nodominion:

// The number one thing that bothers me about Rose’s story in PL is that she both swallows and has acid thrown on her face and neck, including her eyes, and is somehow healed perfectly by the magic of Vampire blood. I realize it is a supernatural story, and that I am able to suspend my disbelief to believe that Vampires are real in the story and that they fly and all the other stuff. And their blood has been proven to heal wounds, though it has its limits. It cannot regrow limbs or organs lost before the transformation. 

So Rose, who is both blind and mute by the end of the ordeal, should not have been able to be healed with Blood. I feel like it’s AR’s way of making everything okay for her special Mary Sue Self Insert. After all, if her plan all along is to kill off two strong female characters by the end of the book, one whom happens to be blind, and the other mute, then of course the special snowflake won’t be disabled either. 

I firmly believe I’ve read Rose’s chapters more times than anyone by this point, all in the name of perfecting her nonexistent character. What happens is I find a trait mentioned in one sentence or one line and extrapolating out that to her whole life. Now, the same could be said of many side characters in VC. But I still feel like the end to Rose’s story could have been far more interesting than what we were given. 

#AGREES AGGRESSIVELY

Not specifically about the acid (bc I have not reread her sections i just can’t bring myself to revisit that entire book yet), but I think you’ve actually articulated here what I couldn’t, about why I still can’t find love in my heart for her, an entire year after the release of that book. It’s not just me being a cranky old Earlier Canon Was Better preacher! *sobs* Thank you, nodominion-mun. It took guts to actually put this out there.

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luthi69:

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i-want-my-iwtv:

sheepskeleton:

jardinsalvaje:

luthi69:

i-want-my-iwtv:

iam-yourqueen:

readingsocialjusticeanime:

swearonyourowndamngrave:

newwavenova:

gay-zombies:

themagicalgallifreyan:

fer1972:

Today’s Classic: Great Quotes from the great Oscar Wilde (1854-1900)

oscar wilde was literally the coolest guy who ever lived

master of sass

HE WAS BISEXUAL. We get to claim the sass master.

NO YOU REALLY JUST
Oscar Wilde lived in the VICTORIAN ERA
He was a really controversial guy. He hated his society. He also went to jail and destroyed his career because he was in a gay relationship with a Lord. He was a badass. To be honest

His last words were “either the wall paper goes or I do”

Oscar Wilde IS Lestat

#TRUTH

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Friendly reminder that Oscar Wilde changed his name to Sebastian Melmoth when he went into exile and that is one of Lestat’s aliases (extract from the Tale of the Body Thief, page 81)

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Oh god

YOU KIDDING! O_O Lestat you clever bastard! 😀

::whispers:: it got better

Forgot to mention it was the name Wilde adopted after his exile for homosexuality (extract from The Vampire Companion, page 266)

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YOU’RE GONNA LOVE CRIMSON PEAK ITS RIDICULOUS AND DARING, AND ITS FUCKED UP ENOUGH FOR ANNE RICE TO HAVE WRITTEN IT.

annabellioncourt:

i-want-my-iwtv:

THAT KIND OF REVIEW IS EXACTLY WHAT I WAS HOPING THAT MOVIE WOULD GET AND IT MEANS EVEN MORE COMING FROM YOU (ONE OF MY TOP GOTH LIT/MEDIA SENPAIS) I AM SO PSYCHED!

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YOU’RE ONE OF MY GOTH LIT/MEDIA SENPAI THOUGH SO I CAN’T BE YOURS!!!! 

BUT OH MY GOSH. IT HAS THE SAME ELEMENTS OF THE WITCHING HOUR BUT SET WITH A LOT MORE OF A IWTV TONE, AND A PANDORA VOICE. IF THAT EVEN MAKES SENSE.

ITS CAMPY AND RIDICULOUS AND MAKES LITTLE SENSE BUT ITS THE MOST VICTORIAN GOTH THING I’VE SEEN IN A LONG TIME

WE CAN ABSOLUTELY BE – WE ALREADY ARE – MUTUAL SENPAIS WHY THE FRACK NOT?!

In actuality, you really do know Goth lit/media much more thoroughly than I do but I am definitely more entrenched in vampire lit/media, which is really kind of a branch of Goth, sooooo… WE EXIST ON THE SAME TREE OF DARKNESS

I SHALL WATCH THE PEAK OF CRIMSON THIS WEEKEND AND LESTAT AND I WILL SHARE OUR OPINIONS OF IT TOGETHER, WILL INFORM YA. 

