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Deadpool 2 but I give you no context

How do I make a character’s death really sad? (For a VC fic.) (-Memnoch, The Devil.)

monstersinthecosmos:

i-want-my-iwtv:

I think there are many ways to make a character’s death really sad, and bc we can all have different feelings about a given character, any individual reader will be very sad about the death, when another reader might be totally indifferent (or even glad!). I’ve only written fanfic myself, and I know what makes me sad when I read/write character death, that’s about as informed as I am on the topic, DISCLAIMER: I’m not a professional writer and this is not professional advice.

💀 Some things that come to mind re: making a character’s death really sad: 💀

  1. How they die, 
  2. How preventable their death was, 
  3. How other characters feel their loss and/or the loss of their potential, 
  4. And how much that character meant to the reader/audience, did they like the character?

I don’t know what specifically you’re doing in the Memnoch timeline… I won’t use any examples of deaths from that book in case of spoilers (Idk sometimes I’m more respectful about spoiling ppl than other times *shrugs*)

In IWTV, it was a very sad death when Claudia died. It’s portrayed differently in the book(s) and the movie, but I’m just going to address it re: the points above generally and drawing from both.

1. She died by sunlight exposure and it seemed extremely painful. 

Louis would not have seen it, so he can’t describe the moment of her death in the book, but it’s shown in the movie. Leading up to the death, the tension builds and builds, all these moments where Louis, Claudia and Madeleine are hoping for Armand (or some other deux ex machina) to swoop in and save them all. It doesn’t happen. Probably one of the last shreds of hope they had was when the troupe pull Louis and Claudia apart, from that point on, he can no longer protect her ;A; 

As it was so painfully underscored in Claudia’s Story, the last name Claudia hears Louis call for is “Armand,” bc calling her name won’t do them any good. But to her, it feels like a final betrayal, that he’s calling for Armand bc he cares more about him ;A;

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Claudia and Madeleine get locked in the well, and when Claudia sees the sunlight approaching, she’s already starting to cry, trying to wake Madeleine to try to figure out a way out… there is none and then they can only brace themselves bc there IS NO ESCAPE ;A;!! The acceptance of their own deaths is part of the tragedy.

It’s a pretty universally nightmarish situation, even though sunlight is not fatal for ppl (most, anyway), but we can all relate to the experience. It’s like being pushed onto subway tracks and not being able to escape in time ;A;

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2. Her death was a failure in diplomacy, basically. The Theatre des Vampires, led by Santiago, held a kangaroo court (although they may have felt that they were within their rights) in which they found Claudia guilty of attempted murder of her maker, and decided to punish her with the death penalty. 

Louis tried to protect her from it as best he could, he tried to make a deal to save her life, but failed. In the book:

“ `Listen to me, Lestat,’ I began now. `You let her go, you free her… and I will… I’ll return to you,’ I said, the words sounding hollow, metallic.

3. It kills a part of Louis when Claudia dies. His immediate reaction is extremely sad (not even factoring in the revenge he takes after).

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I have a more thorough commentary on this scene here. It’s in this moment that Louis has lost the most precious person, the one who’s told him what to do, someone he could worship and follow, someone who metered out his doses of happiness with her approval. In the movie, he calls her “my child,” Armand tries to correct him: “Your lover,” and Louis compromises with “My beloved.” 

In the book, the next night, Louis finds Lestat clutching Claudia’s bloody dress and sobbing over her death, too. Even though he was the very person who testified against her! Even he could not prevent their “justice.”

“And then I saw the thing in [Lestat’s] hands. I knew what it was. And in an instant I’d ripped it from him and was staring at it, at the fragile silken thing that it was – Claudia’s. His hand rose to his lips, his face turned away. And the soft, subdued sobs broke from him as he sat back while I stared at him, while I stared at the dress. My fingers moved slowly over the tears in it, the stains of blood; my hands closing, trembling as I crushed it against my chest.

Louis was expecting Claudia to go on and live with Madeleine, that he would still be in touch with her and see her occasionally. So that potential continued relationship was destroyed, too ;A; 

4. What did Claudia mean to the audience/reader… 

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I know I sympathized with her and very much enjoyed her overall, and I like to think that other readers/viewers agreed, and don’t totally blame her for her actions against Lestat… after all, she was a victim herself. Lestat doesn’t blame her when he speaks of her in canon. We saw the love they both had for her ❤

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Is that enough to convince the readers/audience to care enough for her that her death is sad for them? All those factors help!

