Thank uuu!

^X by @spockemonâ
[GOOD MORNING!]
HELLO TO YOU TOO!Â
I was digging around in my archive bc I was SURE I had ONE fanart of Louis and Claudia fighting with the European zombpire, but I canât find it :[ Maybe someone else knows of it?Â
Have this, anyway, at least this creature doesnât have to waste money on lipstick, no lips!: [X]

[Iâm re-reading the original trilogy (IWTV, TVL, QoTD), and I was wondering if any of the later books ever talk about the revenant Louis meets in Transylvania with Claudia? Is it ever explained? What do you think caused it?]
I donât think those European zombpires
are ever explicitly explained in the first 3 books or mentioned in later canon (except in a vague way in TVL by Armand and Marius, quotes further down this post). I might be wrong. If they are mentioned in canon again, I donât think it was explained what they are :-
TL;DR: The Dark Gift is not an exact science. Your theory could be right! Personally, I donât think the zombpires share the same origin story as the conscious vampires in VC. Some fans think AR included the
zombpires
as a way to sort of low-key slam the older vampire mythos, since her vampires are SOOO much better⊠with no issues with crucifixes, having reflections, etc.!Â
I donât think we know enough about the zombpires to say definitively how theyâre made, so itâs kind of up for grabs in that sense. However each reader sees it! Your theory about the mortals closing their minds during the Dark Trick could be the answer!

If a mortal was deliberately closing their mind to a vampire intent on turning them, thus locking the vampiric parasite out of their head/memories⊠that could be a reason for the mortal MIND not accepting the vampiric parasite, resulting in THE BODY turning, but NOT the mind, the mortal LOSING their mind to madness, having lost control of their body, thus, zombpire. Quite possible! Would random mortals know how to do this? Could be an unconscious defense mechanism? Maybe!
Hit the jump for more on this, cut for length and/or spoilers.
[My personal theory is that when a vampire makes someone with their mind closed (the way we know some can do), it results in a revenant, as all the making-scenes in the series describe sharing memories and emotions; it seems pretty vital!]
Thatâs possible, in VC context, closing oneâs mind is smtg you do to protect your mind from being read by others, and it takes practice and skill. Talamasca members seem trained to do it.Â
Refusing the Dark Gift or accepting it, a strong will to live does seem to be a necessary element. Even the vampires who were turned against their will (Lestat, Marius, etc.) actively refused it right up until their last breaths, but that shows a strong will to live, not a closed-off mind. Just in IWTV:
And other Dark Gift scenes have some variations on that, I think.Â
In IWTV, Claudia is fascinated by the European zombpires, tries to puzzle them out, sheâs considering how much blood needs to be exchanged and how strong the heart of the mortal is:
âBut Claudiaâs waking thoughts were of a far more practical nature. Over and over, she had me recount that night in the hotel in New Orleans when sheâd become a vampire, and over and over she searched the process for some clue to why these things we met in the country graveyards had no mind.
⊠ â `After all, what does it take to make those creatures?â she went on. `Those vagabond monsters? How many drops of your blood intermingled with a manâs blood ⊠and what kind of heart to survive that first attack?â
But how would his blood get into them? Heâd have to have an open wound, idk, it seems kind of awkward to imagine Louis accidentally turning any of his victims, and it makes him super uncomfortable to talk about it with her.
Later in canon we see vampires giving drops of their blood to mortals to heal them or as a sensual gesture, and those mortals arenât given enough to turn them, so that little isnât enough to make a zombpire.
Claudia seems to think itâs really about the strength of the heart of the victim:
â `That pale-faced Emily, that miserable Englishman âŠâ she said, oblivious to the flicker of pain in my face. `Their hearts were nothing, and it was the fear of death as much as the drawing of blood that killed them. The idea killed them. But what of the hearts that survive? Are you sure you havenât fathered a league of monsters who, from time to time, struggled vainly and instinctively to follow in your footsteps? What was their life span; these orphans you left behind you-a day there, a week here, before the sun burnt them to ashes or some mortal victim cut them down?â
^This seems to fit in line with the needing a strong will to live.Â
The Children of Darkness chose their fledglings with care, and even then itâs unpredictable. Armand in TVL:
But let Armand understand here also that the effect of the Dark Trick is unpredictable, even when passed on by the very young vampire and with all due care. For reasons no one knows, some mortals when Born to Darkness become as powerful as Titans, others may be no more than corpses that move. That is why mortals must be chosen with skill. Those with great passion and indomitable will should be avoided as well as those who have none.
Marius confirms this, still in TVL:
But no matter, only so many children can be made by one in a century. And new offspring will be weak. However, this is not necessarily a bad thing. The rule of the old covens had wisdom in it that strength should come with time. And then again, there is the old truth: you might make titans or imbeciles, no one knows why or how.
Nicolas might have become such a zombpire, the way he was barely functional as a fledgling at first.Â
By midnight it was clear that [Nicolas] would not speak or answer to any voice, or move of his own volition. He remained still and expressionless in the places to which he was taken. If the death pained him he gave no sign. If the new vision delighted him, he kept it to himself. Not even the thirst moved him. And it was Gabrielle who, after studying him quietly for hours, took him in hand, cleaning him and putting new clothes on him. – TVL
^But he does move when prodded and Lestat thinks Gabrielle can telepathically communicate with him, which makes him more functional than the European zombpires. Lestat is finally able to rouse him with the violin, so was Nicolas just refusing to talk, etc, or was he really unable? We donât know.

For my Lestat and Louis muses, yes, they do know the VC books/movies exist. I think most VC RP muses know the VC books/movies exist, including the other adaptions. There were official graphic novels of the 90âČs, Claudiaâs Story (the graphic novel of IWTV from Claudiaâs POV), and the Lestat musical.
If you say youâve only finished one book, youâd have to specify which book.
They tend to tease eachother about the casting choices or acting of their characters in the films.Â
Armand about Lestat:Â âTom captured your obnoxious attitude perfectly. I almost forgot it wasnât actually you on screen.â
Lestat about Armand: *huffs* âAt least I was played by someone who resembles me.â


[X] In canon, the vampires havenât mentioned any of the movies or graphic novel adaptations, but the books themselves are acknowledged as existing. Some in-universe characters take them as bibles, others laugh at them as cheesy or awful fiction.
Honey Boo Booâs Movie Debut by Ran Valerhon on FB

(Thank u!)(Iâm very sorry that this message got buried for so long!)

The Unholy Family
An Edit Iâve been dying to make
Lestat is @farorez
Claudia is @dannymolloy
Interview with the Vampire (cosplay photography)
thelematherion.photo (instagram)Â
Louis: @ziharkkrios (instagram)Â
Lestat: @king_oberjohn (instagram)Â
Claudia:Â @nunnally_lol (instagram)
Victim: @thelematherion (instagram)
1, 2, 3, 4 (âLe SabrosĂ©eâ by @thelematherion.photo and @nunnally_lol), 5, 6