IT’S WITCHING HOUR + CAMPY + RIDICULOUS + VICTORIAN GOTH + IWTV TONED + PANDORA VOICED? YOU HAD MY CURIOSITY BUT NOW YOU HAVE MY ATTENTION.

THO REALLY YOU HAD ME AT “FUCKED UP ENOUGH FOR ANNE RICE TO HAVE WRITTEN IT.” ;D

what is the main difference(s) of gothic horror / tragedy etc. and horror? aka why is crimson peak gothic?

annabellioncourt:

I don’t know what post it was, but if its any help, horror is more of an element while gothic is a genre/mode/mood (scholars like to butt heads on it), horror would be a madman breaking into your house and slaughtering you–it scares you, its dark and grim, but it doesn’t effect you beyond the scare. 

A Gothic would have you anxious over the madman, questioning your belief in such a story, and possibly in God and superstition as a whole, while wearing something elegant in a gracefully lit room, with overtones of love running through that anxiety–the madman still shows up and there may still be a slaughter but there is a chase, there is hiding, there is terror instead of horror.

Compare Crimson Peak to Halloween, or Jane Eyre to any lifetime movie where a girl marries a person with a dark secret. Hammer Horror films were very good at treading the line between Gothic and Horror, as was the original Dracula novel. For another book comparison: Frankenstein is a Gothic, but IT is a horror.

Tragedy is common but not a necessity in the Gothic, it often comes as the price for including the terror. Crimson Peak ends in tragedy (and opens with it, as most Gothics do), but the terror and suspense and questions overpower the tragedy–if you haven’t seen it yet, I’ll tell this much: you leave it excited rather than depressed, there are a handful of questions like melting snow in your hand that drip away between your fingers before you can fully form them, ethereal and haunting visuals wash away the last of the nightmare, and then the credits roll–this is the Gothic, as opposed to pure tragedy where we see Horatio speaking of Hamlet’s nobility as he stands over the corpses of the last of his friends.

I’m trying to prove that classical music isn’t boring. Can you give me facts that show how hardcore classical music, musicians, and composers are (like the 1812 overture canons or the riot of spring)?

fluterants:

gay-440:

I’d love to have a more in-depth discussion of this sometime, but here’s a few facts off the top of my head

  • Mozart used to stay out all night partying and getting laid and then he’d sleep until noon and his long-suffering jerk of a father had to drag him out of bed to practice
  • He also wrote the overture for the opera Don Giovanni the morning it premiered, while extremely hungover
  • The interval between a perfect 4th and a perfect 5th (a tritone) was called “the devil’s interval”, and for centuries composers avoided it at all costs because it was believed to cause madness, violence, and sexual desire
  • Franz Liszt played so intensely that he physically destroyed pianos and they had to invent a stronger one (which is the model still used today)
  • Another thing about Liszt: women used to throw their underwear at him while he was performing. He was the first one-man boy band.
  • At the premiere of The Rite of Spring the audience was so alarmed by the dissonance and non-traditional style that they left their seats to storm out or beat each other up in the aisles
  • Many symphonies use non-traditional percussion like canons or massive wooden mallets, modern classical composers like John Cage like to stick things in piano strings
  • Shostakovich was the most hardcore composer (though I’m biased because he’s my fave). He barely escaped being exiled or killed by Stalin while continuing to write music containing forbidden folk melodies or thunderous movements depicting the dictator himself.
  • Paganini had no teeth and apparently looked like the devil

If folks have other facts I’d love to hear them!

  • J.S. Bach straight up lost one of his first jobs because he got in a sword fight with one of his students. He was 20. His student was 23. Apparently he called the student a “nanny-goat bassoonist”.
  • There is an opera about a magical ring that gives the wearer the power to rule the world. Through all the carnage for ownership of the ring, ALL the gods die, and Valhalla is destroyed. The opera is known as “The Ring Cycle” by Richard Wagner, and it is 15 hours long.
  • Oh and another thing about Liszt, he used to wear gloves and then throw them dramatically into the audience (of what I can only imagine as screaming teenage girls) before he performed.
  • Mozart wrote a piece called “"Leck mich im Arsch“, or “Lick Me in the Arse.”
  • Before batons was used for conducting, they used “pointed staffs” that would beat the tempo against the ground. Jean-Baptiste Lully stabbed himself through the foot with it, and therefore died from gangrene from the wound.
  • There is an aria in Lucia di Lammermoor in which the soprano has gone completely mad and has stabbed her husband to death. She sings with an accompanying flute (a bird that she’s hearing in her head), while in her wedding dress – covered in blood.
  • In Berlioz’s Symphony Fantastique, movement IV – “The March to the Scaffold”, the music depicts a young man’s march to the guillotine. You can hear the moment his head is cut off and bounces down the stairs.

