Yes, that’s in Merrick. It seems like Ricean vampires can be captured with photography, film, and video.

[^X not quite the right Claudia, but this is an evocative photo titled Livia by Frederick Sommer.]

Louis tells David about it:

“But the photographs, the daguerreotypes, that’s what she wanted, the real image of herself on glass…. But then years later, when we reached Paris, in those lovely nights before we ever happened upon the Théâtre  des Vampires and the monsters who would destroy her, she found that the magic pictures could be taken at night, with artificial light!“ 

He seemed to be reliving the experience painfully, I remained quiet. 

“You can’t imagine her excitement. She had seen an exhibit by the famous photographer Nadar of pictures from the Paris catacombs. Pictures of cartloads of human bones. Nadar was quite the man, as I’m sure you know. She was thrilled by the pictures. She went to his studio, by special appointment, in the evening, and there this picture was made." 

He came towards me. 

"It’s a dim picture. It took an age for all the mirrors and the artificial lamps to do their work. And Claudia stood still for so long, well, only a vampire child might have worked such a trick. But she was very pleased with it. She kept it on her dressing table in the Hotel Saint-Gabriel, the last place that we ever called our home. We had such lovely rooms there. It was near to the Opera. I don’t think she ever unpacked the painted portraits. It was this that mattered to her. I’d actually thought she would come to be happy in Paris. Maybe she would have been … But there wasn’t time. This little picture, she felt it was only the beginning, and planned to return to Nadar with an even lovelier dress.”