so like i was curious and sketched louis with long hair. same hair type and face i usually draw him with, just longer strands—but he ended up looking more like a nicki?? and that already goes against everything i believe in bc nicki and louis are two very separate ppl stfu lestat
so then i decided to try the brad pitt hair, but with my already-very-feminine-art-style he just became somebody’s bitchy sister?? ?
how do y’all do it lol
Louis can be like a bitchy sister sometimes, so you’re not wrong… he’s Claudia’s (and others…) bitchy older brother, technically!
There’s similarities between Nicolas and Louis, and when Lestat says they’re like twins, he emphasizes the similarity in their personalities:
I fell fatally in love with Louis, a young dark-haired bourgeois planter, graceful of speech and fastidious of manner, who seemed in his cynicism and self destructiveness the very twin of Nicolas. (TVL)
The hair Brad!Louis had will always have a place in my heart, long and Barbie-like, almost chestnut color (I think Brad himself called it “Lion King” hair”)! I don’t remember why it was that long, there’s some story out there about how Brad insisted on keeping it long bc it had to be long in another movie he would be filming close to that time and wouldn’t have time to regrow it, or that it was a decision made by Neil Jordan or someone else in charge *shrugs*
BUT ANYWAY I wouldn’t trample on anyone’s depictions of Louis, #Your Headcanon May Vary, and all that! Give us more, we are insatiable ❤
[It’s a great reminder of canon characterization as too often fanon has casted him as a beautiful, frail flower destined and carried by Lestat’s will.] *nods* Yep.
I think we can blame movie!IWTV for some of that fanon, bc he’s shown at his weakest in that movie, when he was struggling emotionally about vampiring, and the film also emphasized his appeal to other characters (like the scenes where Santiago is stroking his hair while deciding his punishment, and when Lestat literally sweeps him off his feet with the first bite), and the film took a number of important BAMF-moments/lines from him (like the one I mentioned in that post). Consequently, there are fans who base their headcanon of him mainly on the movie interpretation, even after they’ve read the book(s), since it left such a strong impression for them.
[I love that he knows he’s beautiful and he lowkey manipulates the fuck out of people and that he isn’t a delicate pretty face, like you said, he can still cut a bitch! He’s equally if not alot more dangerous than the rest.]
^YEP. In his speech to Madeleine about her wanting to be a vampire, he acknowledges “Do you find us beautiful? Magical?” He knows how he appears to mortals and other vampires. He’s calling her out on her request as being flimsy and uneducated, that she is completely out of her depth and has no idea what she’s really asking for, it’s not just a makeover!
We use the word “manipulative” on tumblr as having a negative connotation, and I wouldn’t say that Louis manipulates for nefarious purposes. I think he’s tactical. He wants to keep the peace in this scene:
“I wish you would play the music,’ I said softly, unobtrusively, but as persuasively as possible. Sometimes this worked with Lestat. If I said something just right he found himself doing what I’d said. And now he did just that: with a little snarl, as if to say, `You fool,’ he began playing the music.” (IWTV)
I don’t think Louis finds himself particularly attractive, I think when he calls himself handsome in IWTV, it’s his acknowledgement that others find him attractive; it still baffles him that they do. He absolutely recognizes it as a tactical advantage, he just doesn’t explicitly preen about it like Lestat does. No need 😉
Hit the jump for a little more re: the “frail flower” trope, under a cut for respect to the anon bc I this anon isn’t fond of it.
As you mentioned, you may not be fond of it, and that is absolutely fine! It’s not for everyone. I know I can’t read those trashy romance novels at the supermarket. They’re unappealing to me. But I get that they have an audience, bc they’re still there, still selling!
With Louis, other than all those loving descriptions of him from other characters, I think it’s worth noting that there are truly very few canon moments wherein he’s a *~a beautiful, frail flower destined and carried by Lestat’s (or whoever else’s) will,~* yes, it’s that damsel-in-distress, bodice-ripper kind of trope. Is it as effective if he’s always pursued and never caught? I think some readers, like myself, need a bite of carrot now and then. It’s a subjective thing. We should be glad AR hasn’t turned him into the smut vehicle so many other characters became *sigh*
It’s a fantasy to be carried off by some angelic stranger, it’s been around since ppl have told stories. We can identify with Louis, or we can identify with Lestat, both sides of the fantasy is appealing in its own way. In shipping them, you get to have both. So I understand the appeal, but again, it’s not necessarily for everyone. Not everyone likes shipping, period, and that’s absolutely fine, too!