I could probably go on forever. Classical music is fascinating!

@luthi69 asked about dream cast for Santino and I have to admit that I don’t remember his story well enough to have a clear picture! 

I did recently reread QOTD and he’s in there as part of the Council to Try to Change Power Feminist Akasha’s the Queen’s Brilliant SJW Plan for World Peace. He and Armand represent the Ex-Coven Master Division.

In my #defending Antonio tag, @whiningforcenturies and/or I had this theory that they cast Antonio as Armand when in fact what they really wanted was Santino! 

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That aside… from my #Santino tag, I likes Antonio Salieri from mozart l’opéra rock (Florent Mothe):

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^YUM. I see him as dark, brooding, maybe even w/ facial hair (I don’t remember if it was specified that he has it or not but dammit I want some vampires with at least the OPTION), well-muscled and broad-shouldered and/or nice pecs *u* 

Also, and I cannot stress this enough, guyliner.

I’ll open this to everyone. Who would y’all like?

waterxgodess:

interviewed-the-vampire:

I asked my roommate to bring me a diet coke when she went to the gas station

@claudiaindarkness

@interviewed-the-vampire, here’s your Daniel one from a year ago.​ You has started a VC set!


Lestat: *sulking bc they don’t have a Lestat one*

Daniel: But you don’t even drink – 

Lestat: NOT THE POINT THEY SHOULD HAVE ONE FOR ME, TOO *sulks*

Armand: If it makes you feel better, they never have “Armand,” either.

*Lestat and Armand hug it out*

Video

https://blip.tv/play/AYLZl0cC.x?p=1http://a.blip.tv/api.swf#AYLZl0cC

duendology:

Maven of the Eventide: Vampire Reviews: Interview with the Vampire

And now for something slightly different. If, by any chance, my fandom missed it, then my fandom may find it entertaining and informative. Maven did more of these vampire reviews. And she’s always insightful, eloquent, and very entertaining.

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cloudsinvenice:

luthi69:

But can we please talk about Armand’s
(actually Andrei’s) Monastery of the Caves because it’s a real place!

Kiev Pechersk Lavra also
known as the Kiev Monastery of the Caves, is a historic Orthodox Christian monastery which gave its name to one of the city districts where it is located in Kiev. It was created in the early 11th century by an Orthodox monk named Anthony. He chose a cave at the Berestov Mount that
overlooked the Dnieper River. The Kiev Pechersk Lavra caverns are a very
complex system of narrow underground corridors (about 1-1½ metres wide and 2-2½ metres high), along with
numerous living quarters and underground chapels. 

Even
found a small interview with one of the actual modern monks, who said “The monk is actually a person who,
ideally, should not face the world for he is constantly talking to God. Therefore, he goes underground, he buries himself
alive by digging his own grave – that is, his cell. And when the real death comes, the
cave takes his body for perpetual storage. Therefore,
every cave monastery is a kind of an underground necropolis”.

I honestly have no idea how I’ve never researched this, but I finally have a visual and detailed reference and I’m SO happy.

My hat is off to you. This post is a brilliant, evocative piece of fandom research. The funny thing is that when I came to my dash and saw the photos I was thinking, OMG, SOMEONE FOUND SEVRAINE’S CAVES OF GOLD! and then… well, I’m floored! 

It shows something that I hadn’t understood when I read Armand’s story: how the caves could seem safe, reassuring, even. How they could echo the womb in some way to one’s lizard brain, particularly for a kid who’s torn between two different ways of life and is told that this place will mean peace of a kind, rightness with God. Somehow I doubt there would’ve been so many candles back then, but any candlelight at all on walls of stone… I’d forgotten how it looks and feels, and somehow I’d always visualised the caves as having earthen walls, which of course makes no sense because they wouldn’t have stayed up!