callistomist:

I decided to create a masterpost that would help you with what you are struggling with. Hopefully any of the links below will help you!

Reminder; You’re going to be okay. What you are going through will pass, just remember to breathe. 

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Distractions;

Here are some distractions to help keep your mind occupied so you aren’t too focused on your thoughts. 

Sleep issues; 

 

Uncomfortable with silence; 

Anxiety; 

Sad, angry and depressed/depression; 

Isolation and loneliness; 

 

Self-harm;

Addiction; 

 

Eating disorders; 

 

Dealing with self-hatred;  

 

Suicidal; 

 

Schizophrenia;

OCD;

Borderline personality disorder; 

Abuse; 

 

Bullying;

 

Loss and grief; 

(Other loss and grief)

 

Getting help; 

Things you need to remember; 

  • – Don’t stress about being fixed because you’re not broken.
  • -Remember to remind yourself of your accomplishments. Tell yourself that you’re proud of yourself, even if you’re not. 
  • – This is temporary. You won’t always feel like this. 
  • -You are not alone. 
  • -You are enough. 
  • -You are important. 
  • -You are worth it. 
  • -You are strong. 
  • -You are not a failure, 
  • -Good people exist. 
  • -Reaching out shows strength. 
  • -Breathe. 
  • -Don’t listen to the thoughts that are not helping you. 
  • -Give yourself credit. 
  • -Don’t be ashamed of your emotions, for the good or bad ones. 
  • -Treat yourself the same way as you would treat a good friend. 
  • -Focus on the things you can change. 
  • -Let go of toxic people. 
  • -You don’t need to hide, you’re allowed to feel the way you do. 
  • -Try not to beat yourself up. 
  • -Something is always happening, you don’t want to miss out on what’s going to happen next. 
  • -You are not a bother.
  • -Your existence is more than your appearance. 
  • -You are smart. 
  • -You are loved. 
  • -You are wanted. 
  • -You are needed. 
  • -Better days are coming. 
  • -Just because your past is dark, doesn’t mean your future isn’t bright. 
  • -You have more potential than you think. 
  • – Your value doesn’t decrease based on someone’s inability to see your worth.


Please remember to look after yourself and know that you are more than worth it and you deserve to be happy. Keep smiling butterflies x

 

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thatseanguyblogs:

thegeekcritique:

swordsite:

#Knife #Knives #Cuchillo #Faca #Couteau #нож #ナイフ #刀#pisau #سكين

Modern Knife Types / Blade Shapes

For sources: http://sword-site.com/thread/1111/diagrams-modern-knife-types

Sword-Site – The World’s Largest Sword Museum

Important for those who thought a Honing Steel was a Steak Knife.

happy fun time.

Sorry, if you’ve answered this before, but do you have any tips on drawing mouths and lips?

sheepskeleton:

Hello anon! 😀 I’m not the best at making tutorials and giving tips but I’ll do my best to answer your question! ^^

I sure do love drawing lips! It might be in fact my favourite part of the face to draw. 

Let’s see what makes them so irresistible 😉

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tip 1: let them shine! that tiny shiny spot does wonders for the lips – it makes them fuller, softer and more three dimensional. It also makes the lips look slightly wet. Sexy!

tip 2: Build the depth with some darker spots. Quirking corners are great for that, and if you make the darkest spot in the middle of the mouth it seems like it’s about to part. And maybe whisper something seductive 😉

tip 3: The very middle of upper lip is my favourite area, it gives the mouth its distinct character. It’s also a great spot to play with shadows, one lighter stroke, one darker stroke and you have a very dramatic shading going on! 

tip 4: When drawing lineart it’s good to keep the line varying in width and pressure. Equally thin, flat line might look good in anime, but even there it’s rarely the case. Making the line thicker in the shadowy part of the mouth adds depth to your drawing. 

General remarks:

I almost never outline the upper lip, it tends to look weird. Just a thin “U” shape in the middle is usually enough.

Upper lip is usually in the shadow, at least half of it. Lower lip tends to catch the light, especially with pouty plump lips. The more shadow you add under it, the fuller the lips look. 

When drawing male characters I usually play around with skin tones instead of pink and red (see the third row of examples). But it’s not a rule. Some boys rock them rosy lips. 😉

Never paint the teeth white, never. Gray, yellowish and pinkish tones are great. 

