We are what we love to read, and when we admit to loving a book, we admit that the book represents some aspect of ourselves truly, whether it is that we are suckers for romance or pining for adventure or secretly fascinated by crime.

Nina Sankovitch, Tolstoy and the Purple Chair: My Year of Magical Reading
(via wordsnquotes)

Once we start calling people monsters, we start sacrificing our sense of curiosity, our obligation to ask how they became that way, and why they did what they did: life, and certainly fiction writing, is about being endlessly fascinated by the human condition–naming someone a monster is lazy; it allows you to stop thinking and questioning.

Hanya Yanagihara, Electric Literature (via kylelucia)

apanthropinization

(noun) A rare and ancient word in the English lexicon, apanthropinization is defined as the act of withdrawing oneself from the state of humanity and its inevitable turmoil and anxiety. Although, phonetically and aesthetically, the word is harsh, its meaning originated from a delicate urge: the primitive human need to lust in beauty, particularly the beauty of nature. Without a doubt apanthropinization possesses hermit-like behavior, but surfaces from instinct. One does not retreat because he/she is bitter, but rather retreats to the primal urge to admire and become captivated by beauty and symmetry.  (via pushpulld)

As long as you look for someone else to validate who you are by seeking their approval, you are setting yourself up for disaster. You have to be whole and complete in yourself. No one can give you that. You have to know who you are – what others say is irrelevant.

Nic Sheff (via onlinecounsellingcollege)

Seldom did I see my feet in black socks. I knew almost nothing personally about my feet. They looked rather small for the twenty-first century. Bad luck. But six feet was still a good height.

Lestat de Lioncourt, Blood Canticle (via i-want-my-iwtv)

#THAT QUOTE ABOUT HIS FOOT SIZE INSECURITY #biggest baby #small feet complex #like he is already convincing himself that his height makes up for it #as if ANYONE NOTICED EXCEPT HIM

Anthropologist David Gilmore has proposed the idea that, in most cultures, monsters assist people in “awakening…to their own values and moral traditions.” If so, then in a communal society, perhaps the wendigo is the embodiment of hunger’s selfishness. It does not run in packs or pair off to mate and raise offspring; rather, the wendigo stalks the wilderness alone, attuned only to the black hole of its gullet.

But monsters leave the liminal space of one culture’s nightmares and enter the rest of the world where they are appropriated and changed to suit other fears and fancies. For those of us raised on the tender vampires of Anne Rice and Stephenie Meyers, there’s also a strange romance in untrammeled hunger. After all, ravenousness is metaphoric as well as literal. We conflate physical hunger with romantic desire in ten thousand pop songs, and who among us has not looked at a beloved and wanted to consume them?

In a different mirror, the wendigo’s insatiableness might be a manifestation of loneliness, a kind of desire for connection that has metastasized.

Kate Angus, “The Wendigo” (via existingcharactersdiehorribly)