~💀I hope that helps, Anon! Now make us cry!💀~

OKAY LIKE HI HELLO, I realize I haven’t killed anyone in my fics in a while but my never-gonna-be-fucking-finished novel is about death and grief and was closely based on my own grief process following the deaths of two of my friends in the span of three months so. Here’s what I want to say !!! 

The points @i-want-my-iwtv are all super true, but I also want to say that to write an effective death scene or to be affected by a literary death you have to try to empathize with what death really feels like IRL. So, for me? Grieving hinged (and hinges, lbr, it never really goes away) on three things:

  1. The immensity of the concept that you will never see the person again.
  2. That as time goes by it’s not just “missing” them because you won’t see them again but that it’s been longer and longer and longer since the last time you saw them and you miss them the way you can even miss the living that you haven’t seen in a while.
  3. The ruined potential of everything this person had to offer the world.

This is all pretty personal and grief is super emotionally complicated so obviously different people have different experiences and I AM SO EXCITED THAT AS CREATIVE HUMANS WE ALL HAVE WAYS TO EXPRESS WHAT WE INDIVIDUALLY WANT TO SAY ABOUT IT, that’s super special and I think it helps heal people a lot. But to me that’s kinda like how I narrow it down personally. 

So when it comes to a story I think it’s going to depend on the POV of the text itself and also if the grief is more directed at other characters or at us as the reader.

Things to consider:

  • Are you trying to make us sad for US, for our own sake, because we will missing having the character around in canon? Are we attached to them? 
  • Are you trying to make us sad for the survivor(s) of the death who we have grown to love? 

In IWTV specially I think the movie does more of a job of letting us care about Claudia as her own person because see her with a bit of a wider frame, vs. the book I think heavily weighs on us caring about Louis and feeling empathy of his loss. 

So if you want to make the character’s death “really sad” I think we have to first decide who we’re feeling sad for and go from there. Are we having to survive without them as a reader or are we just empathizing with someone like Louis, that we care about and feel sorry for? 

EITHER WAY an important thing to note, whichever approach you take, is that we need to understand the value of this person and what they had to offer and why someone should miss them. If you’re trying to make your reader sad for the character I think it’s important to make sure they are valuable and liked and that we will care that they are gone. I think in the IWTV novel that Claudia is sort of cold and savage and by the time they’re in Paris she’s pretty cruel to Louis, so it’s natural for me not to feel personally affected by her loss, but as a reader I know that Louis is crushed because it’s the loss of his daughter. So even if the character is cold/cruel/unlikable/etc we can still hurt for someone who cares about them anyway. 

So. 

IDK!

@i-want-my-iwtv had super good points but I also just wanted to add that. Grief and death are messy and horrible and I think the emotional depth and sense of loss makes all the difference.

Do you know of any vampire clichès? (I know that you may not have read that much vampire fiction, but I need to know all the clichès to avoid, it’s for a book.)

i-want-my-iwtv:

Oh man, that is a lot to ask, and you’re correct in that I have not consumed a wide range of vampire media, especially in terms of historical/geographical/etc. 

@thebibliosphere, @annabellioncourt, @gothiccharmschool, @forthegothicheroine, @fyeahgothicromance might have a post with this or similar info.

TL;DR: I don’t think you need to worry about avoiding

clichés, tho. I think you should take Anne Rice’s advice and “write the book you want to read.” It worked well enough for her!


What exactly is a cliché? Wiki says: 

“A cliché or cliche is an expression, idea, or element of an artistic work which has become overused to the point of losing its original meaning or effect, even to the point of being trite or irritating, especially when at some earlier time it was considered meaningful or novel.”

Vampire fiction is so varied and has so many different rules compared to its first inception that I think it’s pretty free of ideas/elements that have “become overused to the point of losing their original meaning or effect, even to the point of being trite or irritating.”