And the final tip: use reference! Look for pictures of people with beautiful lips, with thin lips and full lips, try to see which line goes where and how it changes the shape and expression. I hardly ever draw without a reference.

Good luck! 

👄

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yougothenigo:

cardofrage:

that-sounds-like-a-porno-wade:

I don’t know if anyone has ever done this before but, here ya go… The Different Types of Fanfiction! 

I probably left a few out, but these are the most common, compared to their base fiction’s canon plot. Enjoy! XD

The crack fic is enough for a reblog.

then there are these favs….  😉

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When could Enkil have reigned?

amadeo-child-of-the-renaissance:

//As somebody who got their last mark/grade on all of their egyptology exams at the University today and finally passed, I want to set my inner history nerd free:

(sources are to be found at the bottom or within the text)

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Enkil is supposed to be a predynastic King.

So what is the Predynastic Era to begin with?
According to most historians that would be the Neolithic period (a.k.a. New Stone Age!), beginning ca. 6000 BC, with the first human settlements known in the area and ending around 3100 BC, with the first Pharaoh (= Narmer/Menes).

That’s right. Enkil’s reign as a predynastic king could very roughly(!) be placed somewhere in between 6000 BC to 3100 BC.
For reference and amusement:  the creation of writing is roughly to be sat about 5000 years ago (which marks the beginning of history).

Now, we can’t have the Father of all Vampires be Stone Age man, can we?
Let’s try to narrow that time frame down a bit:

I think, since Anne Rice describes some sort of a holding of court, we are pretty safe in ruling the time of the earliest settlements out (little mud brick houses consisting of only one window-less room for a whole family and the earliest form of homo sapiens as subject just don’t make for an epic court to rule over.)

Egyptologists speak of a so called Naqada culture, spanning from ca. 4400 BC to 3000 BC, which can be divided into the following three parts:

  1. Naqada I (4400-3500 BC) -> almost no refined artwork/craftsmanship
  2. Naqada II (3500-3200 BC) -> first metalworking (meteoritical iron)
  3. Naqada III (3200-3000 BC)

We can skip the first two Naqada periods, since there wasn’t really any (known) form of sovereignty comparable to the rule of a king.

Which leads us to Naqada III:
Naqada III is also referred to as Dynasty 0 or the Protodynastic Period.

Here is the issue with chronology within the subject of Egyptology: When the early egyptologists tried to name dynasties there were multiple debates and, like every time when too many big egos are involved, things went wrong. To make things short:
There is now a time called “Zero Dynasty” (which comes before the 1st dyn.), which might be characterized as Predynastic by some and Early Dynastic by others.

There were kings in Naqada III, but they weren’t part of a dynasty yet (hence Protodynastic or Predynastic). Most of them were most likely not related (a dynasty is the succession of kings of the same blood line), but fighting for dominion with each other.
The above mentioned King Narmer (aka Menes) is thought to be the last King of that period and the first Pharaoh of the 1st dynasty (He had been the first known King to unify Egypt).

In conclusion, Enkil’s reign should precede Narmer, but still be set in Naqada III, around 3200-3100 BC.

(We managed to narrow his reign down to 100 years, yay!)

There are, actually, some known Kings from that time that could give us an example for Enkil’s reign, or – which I find very interesting – a possible alias. Stay with me for a bit longer.

9 of them ruled in Lower Egypt, but only one can be placed in Naqada III for sure (forgive me for leaving out the rest):
That King is known as “Double Falcon”, after the depiction of his crest (they didn’t use cartouches by then but crests known as serekh and the historians named them after the depicted animals). Some say he might also have ruled in Upper Egypt.
3 kings are known to have ruled Upper Egypt during Naqada III:
Elephant”, “Bull” and “Scorpion I.”

Bull was probably the predecessor of Scorpion I., whose successor is believed to have been Double Falcon and later a king names Iry-Hor (late 32th dynasty.Iry-Hor is the earliest ruler of Egypt known by name and possibly the earliest historical person known by name).
No one knows for sure where to place Elephant.
All of them are believed to have lived during the early 32th century BC (which allows us to place them near the year 3200 BC to 3150 BC).

