity

akairiot:

There’s a certain attitude that scares the shit out of me – let’s call it destructive sensitivity.  It’s the philosophy that, if an idea is uncomfortable, it needs to go away.  If an image upsets you, or reminds you of a bad experience you had, then not only should you not have to look at it, no one should be allowed to look at it.  And if you can’t eradicate it completely, it should at least be buried so deep that a casual viewer would never stumble upon it.  This kind of censorship is nothing new, but I feel like it’s becoming more and more common.  So, why do I think it’s a problem?

FICTION

An important question we need to ask ourselves first is, what is the purpose of media, and particularly of fiction?  Why do we read, why do we look at artwork, why do we watch movies?  To only see happy things?  As escapism?  That’s certainly a valid interpretation, but it’s not the only one.

For the artist or creator, fiction can be a way to communicate the inner self to the outer world, through the use of symbols.  It’s a means of expression.  What they express might be deep, might be simple, might be beautiful or disgusting, might be for a niche audience or the whole world, but in the end, it is the artist taking pieces of their own experience and creating something new.  

For the viewer, fiction is a way to understand things that are outside their experience, and a way to expand their experience safely.  Fiction allows us to go places and do things that we can’t or wouldn’t in our own lives, without risk, without physical harm, and without causing harm to others.  Fiction can teach us what we fear, what we love, what we’re missing.  It can show us how others live, how others see us, how we see ourselves, and we’re free to engage with it as shallowly or as deeply as we want.

But fiction is not equal to reality. Watching Friday the 13th doesn’t make you a murderer, and it doesn’t kill you.  Reading Lolita doesn’t make you a pedophile.  Writing a story where a character is raped is not the same as committing rape, and reading that story is not the same as being raped.  Thought is not crime.

CENSORSHIP

Censorship is a way to force your interpretation of material on others, to reduce or destroy another’s experience by prejudging it as harmful to them.  But part of becoming a well-rounded human being is accepting that not everyone has the same sensibilities, and not every experience needs to be positive.  

What you find offensive, some might find enjoyable.  What you find traumatic, some might see as an exercise in empathy, or a means of catharsis.  Sad songs can be beautiful.  Horror stories can be fun.  When you decide to silence the things you don’t like, you’re cutting off others from that same experience. You’re making decisions for others, and you’re essentially saying that your feelings (and the feelings of people who agree with you) are more valid than anyone else’s.  I find this darkly ironic, because the audience that holds these particular sensitivities also tends to be the first to champion acceptance and non-traditional viewpoints, while organizing witch hunts for those they feel disrespect them.

So, why is this important to me?  Why does it scare me?  Well, as an artist, the complaint of one sensitive viewer can erase my work in an instant.  When complaints are made, content is removed first and questions are asked later.  Artists are guilty by default, and viewers are treated as victims.  No content host wants to be the one to stand up for freedom of expression at the risk of being seen as supporting offensive material.  Most alarming of all, this is all seen as totally acceptable, or even justified.  When an artist’s work is taken down, I see comments like, “Well, that’s the risk you take when you post stuff like that.  Can’t be helped.”  Even the people who disagree with censorship just shrug their shoulders.

SENSITIVITY

To those who are sensitive, I’m not trying to say, “just get over it”.  Emotional hurt is real, traumatic experiences are real.  I would never belittle someone else’s pain.  But you have to realize as well that your experience is not the be-all, end-all of the world.  Not all content is made with you in mind.  It is inevitable, if we want to exist in a world with other people in it, that we’ll be exposed to things we don’t enjoy.  The answer is not to destroy or degrade those things, but to try to understand them – and if that fails, at the very least, we can allow them to exist on equal terms.  It is that frightening desire to homogenize the world, to eliminate that which we fail to understand or which causes us emotional distress, that can lead as to real prejudice, to real violence and real crime.  Please understand that allowing content you dislike to exist is not the same as advocating it.  

THE ANSWER

What I would love to see is a perspective shift.  I want to see a world where responsibility is on the viewer, not the creator or the content host.  If you have a problem with something, it’s up to you to not see it, not for the artist to hide it for you, or add unavoidable warnings that prejudge a work.  I want a world where, rather than censorship by default, censorship is a conscious choice for those who want it.  No work is hidden until a user hides it themselves.  Artists are not punished for merely posting content that some find offensive, only for not tagging it correctly.  Freedom of expression and variety of content is seen as more important than protecting viewers from fiction, from discomfort, from viewpoints that don’t mesh with their own.

Accept others.  Take responsibility for yourself (and only yourself).  Understand that not all content is meant for you.  Understand that fiction is not crime, and fiction does not equate to real-world harm.  That’s all I’m asking.

(please don’t let this become a shitstorm… TT _ TT)

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