One cliché is the “I vaaant to suck your blooood!” line that a vampire might say to a victim, originating in vampire movies from decades ago, but it’s more of a comical thing now. It can also be modified slightly to increase the comedy:

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[^X piece of a comic by @heckifiknowcomics]

I will say that some of my fave vampire media takes existing clichés and/or rules/conventions about vampires, and interprets it in a different way or ignores it completely.


I think it’s more important to consider existing conventions/rules, and how your vampires will operate within them, if at all. I have some stuff mixed into my #vampire physiology tag, but not a complete list.

A few conventions/rules are already widely varied in different vampire media:

  • Vampires can’t walk around in sunlight –

    In most vampire media, vampires exposing themselves to sunlight will get them severely burned or killed immediately.

    In Byzantium, I think they can walk around in sunlight with no problems at all.

    In Twilight, the vampires are physically able to do so, but they’re dazzling in the sunlight, so they stand out as non-human when they do (and that’s bad bc revealing themselves as non-human could risk harm from mortals). 

  • Vampires require blood to survive, but they are immortal, so “survive” is more like, “a healthy vampire is one that is feeding on a regular basis, but it’s not a requirement.” – I can’t think of an example of vampires that die from not drinking blood regularly… but I think the What We Do in the Shadows and Only Lovers Left Alive vampires will rapidly weaken if they don’t feed often.
  • Vampires don’t have reflections in mirrors – the Bram Stoker’s Dracula (1992), What We Do in the Shadows, and

    Only Lovers Left Alive

    vampires

    don’t have reflections, but the Interview with the Vampire ones definitely do.

  • Vampires have to be invited into their victim’s home – Only seen this being an issue in the two adaptations of Let the Right One In.
  • Vampires are harmed by crosses/crucifixes – Saw this as an issue in the What We Do in the Shadows vampires, that it frightens Deacon that he might be in close proximity to a cross, but it’s unclear what would happen if he touched it. In Fright Night, a vampire touching a cross ignites it in flames but it doesn’t seem to stop him from continuing to attack.
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[^X by @horroredits]

So what I’m saying is that you can explore different conventions/rules of vampires and then pick and choose which you’ll incorporate into your vampires, or invent whole new rules! 

UPDATE: Got an anon message adding to the this post, here’s their info: (I reformatted their answer into nicer formatting than asks allow)

  • Regarding sunlight: In the original Dracula novel, sunlight actually didn’t hurt vampires, but it neutralized their powers. Dracula couldn’t transform while the sun was up, except at dawn, exact noon, and sunset, but as I recall, he still had his superhuman strength/speed/etc and was able to flee our team of heroes. 
  • Regarding needing blood but being immortal: In Dracula and some other media, the vampires not only weaken, but age if they don’t feed. In the novel, Dracula looks like an old man when Harker first meets him, but turns young as he feeds regularly. 
  • Regarding crucifixes: I’ve seen a instances with twists on this relating to faith. In one, the crucifix was harmless because the person using it had weak faith in God. In another, crosses and such only hurt the vampire if the vampire feared them, and faith was considered truly frightening. Two of the vampires went to church regularly to keep up their human guise, and one of them holds a cross in his hand with no issue, but a younger vampire is too scared of a cross to pick it up. 

What are VC fans called?

the-savage-nymph-art:

amadeo-child-of-the-renaissance:

i-want-my-iwtv:

To my knowledge, we don’t really have a name, like the Potterheads for HP or the Hiddlestoners for Tom Hiddleston 😦  

We’re just “VC fans.” If I’m differentiating between different vampire media, I’ll say “Ricean vampires” or “VC vampires.” 

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It’s an old fandom, so old that I’m pretty sure it predates fandom being the recognized thing it is today. We were also strongly discouraged from creating fanfic, so maybe that’s why we don’t have a name. VC fanfic was underground, the fandom was in hiding, we didn’t want to draw unwanted attention by having a name. The Talamasca slogan might as well be our fandom’s slogan, too: We watch and we are always here. 

Sometimes I refer to us as “People Off the Page,” to differentiate us from the VC Facebook fans who Anne Rice calls her “People of the Page.” More on that here. They used to be a formidable army she could sic on other fans/reviewers/etc., but things have been peaceful for awhile now, thankfully.