Bon soir to you, thank you (I need this week to be amazing bc it’s my first 5-day week at work in awhile, bc of the holidays and the snow day last week, omg it’s gonna be rough, lol), I’m very well! Hope you are, too, and that 2018 is treating you well, so far. I’m stretching my creative muscles again, making promises to ppl about fanworks I have in the pipeline that are ACTUALLY GOING TO HAPPEN. Yissss. 2018 is going to be a more productive year ^_______^
(No worries re: the spam of questions, I’m going to treat them as one mushed-together question, hope that’s ok with you!)
Louis having a living lineage and
being a patron to it is entirely possible! Do I personally headcanon that he does, definitively? That’s hard to say… I could go either way on it. I can parallel-headcanon, and have it both ways 😉 It depends on the fanfic/fanart/etc. I’m consuming, whether I headcanon yes/no on that.
A) On the one hand, I think he’d be charmed by seeing his own mannerisms (or that of his immediate family!) in his descendants, as can happen. ❤
I know I’ve seen at least one fic that had Louis discover a great-great-great….(idk how many?)…grand-niece in NOLA, and even being just a child, she resembled Louis physically and/or psychologically, and he was deeply touched about that *u* I don’t remember whether he became a secret patron to her… I think the fic was by @gairid/ @vampchronfic, if that ficwriter sees this post, they are invited to reblog/comment the name of the fic! It was sweet without being pure fluff.
B) On the other hand, I think Louis might take some comfort in the fact that he no longer has a family to support financially or emotionally, and no family to worry about from a distance,
…which Maharet has made a career of doing with her own family bc she enjoys it. Louis is fiercely devoted to and protective of those he loves, and he chooses those loved ones very selectively. Canonically (post-IWTV), he has few ties to the other vampires in the coven, and no mortal ties other than Merrick, but she bewitched him, and admitted to doing so, so I don’t think that she really counts. If we include PL/ROA, then one could argue he has an attachment to some of the mortals in those books, including Rose.
Another thing that’s come up in canon now and then is the idea that mortal relatives/descendants can be used to try to blackmail the vampires; mortals can be taken hostage and threatened with violence unless ransom of some kind is paid for them, as happened in PL. So I think Louis would be relieved that he wasn’t unintentionally placing any innocent mortals in harm’s way simply for being related to him.
^^^ALL THAT SAID, we could always use fresh fanart/fanfic/etc., especially on this kind of rarer topic, so anyone who sees this post is invited to share their headcanons on it, too 😉
Hit the jump for just a little bit more.
Canonically, Louis tells us that his sister married, and yes, he did give her money to invest for the family:
“My sister was married in my absence, for example, while I had a `malarial chill,‘
…With dozens of miserable headaches I would receive my sister in a darkened bedroom, the covers up to my chin, bid her and her husband bear with the dim light on account of the pain in my eyes, as I entrusted to them large amounts of money to invest for us all. Fortunately her husband was an idiot; a harmless one, but an idiot, the product of four generations of marriages between first cousins.” (IWTV)
I skimmed IWTV and I didn’t see any mention of his sister having any children.
I don’t know why AR included that the husband was the result of an incestuous lineage, that may have been normal at the time? I don’t know what impact AR intended that information to have on the story. Maybe just that the husband never questioned Louis’ strange behavior re: meetings in his darkened bedroom bc he was, as Louis said, “an idiot”? Maybe this was a little reminder of Louis’s ego, that he felt he was a better man than his sister’s husband?
BTW, Louis’s sister has a fanon name, some fans have accepted it as fanon anyway, Henriette.
