You have a light in you that’s almost blinding. But in me there’s only darkness. Sometimes I think it’s like the darkness that infected you that night in the inn when you began to cry and to tremble. You were so helpless, so unprepared for it. I try to keep the darkness from you because I need your light. I need it desperately, but you don’t need the darkness.

Nicolas de Lenfent
The Vampire Lestat (via garama)

vampchronfic:

i-want-my-iwtv:

One of their last happy moments as a family… ♥

And Lestat can’t keep his eyes from Louis.

Yes, it’s so sweet, Lestat’s happy bc Louis is happy. Awwww…

Skimming Interview with the Vampire, found this:

“‘Rest easy,’ she said abruptly, her voice still low.’I tell you that as much as I hated Lestat… ’ She stopped.

” ‘Yes… ’ I whispered.’Yes…. ’

“ ‘As much as I hated him, with him we were… complete.’ She looked at me, her eyelids quivering, as if the slight rise in her voice had disturbed her even as it had disturbed me.

” ‘No, only you were complete… ’ I said to her.’Because there were two of us, one on either side of you, from the beginning.’

“I thought I saw her smile then, but I was not certain. She bowed her head, but I could see her eyes moving beneath the lashes, back and forth, back and forth. Then she said,’The two of you at my side. Do you picture that as you say it, as you picture everything else?’ ”

Evidence of Lestat & Armand actually getting along:

“When you found me under Les Innocents,” he said, “you wanted to bathe me with perfume and dress me in velvet with great embroidered sleeves.”

“Yes,” I said, “and comb your hair, your beautiful russet hair.” My tone was angry. “You look good to me, you damnable little devil, good to embrace and good to love.”

We eyed each other for a moment. And then he surprised me, rising and coming towards me just as I moved to take him in my arms. His gesture wasn’t tentative, but it was extremely gentle. I could have backed away. I didn’t. We held each other tight for a moment. The cold embracing the cold. The hard embracing the hard.

…“I can’t remember anything bad between us,” I said.

“You will,” he responded. “And so will I. But what does it matter what we remember?”

“Yes,” I said, “we’re both still here.”

From Memnoch the Devil

*cries*

(More of this scene under the cut.)

This was Armand.

He sat on the stone park bench, boylike, casual, with one knee crooked, looking up at me with the predictable innocence, dusty all over, naturally, hair a long, tangled mess of auburn curls.

Dressed in heavy denim garments, tight pants, and a zippered jacket, he surely passed for human, a street vagabond maybe, though his face was now parchment white, and even smoother than it had been when last we met.

In a way, he made me think of a child doll, with brilliant faintly red-brown glass eyes; a doll that had been found in an attic. I wanted to polish him with kisses, clean him up, make him even more radiant than he was.

“That’s what you always want,” he said softly. His voice shocked me. If he had any French or Italian accent left, I couldn’t hear it. His tone was melancholy and had no meanness in it at all.

“When you found me under Les Innocents,” he said, “you wanted to bathe me with perfume and dress me in velvet with great embroidered sleeves.”

“Yes,” I said, “and comb your hair, your beautiful russet hair.” My tone was angry. “You look good to me, you damnable little devil, good to embrace and good to love.”

We eyed each other for a moment. And then he surprised me, rising and coming towards me just as I moved to take him in my arms. His gesture wasn’t tentative, but it was extremely gentle. I could have backed away. I didn’t. We held each other tight for a moment. The cold embracing the cold. The hard embracing the hard.

“Cherub child,” I said. I did a bold thing, maybe even a defiant thing. I reached out and mussed his snaggled curls.

He is smaller than me physically, but he didn’t seem to mind this gesture.

In fact, he smiled, shook his head, and reclaimed his hair with a few casual strokes of his hand. His cheeks went apple-perfect suddenly, and his mouth softened, and then he lifted his right fist, and teasingly struck me hard on the chest.

Really hard. Show-off. Now it was my turn to smile and I did.

“I can’t remember anything bad between us,” I said.

“You will,” he responded. “And so will I. But what does it matter what we remember?”

“Yes,” I said, “we’re both still here.”

He laughed outright, though it was very low, and he shook his head, flashing a glance on David that implied they knew each other very well, maybe too well. I didn’t like it that they knew each other at all. David was my David, and Armand was my Armand.

I sat down on the bench.

“So David’s told you the whole story,” I said, glancing up at Armand and then over at David.

David gave a negative shake of the head.

“Not without your permission, Brat Prince,” David said, a little disdainfully. “I would never have taken the liberty. But the only thing that’s brought Armand here is worry for you.”

“Is that so?” I said. I raised my eyebrows. “Well?”

“You know damned good and well it is,” said Armand. His whole posture was casual; he’d learned, beating about the world, I guess. He didn’t look so much like a church ornament anymore. He had his hands in his pockets. Little tough guy.

Gallery

cloudsinvenice:

I think this kind of speech is why Lestat is so in love with Shakespeare.

Yes. Dripping with sarcasm!

He quotes Othello in the IWTV movie when killing the whore in front of Louis (strikethroughs are words he cut out):

“Yet she must die, else she’ll betray more men.

Put out the light, and then put out the light.

If I quench thee, thou flaming minister,

I can again thy former light restore

Should I repent me. But once put out thy light,

Thou cunning’st pattern of excelling nature,

I know not where is that Promethean heat

That can thy light relume. When I have plucked thy rose

I cannot give it vital growth again,

Its needs must wither.”

(The last line should actually be “It must needs wither.”)

Lestat quoting Othello

High res here

Lestat quoting Othello (Act 5, scene 2), in Interview with the Vampire (strike-throughs are words cut out, and the last line is different, too):

“Yet she must die, else she’ll betray more men.

Put out the light, and then put out the light.

If I quench thee, thou flaming minister,

I can again thy former light restore

Should I repent me. But once put out thy light,

Thou cunning’st pattern of excelling nature,

I know not where is that Promethean heat

That can thy light relume. When I have plucked thy rose

I cannot give it vital growth again,

Its needs must wither.”

Gallery

*~Bambi de Lioncourt~*

The Waiting Room by hw-campbell-jnr

Once the pen is dipped it just wants to make pictures. I’m not responsible for what happens. Though it’s worth noting that Bella sees the same therapist as these guys. He specializes in vampires after all. And Bella has problems. Mostly with self-esteem.

This artist is so intellectually stimulating, plus, her drawing style is very classy, the faces are so expressive. I’m prescribing Therapy with the Vampire.