The sensory description of Paris

duendology:

“In the period of which we speak, there reigned in the cities a stench barely conceivable to us modern men and women. The streets stank of manure, the courtyards of urine, the stairwells stank of mouldering wood and rat droppings, the kitchens of spoiled cabbage and mutton fat; the unaired parlours stank of stale dust, the bedrooms of greasy sheets, damp featherbeds, and the pungently sweet aroma of chamber pots. The stench of sulphur rose from the chimneys, the stench of caustic lyes from the tanneries, and from the slaughterhouses came the stench of congealed blood. People stank of sweat and unwashed clothes; from their mouths came the stench of rotting teeth, from their bellies that of onions, and from their bodies, if they were no longer very young, came the stench of rancid cheese and sour milk and tumorous disease. The rivers stank, the marketplaces stank, the churches stank, it stank beneath the bridges and in the palaces. The peasant stank as did the priest, the apprentice as did his master’s wife, the whole of the aristocracy stank, even the king himself stank, stank like a rank lion, and the queen like an old goat, summer and winter. For in the eighteenth century there was nothing to hinder bacteria busy at decomposition, and so there was no human activity, either constructive or destructive, no manifestation of germinating or decaying life that was not accompanied by stench.

And of course the stench was foulest in Paris, for Paris was the largest city of France. And in turn there was a spot in Paris under the sway of a particularly fiendish stench: between the rue aux Fers and the rue de la Ferronnerie, the Cimetiere des Innocents to be exact. For eight hundred years the dead had been brought here from the Hotel–Dieu and from the surrounding parish churches, for eight hundred years, day in, day out, corpses by the dozens had been carted here and tossed into long ditches, stacked bone upon bone for eight hundred years in the tombs and charnel houses. Only later–on the eve of the Revolution, after several of the grave pits had caved in and the stench had driven the swollen graveyard’s neighbours to more than mere protest and to actual insurrection–was it finally closed and abandoned. Millions of bones and skulls were shovelled into the catacombs of Montmartre and in its place a food market was erected.” 

~Patrick Süskind “The Perfume. The Story of a Murderer”

even the king himself stank, stank like a rank lion

^poetry

viaticumforthemarquise:

hecvte:

The Vampire Chronicles Aesthetic: Gabrielle De Lioncourt

“We write our own fairy tales, my love,” I said, “The lesson in this is that nothing can destroy what you are now. Every wound will heal. You are a goddess.”

“And the goddess thirsts.” She said.

“What are you waiting for, the church to pronounce it a miracle?”

dellabop:

Victorian glass casket; child’s

“She
wanted a coffin of her own now, which left me more wounded than I would let her
see…

We were
to go to the coffinmaker’s. A play, a tragedy in one act: I to leave her in his
little parlor and confide to him in the anteroom that she was to die. Talk of
love, she must have the best, but she must not
know;
and the coffinmaker, shaken with the tragedy of it, must make it for her,
picturing her laid there on the white satin, dabbing a tear from his eye
despite all the years…

`But
why must she die?’ he begged me, as if I were God who ordained it. `Her heart,
she cannot live,’ I said, the words taking on for me a peculiar power, a
disturbing resonance.

…And
there the coffin lay in our bedroom, where she watched it often by the hour
when it was new, as i
f the
thing were moving or alive or unfolded some mystery to her little by little, as
things do which change. But she did not sleep in it. She slept with me.”

– Louis de Pointe du Lac, Interview with the Vampire

Gallery

They can smell it, it smells like spilled blood to them, as usual… they say “Hunger is the best sauce” and that’s certainly true for Lestat (ew). 

Hit the jump for the scene from canon about this (and I think it was tastefully done, no pun intended) but I warn you, what has been read cannot be unread.

“Her menses. It was being neatly collected by a pad of white cotton
between her legs.

I let myself think of it now because the menses was
heavy and the smell was overpoweringly delicious to me. It began to
torture me, the thought of licking this blood. This isn’t pure blood,
you understand, but blood is its vehicle and I felt the normal

temptation that vampires do in such circumstances, to lick the blood from
her nethermouth between her legs, a way of feeding on her that
wouldn’t harm her.

Except under the circumstances it was a perfectly outrageous and
impossible thought.”

Later: “…

that special, perfumed blood collecting
neatly between her legs.”

MUCH LATER: “

“Forgive me, forgive me,” I whispered,

…and I lapped at the blood just inside her young pink vaginal
lips, just coming from the mouth of her womb, not pure blood, but
blood from her,… blood that brought no pain, no
sacrifice, only her gentle forbearance with me, with my unspeakable
act, my tongue going deep into her, drawing out the blood that was
yet to come, gently, gently,…

…taste and smell of blood, her sweet
blood, a place where blood flows free and no wound is made or ever
needs to be made, the entrance to her blood open to me in her
forgiveness.”  

Go to the book for more, I was trying to be really concise here. In the earlier part of the book when he smells it, he wants it bc blood is blood, but he can control himself and he knows it’s “a perfectly outrageous and impossible thought.”

Later, he had just gotten back from a traumatic adventure and he wanted the blood as a means of self-medication (comfort food!) as much as he needed the closeness to Dora herself. Vampires probably prefer wound blood. Maybe there are vampires who prefer it this way, though! It’s good that AR addressed the question ;]

I also have a tag with a few more posts about Dora the Nun and there’s fanart of this scene.

lachrymist:

The Vampire Chronicles List : Prince Lestat – #8

“And how could I ever explain how I had reached this moment, I who had been Born to Darkness of rape, and sought for redemption in a borrowed mortal body, and followed spirits yet unexplained to realms of inexplicable Heaven and nightmarish Hell, only to fall back again to the brutal Earth, broken, and battered, and defeated? How to explain why this, this alone, was the bold and terrifying alliance that would give me the passion to travel the road of the centuries, of the millennia, of the aeons of uncharted and unimagined time?”

Oh lord help me lestat is as helpless as a newborn after body switching, tripping on carpets, messing his pants, binging on chocolate and already half dead from a sickness. Just wanna squish his cheeks and feed him hot soup abububu

“I’ve watched two-year-old humans with interest for centuries. They’re miserable. They rush about, fall down, and scream almost constantly. They hate being human! They know already that it’s some sort of dirty trick.

” 

– Lestat, Tale of the Body Thief

image

[fanart by sheepskeleton] <– Edit! I had the credit wrong! Sorries!

Gallery

‘Course I can drive a truck. Sure, you got your steering and your gas and your brake and, of course, this metal, uh, looking… thing. Okay, so it was a bumper car at Coney Island, but it’s the same basic principle.

for annabellioncourt and takemetocoffin-or-losemeforever bc of THIS