I used to refer to us tumblr fans as “fanged little trash kittens” or “fanged little trash monsters” more frequently than I do now. Probably had to do with the fandom trend at one point of saying “I’m such X-trash!/I’m trash for X!” meaning that you loved X thing/character. Seemed only natural that we would be fanged trash creatures. And it’s gender-neutral. 

Any variation on the words Vampire and Chronicles doesn’t wholly work for us, since there are so many other Vampire series and Chronicles series. 

//I’d like to suggest “Children of Darkness“

I second “Children of Darkness”. So dignified.

Yes, we have been called that, or called ourselves that, in the past! I’m sorry I forgot! Here, I made us a super classy badge:

(Font is “Dr Sugiyama” from http://www.1001fonts.com.) 

Un-sprakle’d version so you can make your own!

is it actually possible for louis and lestat to be in a coffin together? i know louis and claudia could share one because she is so small and young, but aren’t both of them like, fully grown men?

@wicked-felina said: Louis is just under six ft (I guess he was wearing heels the day Daniel interviewers him lmao) but yes!! The point stands

He might have been, he was wearing a whole special outfit, knowing it could be described and included in the record of the interview. But I don’t think his height is specified in IWTV, I skimmed it, didn’t find that. Here’s a compilation of descriptions of Louis that @i-see-light-blog put together. 

Lestat says in TVL:

I’m six feet tall, which was fairly impressive in the 1780s when I was a young mortal man.

But I don’t think we get Louis’ height (other than “tall”), until Armand’s description in TVA:

i-want-my-iwtv:

Yes! 

I can’t find it rn and so I can’t remember if it was an ask directly sent to me or just a post I reblogged… 😛 sorries… but someone had reported that they and their friend (significant other maybe?) were in a funeral parlor, owned by a relative I think, and were allowed to climb into a few coffins to test that question, and YES, two full-grown adults were able to fit comfortably in a standard-size coffin. Louis and Lestat are both 6 ft tall with Lestat being slightly taller, so yeah, that’s a lot of person when doubled. It was also unnaturally tall for that time period.

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^IDK if the coffins in the movie were accurate to the time period, probably yes. That one looked plenty big enough for them to both get in and why didn’t they!!! but I didn’t see any cushions at all, that might have made the fit a little tighter. 

Currently, ppl can have custom coffins made, it would be easy enough to order one of any size 😉

Louis de Pointe du Lac, already described above but always fun to envisage: slender, slightly less tall than Lestat,…

^Could be as little as an inch (US) or a few centimeters (non-US) difference *shrugs* I should have said that Lestat is 6 ft tall and Louis slightly less than that, that would have been more accurate.

Is there any official merch for this fandom?

i-want-my-iwtv:

There has been, historically, very little VC merch bc AR didn’t have the rights to sell things for the years when other ppl had those rights and they mostly just sat on those rights? I guess?

AR has sold varying interesting things over the years anyway on her own site, annerice.com, I should make a compilation… these things come to mind:

Technically there is Anne Rice’s website store, where you can purchase a limited number of items (with really decent prices, it looks like!) including these must-haves (/s):

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^I’d rather that ppl did not know that I read that book upon first meeting me, and risk discussing BIRB ALIEMS but anyway…

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^Boss asking if you got the memo on the new cover sheets for TPS reports? Or putting in hours on Saturday? Terrify your boss with this on your desk! 

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^Technically only one person, the actual Lestat, can wear this honestly, but he’s fictional so… idk…

Over the years there may have been official merch for:

  • the Interview with the Vampire movie (1994) – I don’t remember if there was official merch, but I doubt it. 
  • Queen of the Damned movie (2002) – Probably there was merch for this? I don’t remember.
  • Lestat the Musical (2005, 2006) – I know someone has a t-shirt! 

^So check eBay for that stuff 😉

Update: 

I’ve been informed that these were official VC shirts for the QOTD movie, and they have been featured on-screen, too. You can still find them on eBay, but they are pricey? Idk. 

^Here’s one.

^And this one, too, which might be another shirt or poster from within the movie, too?:

^…and apparently this was the record cover within the movie! though i’m not 100% sure on the latter; might’ve been a mockup by a fan at the time. Look, Tough Cookie is in there? And two Louis-ish dudes?