Personally, I do headcanon that Louis has at least a few mortal friends in NOLA and San Francisco, like a particular barista at a coffee shop he haunts in the French Quarter, and a few other locals who have done work at Rue Royale over the years. @gairid/ @vampchronfic also has an OC, Brian Callahan, who I think Louis cares very deeply about ❤
And so he ran after me all the way back to the hotel, all the way across the rooftops, where I hoped to lose him, until I leaped in the window of the parlor and turned in rage and slammed the window shut. He hit it, arms outstretched, like a bird who seeks to fly through glass, and shook the frame.
Louis de Pointe du Lac describing my absolute favourite moment in the entire series that needs to be talked about more. (via just-another-vcblog)
Okay so I know we talk a lot about how Armand is obsessive, and we talk a lot about Daniel and his trains and how he’s trying to build this tiny world that’s safe and contained and controlled because he’s too overwhelmed by the real world… but can we also discuss the fact that Lestat literally builds life-sized replicas of the periods in his life when he was most happy???
I mean, I know a lot of people don’t accept PL/ROA as a canon basis for characterisation for Lestat, and tbh I get that, but this isn’t just new canon, this is a thing Lestat does.
Immediately after he rises from having been underground, after the whole Akasha debacle blows over, as soon as he has a chance to sort of settle down after that, what does he do? He builds a fucking museum to That One Time He Was Happy With His Ex. He even conceals the modern appliances to make it look authentic! And then he gets his ex to move into it with him again. :’)
Old sport.
I mean, I guess we already know that Lestat writes books because he’s looking to inject some meaning into the meaningless series of events that constitutes a life, so in that context it’s not surprising that he’d want to organise his physical surroundings. And after all the shit that went down with him in QotD, tbh, I understand him wanting a bit of familiarity. Plus he’s literally hallucinating Claudia’s ghost throughout TotBT, so he’s not exactly stable. But it’s still interesting and sad if this is his coping mechanism. (And tbh it’s really interesting how much he and Louis live in the past (literally! *shot*) compared to some of the other vampires in the coven.)
Now I’m just wondering if we can posit an architectural scale of Lestat’s well-being. Renovating: he’s doing good. Reconstructing his old flat: he’s struggling. Reconstructing an entire village complete with château: someone call Gabrielle.
^Very much agreed! I do think he likes to repeat the past, for sure. It makes sense to recreate happier times., especially in times of anxiety about the present/future. I do think Lestat digs deeper into the memory albums of his past happy times when he’s in a bad place mentally, for sure.
I would also add that Lestat is a very big fan of retail therapy, whether he’s conscious of it being therapy or not.Everything about buying stuff, flirting with the salesppl, bossing around the construction ppl, getting things delivered and opening tons of packages, feeling like he’s upgrading things, it’s all therapeutic. He’s doing self-care.
He does it to ppl, too, like when he’s berating Louis for his threadbare clothes. Lestat dresses himself nicely to make up for all that time when he was poor and couldn’t afford (and possibly didn’t feel he deserved) any better than threadbare clothes. Unless he was wearing a costume for the stage, flashy and attractive to the audience, and being loved by that audience (which taught him that playing a role and being sparkly and attractive would win him the affection he craved and couldn’t get just by being himself). Or borrowing his lover’s red velvet frock coat, far fancier than anything Lestat had ever owned up until that point, and it probably smelled like Nicolas, and that felt good, too.
For Lestat, gifts are love. Gabrielle parted with her heirloom jewels to buy him a better life. She bought him hunting equipment, upgrades to help him do what he already did. The mastiff pups, the mare, those were some of the first gifts he received that loved him back. From the villagers, he received gifts for slaying the wolves: a good sturdy (and fashionable!) cloak, and a new pair of boots. Upgrades that were both functional and had pleasing form to him.
^Sorry for the cheesy gif, but I do think Lestat has a need to return to places and exorcise his demons there. Reclaiming the space. He probably does it as idiotically as Ace Ventura sometimes *eyeroll*
He revamps (ok pun intended) the Rue Royale and his castle in the Auvergne as an act of cleansing it of the demons and bad memories. The castle of his childhood was cold, dark, bare, inadequate, he was beaten there, repeatedly. It was a place of suffering. He might have lived out his life and died there. So now that he has the $ and the power to do so, he rigs it with heating, electricity, and loads it with fancy furnishings, making it a place he can possibly build new memories, better times ❤
He almost died in the Rue Royale, how must it feel to walk through a room that you once lay dying, bleeding out on the floor? On your way to pop a DVD into a player instead? And then go back to the couch and curl up under a blanket with the lover who had done nothing but stand by as you felt yourself pass out of consciousness? No animosity now. The place has been reborn.