Iry-Hor was succeeded by “Ka”/”Sekhen”, who was probably succeeded by “Scorpion II.” or, more probable, by Narmer himself.

Now we have a sorry excuse of a chronology of rulers close to Enkil’s mortal years, ending with Narmer:

  • Bull
  • Scorpion I.
  • Double Falcon
  • Iry-Hor
  • Ka (Sekhen)
  • Scorpion II. or Narmer (Menes)

As you can see, there is a line of succession, albeit not one you should bet on, since egyptologists are still not 100% sure about the line of succession.
BUT: Where to place Elephant?

Elephant (maybe read as Pen-abw) is the provisional name of a predynastic ruler. But since the incarved rock inscriptions and ivory tags showing his name are either drawn sloppily, or lacking any royal crest, the reading and thus whole existence of king “Elephant” are highly disputed.

Egyptian Kings had many different names:

  • Horus name
  • Nebty-name
  • Golden Horus name
  • Throne name
  • their personal name

Here is a headcanon for you:

Enkil was the Pharaoh, whose throne-name was Pen-abu (“Great one from the (throne) seat”) how fitting.
Historians how call him “Elephant” and he was the predecessor of “Bull”, one of the earliest rulers of Naqada III period, in the early 32. dynasty.

Seguir leyendo

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nodominion:

//THE VAMPIRE CHRONICLES FAMILY TREE

It is finished! Or at least as much as I know. 

I tried to be very thorough regarding names and makers. The unknown branch bothers me the most, and if anyone knows where those Vampires started from, please let me know. Also I’m not 100% sure on all of Rhosh’s fledglings, though from a few sources I think that’s all his named ones.

If you would like to correct anything or add anyone canon, PLEASE send me a message, even on anon. The more eyes I can have on this the better.

Of course this is updated through Prince Lestat, so spoilers for character names and makers. 

Colors refer to gender, though I’m unsure of Petronia, who is technically a hermaphrodite, and Eleni and Eugenie. Again, please message me for any changes/clarifications!  

You can click the images to make them a little clearer/bigger.

@roselioncourt‘s VC family tree is a work of staggering beauty.

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hellsmonkey:

ALRIGHT I saw a tutorial on blood going around earlier and it was just sooo abbreviated that it made me kind of peeved so I set out to give what little blood knowledge to the test to make a slightly more robust tutorial. (Credentials drawing? 4 years of art school plus like 16 as a hobbyist. Credentials with blood? I liked watching Dexter once and I have a period.)

OTHER THINGS FOR YOUR CONSIDERATION:

  • Drawing from reference is your friend! If you can find life references to go from, fucking GO HAM. Study the shit out of that, the best way to mimic something is to watch it in action. This was put together very quickly but I made sure to do a couple google image searches while I was doing this to see if I was getting the right ideas. This still isn’t perfect. I’m not perfect, I can be wrong! 
    • ALSO: Do yourself a favor and look up stuff about Blood Pattern Analysis, I found This PDF while fact-checking and that gives a good overview of the basics, though you can probably find even more extensive information with a good google search. Forensic scientists use this all the time as a crime-solving tool and you bet your hiney there’s gonna be resources out there documenting the information. These make handy reference tools!
  • Menstrual blood was added for educational purposes, I don’t know if you’d necessarily be DRAWING it but if you have a period, it might be something you see regularly and might want to observe. In that case, I tried to document what’d make the composition different because it IS pretty different than blood coming from the rest of the body, if only because it’s usually seen with tissue or other fluid.
  • Please fullview these if you have trouble reading my handwriting i tried to do these at a high-resolution for that reason

Underwear in the 18th Century

echo-de-la-lumiere:

(Images above reposted with permission from http://i-want-my-iwtv.tumblr.com/post/119493668682/the-real-questionsmore-im-lazy-so-im-only)

Most men would simply wear a simple large shirt tucked into breeches.

Some men wore linen drawers if they could afford them, which were more or less just thinner breeches.

Because of all the layers of clothing, breeches (knee-length capris) opened in the front without having to actually drop them or undo the waist. Their width at the knees often buttoned tightly to stop stockings from rolling down if the garters at mid-thigh didn’t hold.

Put on some clothes, Lestat! Those scenes where Lestat is just wearing a shirt and breeches? Technically he’s only wearing underwear! Usually even at home, a proper gentleman (like Nicolas) would wear a banyan (an East Asian-inspired robe). When going out, a gentleman would wear a tight frock coat.

