|| Anna Rice – Interview With The Vampire
“Evil is a point of view. We are immortal. And what we have before us are the rich feasts that conscience cannot appreciate and mortal men cannot know without regret. God kills, and so shall we; indiscriminately He takes the richest and the poorest, and so shall we; for no creatures under God are as we are, none so like Him as ourselves, dark angels not confined to the stinking limits of hell but wandering His earth and all its kingdoms.”
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“I could see a world of frescoes and murals surrounded us, their colors deep and vibrant above the dancing flame, and gradually the theme and content beside us came clear. It was the terrible `Triumph of Death’ by Breughel, painted on such a massive scale that all the multitude of ghastly figures towered over us in the gloom, those ruthless skeletons ferrying the helpless dead in a fetid moat or pulling a cart of human skulls, beheading an outstretched corpse or hanging humans from the gallows…. So vivid, so perfect was it, I shuddered.”
– Louis de Pointe du Lac, Interview with the Vampire
He turned as I entered the room, and I took him in my arms. With him, I could give vent to the affection I’d held so severely in check with Merrick. I held him to myself and kissed him as men might do with other men when they are alone. I kissed his dark black hair and kissed his eyes, and then I kissed his lips.
[…] I have set for myself the task of being a hero in this world. I maintain myself as morally complex, spiritually tough, and aesthetically relevant a being of blazing insight and impact, a guy with
things to say to you.
So if you read this, read it for that reason that Lestat is talking again, that he is frightened, that he is searching desperately for the lesson and for the song and for the raison d’etre, that he wants to understand his own story and he wants you to understand it, and that it is the very best story he has right now to tell.
[…] Come with me.
Just listen to me. Don’t leave me alone.

[X]
“When he says I played with innocent strangers, befriending them and then killing them, how was he to know that I hunted almost exclusively among the gamblers, the thieves, and the killers, being more faithful to my unspoken vow to kill the evildoer than even I had hoped I would be? …The whores I feasted upon in front of Louis once, to spite him, had drugged and robbed many a seaman who was never seen alive again.
But little things like this don’t really matter. He told the tale as he believed it.”
– the Vampire Lestat
gorgeous-fiend: #How was he to know
It’s the fact that you left that little thing (and piles of other little things) unspoken that caused so much friction in the frick frack! Argh.
In Lestat’s defense, I think if he started with the whole, "You know, Louis, you can just kill evildoers, like I do…” then Louis might pick and question at that, too, and maybe he was worried that opening up just a little bit might be enough to want to reveal ALL TEH SEKRITS WHEN MARIUS SAID SPECIFICALLY NO TELLING, WE PINKY-SWEARED AND EVERYTHING.

A version of the Interview with the Vampire script with at least one very different scene! It’s the Lestat/Gabrielle waking-up-inside-a-crowded-church scene, but Louis and Claudia w/Lestat instead of Gabrielle!
lunchiemunchies: #I WOULD’VE LOVED TO SEE THIS EXCHANGE #BECAUSE LOUIS IS LAUGHING AND THAT MAKES LESTAT WANT TO LAUGH #IT WOULD’VE BEEN SUCH A CUTE LITTLE MOMENT #AND A FUNNY SCENE SINCE THEY’D SCARE THE PEOPLE #INTERVIEW WITH THE VAMPIRE
Same, totally agree on that.

String me up and play me like the ruined violin I am left in the attic for years on end left to the humidity dust and sunshine unnatural arch in my neck begging you to string me tight and play the broken melodies that belong to me alone
Fan fiction is a way of the culture repairing the damage done in a system where contemporary myths are owned by corporations instead of by the folk.
u dont stay married to someone for 65 yrs without any frick frack
On this dreary, cold night I’d been thirsty; more thirsty than I can bear. Oh, I don’t technically need the blood anymore. I have so much blood from Akasha in my veins, the primal blood of the Old Mother that I can exist forever without feeding… but I was thirsting and I had to have it to staunch the misery, or so I told myself on a little late night rampage in the city of Amsterdam, feeding off of every reprobate and killer I could find. I’d hidden the bodies, I’d been careful, but it had been grim: That hot, delicious blood, pumping into me and all the visions along with it from filthy and degenerate minds – all that intimacy with the emotions I deplore. Oh the same old, same old. I was sick at heart. In moods like this I’m a menace to the innocent and I know it only too well. At four in the morning it had me so bad. I was in a little public park, sitting on an iron bench, in the damp, doubled over in a bad, seedy part of the city, the late night lights looking garish and sooty through the mist. I was cold all over and fearing now that I simply wasn’t going to endure: I wasn’t going to be a true immortal like the great Marius or Mekare, or Maharet or Khayman or even Armand. This wasn’t living what I was doing, at one point the pain was so great it was like a blade, turning in my heart and in my brain. I doubled over on the bench; I had my hands clasped on the back of my neck and I wanted nothing so much as to die – to simply close my eyes on all of life and die.
And the voice came, and the voice said, “But I love you.”