I would also add that AR did this in TVL, too, with Nicolas revamping (pun intended again) Renaud’s into the ~Theatre of the Vampires~: “The Theater of the Vampires,” [Lestat] whispered. “We have worked the Dark Trick on this little place.”
It seems like you have sort of made up your mind about him, Anon, listing those crimes 😦 If you don’t like him for those reasons, or any reasons, you are under no obligation to change your mind, but I appreciate that you want to understand why ppl do like him.
If you’re on Memnoch then you know most of Armand’s story, and you know that Armand’s book follows MtD. His book goes into his story more deeply, and from his own perspective, and I think that’s part of what ppl like about him. His narration is different than Lestat’s (most of the books are Lestat’s POV or his recording of what others tell him), and I think some Armand fans are just glad to get out of Lestat’s head!! lol.
In TVA, you get more detail and scenes from Armand’s mortal life and fledgling life, and some of what follows. You get how he feels about seeing Lestat in MtD and a moment of intimacy between these two alpha personalities who have had a simmering competition between them since they met.
Some ppl find that Anne Rice has done Armand a disservice in his own book by having him claim any amount of agency in what happened between him and Marius. That’s up to the individual reader to decide, what they think of that relationship, regardless of what the author’s agenda was when she wrote it.
I do think some of the things Armand says in TVA are
somewhat
exaggerated because he is telling the story to David, who was flirting at him really hard in the beginning of that book, and I think Armand wanted to remind David that he’s not the cute bb 17 year old he appears to be, and not to mistake him as such. So the scene describing Claudia, I’m not sure I trust Armand that he really did anything to her other than do nothing when the other vampires of the theatre put her in that sun-well-thingie.
I wouldn’t say that most of the fandom likes Armand. I think that certain characters have waves of popularity, and some are talked about more than others at any given time… there was a period about two years ago, I think, that ppl were all over Nicolas, discussing him, theorizing that he might have survived, etc.
Tom Hiddleston is talking about Loki here, I think, but the concept is captivating, and it applies to Nicki and Armand:
Nicki seemed to be one of the only canon characters that explicitly had a mental illness, and that was during a time on tumblr that ppl were being more open about having mental illness and identifying with fictional characters who also had mental illness.
We are drawn to characters who have traits like ourselves, and/or those that survive, and overcome obstacles when they are faced with challenges like our own.
I think Nicki also represented some of the disillusionment ppl were feeling about the world at large at the time.
It might be that Armand has taken on more of that role, some fans also headcanon that Armand has mental illness(es) and he can also represent fans who feel disillusioned about the world at large, since the world has been so cruel to him.
More on all that later*, so I can address the other part of your statement now.
He (1) cut off Nicolas’s hands, (2) killed Claudia, and (3) kills suicidal people. (I’m not trying to shame anyone, I just want to understand why.)
^Ok, I’m going to address each of these things, since you want to understand. I’ll take it at face value that you’re not trying to shame anyone for liking a fictional character who does those things.
Whether you want to agree with my explanations is entirely up to you. If you judge him by human, real-world standards, yes, each of these things is maniacal and horrible. So my explanations are for FICTION.
NO CUTS WE LONGPOST LIKE MEN.
^I have to stop doing that I’m going to get in trouble.
First off, I would like to point out that I don’t think canon indicates that he takes pleasure in any of those things individually, except for the normal pleasure of that last one, vampires love feeding, there’s no getting around that 😉
(1) He cut off Nicolas’s hands,
This seems like fairly standard vampire punishment from a coven master. @damnitarmand, an Armand RPer, responded very well to this question, I’ll reblog it momentarily.
