“Döden” (“Death”) by artist Janis Rozentāls, 1897. It rare to see death depicted in white.
It’s a refreshing change to see Death in a liberator sort of role rather than a condemner. Here they are shown light with feminine features and scythe held low and non threatening. She is bent forward and speaking as if to apologize for the sadness she will leave in her wake, but also conveying the reverence and respect she has for her position and those souls she reaps.
“I pray that my soul comes to maturity before it is reaped.”
That’s kerosene. Used in lighting oil lamps at that time, too.
(^From a draft of the script.)
Apparently, “kerosene in its natural state is a clear, colorless liquid. To comply with U.S. federal tax law, kerosene is dyed red.” [X] Idk what colors it came in Paris in 1860-5ish, when Louis burned down the TdV… 😛
The fact that it came in a keg like that, and that alcohol is flammable, one could easily mistake it in the movie for wine. So many victims bled to death on that stage, and then considering that Lestat had told Louis to pretend blood was wine, I think it makes sense that this kerosene is amber/red in the movie, figuratively, it seems to be blood or wine, even if that color might be wrong historically.
I could fill novels with fashion advice! You’ll have to be more specific, ma petite. Depends on the occasion. Comfort first, clean, crisp, a dash of structure. Some metal. Other flair if you have the guts for it. Leopard print can count as a neutral now, who would’ve ever thought?!
[^X by @garama] Louis may never “get it” with fashion, but I’ll be damned if I’ll be seen in public with him when he’s dressed like the equivalent of mouldy American white bread when I am a divine Parisian croissant.
And don’t forget the importance of accessories, so much the better if they’re functional, too *winks*
Poor Madeleine! Did not deserve to die like that ;A; Unfortunately, I’d say she was condembed to die by proxy, being so attached to Claudia.
I don’t think Madeleine’s death was totally under Armand’s control. He was not really the leader of the TdV (see more quotes on that below the cut); in TVA Armand says: “For the record, [Claudia] was slain by my Coven of mad demon actors and actresses,… it became all too clear to too many that she had tried to murder her principal Maker, The Vampire Lestat. It was a crime punishable by death, the murdering of one’s creator or the attempt at it”
^“slain by my Coven”but not that he ordered them to do it. Just that he didn’t stop it from happening.
This is an #unreliable narrator situation again, as there are at least three different accounts of the trial that was held under TdV (see more below the cut)(four if you include the above statement from TVA). In all instances, the important part of the “trial” was that Claudia was the one who had to be convicted and sentenced to death. Louis and Madeleine were secondary concerns.
There was no explanation for why Madeleine was also condemned to death, I would suggest that Santiago (and/or Armand) wanted to kill Madeleine bc she was mad (the extent of which we don’t really know) and/or they didn’t really know what else to do with her. Santiago probably wanted to do it bc it’s thrilling to kill another vampire, as Armand pointed out in book!IWTV: “`You see,’ he said, `killing other vampires is very exciting; that is why it is forbidden under penalty of death.’
I-want-my-IWTV 