Shayne Topp as Tom Cruise
(He’s so giddy)
Is this not actual footage of Tom Cruise?

reblogged your photoset and added:
I just ordered Only Lovers and What We Do on Netflix so I can do a double-feature. Which one should I watch first?
Both sets of of vampires could probably benefit from find amusement in this book:

I saw OLLA first, and then months later, WWDitS. I think that was an acceptable order, because OLLA is aesthetically more serious, but still has humor and sweetness to it. WWDitS is very touching at times, and largely more humorous. The documentary style of the latter also gives it an earnest kind of charm *u*
They both deal with the usual vampiric existential concerns and they both have different takes on vampire physiology/mythology (in at least one major way OLLA vampires are fragile in a way that WWDitS vampires are not), and the rules of vampiring in general. I don’t think either really usurps the other in these categories.
In a way, (and aside from their different rules), I think the vampires from both could exist in the same universe, so it doesn’t really matter which order you see their stories in, as they could be existing simultaneously ;]
He did hate it! But that’s part of what made him so perfect!








In no particular order, some of Brad’s grievances were:
For a little window into Brad’s experience, in his own words, hit the jump.
Brad Pitt, in an article by Mike Scott, NOLA.com | The Times-Picayune:
“I’m telling you, one day it broke me. It was like, ‘Life’s too short for this quality of life.’ I called David Geffen, who was a good friend. He was a producer, and he’d just come to visit. I said, ‘David, I can’t do this anymore. I can’t do it. What will it cost me to get out?’ And he goes, very calmly, ‘Forty million dollars.’ And I go, ‘OK, thank you.’ It actually took the anxiety off of me. I was like, ‘I’ve got to man up and ride this through, and that’s what I’m going to do.’”
…Still, he says he doesn’t necessarily regret “Interview with a Vampire.”
“I don’t lament the failures,” he said. “The failures prepare you for the next one. It’s a step you needed to take, and I’m all for it.”
“Another big problem was the script, which was written by Rice herself, taking her first shot at writing a screenplay. Pitt hadn’t seen it until two weeks before shooting started. When he finally did get a copy, he realized that everything in Rice’s book that was interesting about his character … was gone.
And so here he was, a rising young actor and budding sex symbol, stuck in an uninteresting, passive role.
“In the book you have this guy asking, ‘Who am I?’ Which was probably applicable to me at that time: ‘Am I good? Am I of the angels? Am I bad? Am I of the devil?’ In the book it is a guy going on this search of discovery. And in the meantime, he has this Lestat character that he’s entranced by and abhors. … In the movie, they took the sensational aspects of Lestat and made that the pulse of the film, and those things are very enjoyable and very good, but for me, there was just nothing to do — you just sit and watch.”
“You gotta understand, Tom and I are … we walk in different directions.” says Pitt. “I always thought there was this underlying competition that got in the way of any real conversation… it bugged me a bit.”
But they clearly get along now at least for the cameras but it looks pretty legit. they were even talking about working together on a movie about a year ago.

The other day on twitter I joked that I was going to turn The Last Halloween into a Magical Girl story. Was I really joking? Probably. But hey look at the Mahou Shoujo Ringley and Robert that happened. I drew fanart of my OWN CHARACTERS
I have also done Shirley and Mona but those will go up later
ahhhhhh thank you so much!!!!! <3333
#your gifset is amaaaaazing
thank uuuu! ♥u♥