Armand may have been trying to help Nicki in the ways he knew how. Armand had been a coven master for hundreds of years, dealt with madness from many ages of vampires, maybe this was something that helped in other cases. It could be seen as cruel from our mortal standards, but maybe that was considered a reasonable form of treatment for vampires.
Eleni writes to Lestat in TVL:
“[Nicolas] must be watched constantly so that he does not enlarge our ranks. His dining habits are extremely sloppy. And on occasion he says most shocking things to strangers, which fortunately they are too sensible to believe.“ In other words, he tried to make other vampires. And he didn’t hunt in stealth. “In the main it is Our Oldest Friend [Armand, obviously] who is relied upon to restrain him. And that he does with the most caustic threats. But I must say that these do not have an enduring effect upon our Violinist.”
“…I tell you these things not to haunt you but to let you know that we do our utmost to protect this child who should never have been Born to Darkness. He is overwhelmed by his powers, dazzled and maddened by his vision. We have seen it all and its sorry finish before.”
^So clearly, Armand does everything he can before punishing him so viscerally, and Nicolas really was getting out of control. Eleni even notes that Nicolas is not taking to vampirism very well and would never have been turned by the coven, they’ve had hundreds of years to learn about who can handle it and who can’t, and they have their own system of psychological care, such as it is.
When Armand does take his hands, yes, it’s bc
Armand
has been pushed to being “maddened by the excesses” of Nicki! Not maddened for nothing. There is no indication that Armand takes pleasure in it. Further proof that it’s a standard punishment is when Eleni explains to Lestat that it’s temporary:
“It has come to the worst, as I feared. Our Oldest Friend, maddened by the excesses of Our Violinist, finally imprisoned him in your old residence. And though his violin was given him in his cell, his hands were taken away. But understand that with us, such appendages can always be restored.”
^So for all of the above, I don’t consider Armand’s cutting off of Nicki’s hands as a crime but as a merciful thing that’s standard procedure, albeit probably a last resort, for restoring vampire sanity.
(2) killed Claudia,
^Armand tried to get Claudia a new adult vampire companion when he pressured Louis into turning Madeleine. Armand even admits to Louis that he himself takes the responsibility for Madeleine:
“ `But if it’s any consolation to you … surely you realize I had a
hand in it.’
” [Armand said]
`That I did it to be free of Claudia, to be free to come to you …
yes, I realize that. But the ultimate responsibility lies with me!’ [Louis] said.
“`No. I mean, directly. I made you do it! I was near you the night you did it. I exerted my strongest power to persuade you to do it. Didn’t you know this?’ Woe.
I bowed my head.
‘I would have made this woman a vampire,’ [Armand] said softly. `But I thought it best you have a hand in it. Otherwise you would not give Claudia up. You must know you wanted it…
“ `I loathe what I did!’ I said. ” `Then loathe me, not yourself.’
^To me, Armand’s plan was to have Madeleine take Claudia off of Louis’ hands, so that Louis could still communicate with Claudia but not be responsible for her anymore.
I do think that the theatre vampires, led by Santiago, had other plans in mind, and that Armand had to cut his losses and let them kill Claudia since they were bloodthirsty for it. It’s exciting to kill vampires, as Santiago has said. Armand probably knew also, as a coven master, that it was a crime to turn a child anyway, and that she would have died at some point anyway (she might have even taken her own life).
(3) and kills suicidal people.
^In canon, yes, it’s described as Armand calling to those who wanted to die. Whether they could have been saved by actual medical care, or psychological therapy, I don’t think that’s addressed in canon. So here you might have an actual crime, of him killing innocent ppl who are consenting to death but not really capable of consenting to death.
This is his approach to the dilemma of being a vampire and needing to kill ppl on a regular basis, there’s a few options for doing it in canon:
Take lots of Little Drinks, if you’re capable of that, and not kill anyone,but spend like 3x the amount of time every night having to find that many more ppl to feed from. For awhile, it seemed like Louis wasn’t capable of this, since he gets so caught up in the swoon that he can’t stop. He might be able to now, tho.
