sanguinivora:

theraphaellus:

amadeo-child-of-the-renaissance:

//first of all: WHO? I don’t see a cerubic auburn-haired youth and his master with shoulder-lenght blonde hair.

And second: seriOUsly?

This is funny because that actor is literally the least marious you could be 

“Director” did several episodes of TV!Hannibal. #no thank you, Mr. Fuller.

(BTW just for clarity, that’s director Michael Rymer in the pic above, not Bryan Fuller.)

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monstersinthecosmos:

howthecovenarticulatebrokeup:

When someone asks me what’s wrong with this movie I show them this gif of Jesse and Lestat

I’m really impressed that you can tell how bad the acting is without sound. 

I feel like QOTD would be that *in-universe* attempt to make a movie about Lestat by someone who didn’t know or care what he actually looked like, they just wanted to do one of those “based on a true story” type things. I could easily see Lestat watching it just to make fun of how inaccurate it is. “That guy looks NOTHING like me” “is this really what my music sounds like to mortals” “if they really wanted to make a movie about me they should’ve just asked me to write direct and act in it”

Do you mean movie!QOTD? The REAL Lestat was not consulted on that adaptation.

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thanks for writing that dialogue FOR ME, @audacityinblack!

I feel that Queen of The Damned would have been so much better if they replaced the actress for Akasha and re-filmed her scenes/finished filming given that Aaliyah died (may her soul rest in peace)

Aaliyah was one of the only at least halfway decent things about that movie! 

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[http://i-want-my-iwtv.tumblr.com/post/144355352629/anneboleyns-favorite-fictional-ladies-akasha]

(Can’t do fancy formatting on mobile *grrrr*)

I bet they’d used too much of the budget to re-film her scenes, but really, she was one of the only things they got right (well, maybe not “right” but close enough). I really like that she was a vampire of color who kept her color, despite being described as white (not Caucasian but light-skinned) in canon. I don’t know if ancient Egyptians were in fact light or dark skinned but in a series of alot of white ppl, it was good to see some diversity.

Crew morale was probably very low after she died, they might not have wanted to even try to replace her 😦

redversaillesrose:

I was rewatching QotD the other day because I hate myself and like, check this out.

Like, these are two of the vampires in the vampire bar. But, like, ignore the shitty quality and look at them. 

Like, a red-haired teen with a guy in his mid-20s with long black hair. Both rather pretty.

And we all know that a lot of fans acted like extras in the “movie”. Isn’t it cool how two of them just went as Louis and Armand? 

ACCEPTED. That’s Louis and Armand.

writedreamlie
reblogged your photoset “spookshowvixens:

Ugly, Ugly Vampires
Graf Orlok (Nosferatu 1922)
The Night Flier (The Night Flier 1997)
The Master…”
 and tagged it:  #IS THAT WHAT ARMAND LOOKED LIKE IN THAT MOVIE, #THAT’S WORSE THAN ANTONIO BANDERAS, #THAT IS NOT A 17 YEAR OLD CHERUB, #JESUS FUCK.


YES THAT IS WHAT HE LOOKED LIKE IN THAT MOVIE AND THAT IS LIKE 50% OF WHY THAT MOVIE WAS SO TERRIBLE. +30% OF ITS HORRIBLE 90′s APPROPRIATION (look, I get it, it wanted to be cool and grunge and Hot Topic but it did it in a very weird and tasteless way), +45% FORCED HET ROMANCE, +23% WHERE THE FRACK WAS LOUIS??!, +12% CANON WAS COMPLETELY IGNORED (MARIUS APPARENTLY IS LESTAT’S MAKER?) 

ANYWAY SO THAT’S AT LEAST 160% TOTAL OF WHY IT WAS TERRIBLE.

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spookshowvixens:

Ugly, Ugly Vampires

Graf Orlok (Nosferatu 1922)

The Night Flier (The Night Flier 1997)

The Master (The Strain 2014-Present)

Iris (30 Days of Night 2007)

Mister Barlow (Salem’s Lot 1979)

The Reapers (Blade II 2002)

The Vampires (Stake Land 2010)

The “Vampire” “Armand” (Queen of the Damned 2002)

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gentlemandeathinsilk
reblogged your post and added:

But the real question is… do you want to survive?

GET IT? GET IT? BECAUSE THE MOVIE IS SO BAD IT MIGHT NOT BE WORTH LIVING IN A WORLD WHERE IT EXISTS. YOU’RE WELCOME.

Yes this world is still worth living in, marred as it is by that film. This describes my feeling for that heartbreaking work of staggering genius (by textsfromthevampire):

[that poor miserable road manager]