All of this goes out the window for the Third Estate, who pretty much only owned two sets of clothing for their entire lives.

Underwear in the 18th Century

//Sources for Enriching an Italian Renaissance RP world

echo-de-la-lumiere:

While I don’t roleplay as any Italian Renaissance characters, it is one of my areas of knowledge and I have many books that I think would be helpful or useful to the roleplayer who wishes to add historical, political, economic, and intellectual context to their work.

  • Lisa Jardine & Jerry Brotton, Global Interests: Renaissance Art Between East and West
    • Highly recommended for any Armand player. Explains how Ottoman Empire and Venice interacted through economic and cultural exchange. Lots of stuff to be learned here, and just a great and easy read. If you can’t get to anything else in the book, at least get the preface and the first chapter (I think; it’s been years since I’ve read it though I remember all the lecture slides), which give a great summary and taster about the topic and the authors’ approach. You probably would want to continue after that. This is one of my favorite books.
  • Gene Brucker, Florence: The Golden Age, 1138-1737
    • Tons of pictures, giant book, great survey of the feel of the time period.
  • Joanne M. Ferraro, Marriage Wars in Late Renaissance Venice (2001)
    • Venetians be suing each other, guys, all the freakin’ time, over marriage contracts. First-person stuff, lots of records, it’s awesome and lively and oh my god how sassy must Armand have gotten?
    • Okay to be honest, it’s mostly legal gossip, actual depositions, legal records, etc. Give it a skip if you really don’t care about he-said-she-said.
  • Jerry Brotton, The Renaissance Bazaar: From The Silk Road to Michelangelo (2002)
    • Really lively read about how Armand probably shopped, told by a recently deceased scholar who was a giant of European Renaissance history. Really cool depiction of how East and West exchanged culture and also created some serious problems that we deal with today.
  • Ulinka Rublack, Dressing Up: Cultural Identity in Renaissance Europe (2010)
    • Because Bianca’s pearls in her hair and Armand’s hose and doublet meant something. Also, lots of fun pictures here, and you can imagine the various costumes Marius would have used to disguise, perform, and hint at a different identity.
  • Lisa Jardine, Worldly Goods
    • Super awesome street-smart history (with pictures) about how multicultural the economics of Ottoman Empire-infused Italy was. Just super cool and wide-reaching.
  • Heather Gregory, Selected Letters of Alessandra Strozzi
    • Probably the best book for figuring out what Marius would have nagged Armand and Ricardo about. It’s this awesome Italian lady who just writes letters to her sons nagging them about stuff they forgot to do.
  • Francesco Petrarca (trans. David Marsh), Invectives
    • Stop giving Armand boring essays to read for homework, Marius.
  • Jon Thiem, Lorenzo de’ Medici: Selected Poems and Prose (1992)
    • Lorenzo really liked making dick jokes. Let Armand write some, too!
  • Giorgio Vasari, Lives of the Artists and Painters
    • Pretty much Vasari going around Italy throwing shade at everyone and gossiping.
    • Paolo Uccello really hated cheese and Michelangelo was a dick who snatched really nice pieces of wood from competitors by auctioning early.
  • Peter Robb, M: The Man Who Became Caravaggio
    • To be honest, this is a pretty controversial biography of Caravaggio, or as Robb claims, “Michelangelo Merisi da Caravaggio”. 
    • It’s Caravaggio shittalking, dueling, and fucking his way across Italy until the fuzz finally comes after him. Oh, and he apologizes to his patrons a lot and then paints horse butts next to priest faces, so this book kind of made him my childhood hero.

Books I have NOT read but know of:

  • Guido Ruggerio, The Boundaries of Eros: Sex, Crime, and Sexuality in Renaissance Venice
    • Find out if Marius (and those gold-painted giggling guys testing Armand) were legit.
  • Judith Brown, Immodest Acts: The Life of a Lesbian Nun in Renaissance Italy
    • I think this is just a fun title about an important topic that probably gets ignored a lot.
  • Michael Rocke, Forbidden Friendships: Homosexuality and Male Culture in Renaissance Florence

I have more sources I can recommend, but these are nice to get started and were sitting on my bookshelf.