Kill evildoers – bc “they deserve it anyway!” and you’re “protecting the innocents!”, but you still have to struggle to find the ones that deserve the death penalty, do drug dealers deserve to die for selling pot? In TOBT, Lestat kills someone who’s a serial elderly rapist/murderer, one would think that evildoer is evil enough to deserve the death penalty, but everyone is entitled to a defense attorney under U.S. law.
Kill indiscriminately, anyone who crosses your path, and don’t judge, bc they’re in the wrong place at the wrong time – Louis’ method bc he won’t judge evilness, lacking the Mind Gift but also, he doesn’t think he should be making that choice.
Kill innocent ppl – not very nice but some vampires do that. Claudia did.
Kill ppl who want to die as a form of assisted suicide; they are consenting to death – Armand is doing this, at least mentioning it in TVL and again in TVA. Medically assisted suicide is a very controversial thing but it is legal in some countries, and it reduces the prolonged suffering of terminally ill ppl. From wiki: “The three most frequently mentioned end‐of‐life concerns reported by Oregon residents who took advantage of the Death With Dignity Act in 2015 were: decreasing ability to participate in activities that made life enjoyable (96.2%), loss of autonomy (92.4%), and loss of dignity (75.4%).”
Armand’s killing method described in TVL:
[Armand] had perfected the act of
killing beyond the abilities of all the Children of Darkness that he knew. He
had learned to summon those who truly wished to die. He had but to stand near
the dwellings of mortals and call silently to see his victim appear. Old,
young, wretched, diseased, the ugly or the beautiful, it did not matter because
he did not choose. Dazzling visions he gave, if they should want to receive,
but he did not move towards them nor even close his arms around them.
Drawn inexorably towards him, it was they who embraced him. And when their warm
living flesh touched him, when he opened his lips and felt the blood spill, he
knew the only surcease from misery that he could know. It seemed to him in the
best of these moments that his way was profoundly spiritual, uncontaminated by
the appetites and confusions that made up the world, despite the carnal rapture
of the kill. In that act the spiritual and the carnal came together, and it was
the spiritual, he was convinced, that survived. Holy Communion it seemed to
him, the Blood of the Children of Christ serving only to bring the essence of life
itself into his understanding for the split second in which death occurred.
I think Armand’s assisted-suicides were mostly emotionally-driven, I don’t think canon goes into much further detail about it. I would think that Armand is killing ppl who are truly beyond saving, and the time period in which he’s doing it is not one that handled mental healthcare the way we do now. So at that time, that was probably not considered a crime, but a mercy killing.
Currently, his decision to kill “those who wish to die” (and possibly, he influences that on them), yes, he might be killing innocent ppl who might have had a chance at living otherwise.
Armand in TVA, more modern-era, is now killing an evildoer/drug addict:
Now I had to have blood. There was no time for the old game, the game of drawing out those who wanted to die, those who truly craved my embrace, those in love already with the far country of death of which they knew nothing.
…The next [victim] was a common desperate youth, full of festering sores, who had killed twice before for the heroin he needed so badly as I needed the doomed blood inside him.”
We don’t have as much information on whether he’s more of a “kill the suicidal” or “kill the evildoer” in current canon. In the TVA example above, the victim has killed “for the heroin,” so he’s an evildoer anyway.
*SO WHY DO PPL LIKE ARMAND??? O____O
Why do ppl like peanut butter? Or not like it? Some ppl are allergic to peanut butter. There are so many reasons to like a character!
We’re drawn to characters for any number of reasons!
I think this current crop of tumblr VC fans is talking about Armand more bc he is also a victim of CSA, has undergone an enormous amount of trauma in canon, and survived it, even becoming a coven master in the cult that brainwashed him for centuries. It’s inspiring to see a character carry the weight of all that damage and seem to overcome it and, even, become strong and confident, and even happy, at least sometimes. There’s no denying there’s a lot of sass in Armand.
Maybe fandom wants to embrace him and comfort him and give him all the happiness they would want themselves to have. It’s easier to project it onto a fictional character, and see it reflected back when you imagine him, in fanart or fanfic.
Imagining Armand enjoying himself, exploring technology with Daniel or playing videogames and elbowing Lestat to try to mess him up on coven game night, all of his past is still inside him but he’s trying to make the best of things, trying to have a family, such as it is, trying to find his purpose in life. Isn’t that what we’re all looking for? A home. And I think we like to see characters like ourselves find home and feel wanted, at least some of the time.
movie!Interview With Vampire, Lestat says that line at 14 min, 22 seconds into the movie, on the NTSC (US) version. I don’t know when that would be for PAL. Anyone out there with a PAL copy can reblog/comment what it would be for that version.
So basically, start the movie at 11:45 pm New Year’s Eve your time, to begin 2018 w/ Louis’ freshly minted vampire eyes *u*
^Louis is, in fact, capable of smiling, here’s a rare sliver of a smile ❤
^I love this fanart, he’s got his brother’s raven hair and green eyes <3, but Paul is described in canon as “He had the smoothest skin and the largest blue eyes. He was robust, not thin as I am now and was then… but his eyes… it was as if when I looked into his eyes I was standing alone on the edge of the world… on a windswept ocean beach. ” (IWTV) Not sure whether it’s canon or fanon but Paul was supposedly blond. He was 15 when he died.
I have a few other things collected in my #Paul de Pointe du Lac tag, like this portrait I think is pretty canon compliant:
Also, I know there is a fanart somewhere of Armand ranting that Marius is not Lestat’s sire.
Hmmm that is a very tough one, I know I’ve seen a fanart or two like that over the years, I’ll try and dig around in my personal archives for that. I do think Armand would take more issue at that than the idea that Lestat might have been Daniel’s maker.
I mean, and I shouldn’t go here but I will, bc I think this is one of the reasons I can’t watch movie!QOTD w/o someone with me, cracking jokes at it…
Marius gets unfairly mashed together with Magnus in movie!QOTD, essentially, bc he turns Lestat w/o consent. Therefore, Marius takes on the burden of having raped Lestat into being a vampire and there is no explicit reconciliation or apology for that crime whatsoever, but he and Lestat are kicking it together in Modern Times, with Lestat seemingly bitter at him and Marius seemingly smug back? It’s ooc and uncomfortable. I think Armand would be more annoyed at Marius taking on Magnus’ actions than he would be pissed at Lestat getting to claim Marius as his own sire, since QOTD!Lestat doesn’t seem all that thrilled with that pedigree.
BUT ANYWAY if anyone out there has fanart in which Armand is ranting about Marius not being Lestat’s sire, plz send it to me, or reblog and tag me!
I have one of Lestat and Armand fighting over Marius, and @garama‘s Antonio!Armand w/ QotD!Marius which is not quiiiite what you’re asking for but might like anyway… that I’ll rebagel after this…
So would [Armand] also rant that Lestat is not Daniel’s sire? Since I know people tend to confuse the movies Queen of the Damned and Interview with a Vampire since they state completely different sires from the books.
Ppl may blend together certain things, but I think anyone who’s seen the movies AND read the books takes the books as more true to canon, and the movies as adaptations, which is what they are. But if ppl only see movie!QOTD, I can’t really fault them for taking that info as their own canon, if they like it.
In MY opinion, since you’re asking: Armand will rant about it @ Daniel in private, but Armsy doesn’t tend to rant about anything he’s personally invested in when he’s in Lestat’s presence, preferring to keep a calm, collected, and unflappable profile as much as possible. Lestat knows this and loves to pester Armsy at any opportunity. There’s A LOT of joking around in the coven about those movies and how Daniel narrowly escaped having Lestat as his fictional maker…
Lestat: “You’d have liked that, wouldn’t you?” *makes a kissy face @ Dan*
Daniel: “Not saying I’d have liked it exactly, but it might’ve sped things up a little…”
Armand: “Are you saying I took too long, Daniel? I had my reasons…”
Lestat: “Dude I see someone I love, I turn them THAT NIGHT,” *snaps his fingers* “If I can possibly manage it, or the very next night, or at least that weekend, gotta strike when the iron is HOT!”
Armand: “Or else they might come to their senses and run as far away as they can get from you?”
Lestat: “HEY!”
Daniel: “I did run from you, Armand…”
Armand: “HEY!!”
Marius and Louis just sit back and watch all this, wishing that they had popcorn they could eat.