The Three Laws of Fandom

darthstitch:

notreadytosettle:

ozhawkauthor:

If you wish to take part in any fandom, you need to accept and respect these three laws.

If you aren’t able to do that, then you need to realise that your actions are making fandom unsafe for creators. That you are stifling creativity.

Like vaccination, fandom only works if everyone respects these rules. Creators need to be free to make their fanart, fanfics and all other content without fear of being harassed or concern-trolled for their creative choices, no matter whether you happen to like that content or not.

The First Law of Fandom

Don’t Like; Don’t Read (DL;DR)

It is up to you what you see online. It is not anyone else’s place to tell you what you should or should not consume in terms of content; it is not up to anyone else to police the internet so that you do not see things you do not like. At the same time, it is not up to YOU to police fandom to protect yourself or anyone else, real or hypothetical.

There are tools out there to help protect you if you have triggers or squicks. Learn to use them, and to take care of your own mental health. If you are consuming fan-made content and you find that you are disliking it – STOP.

The Second Law of Fandom

Your Kink Is Not My Kink (YKINMK)

Simply put, this means that everyone likes different things. It’s not up to you to determine what creators are allowed to create. It’s not up to you to police fandom

If you don’t like something, you can post meta about it or create contrarian content yourself, seek to convert other fans to your way of thinking.  

But you have no right to say to any creator “I do not like this, therefore you should not create it. Nobody should like this. It should not exist.”

It’s not up to you to decide what other people are allowed to like or not like, to create or not to create. That’s censorship. Don’t do it.

The Third Law of Fandom

Ship And Let Ship (SALS)

Much (though not all) fandom is about shipping. There are as many possible ships as there are fans, maybe more. You may have an OTP (One True Pairing), you may have a NOTP, that pairing that makes you want to barf at the very thought of its existence.

It’s not up to you to police ships or to determine what other people are allowed to ship. Just because you find that one particular ship problematic or disgusting, does not mean that other people are not allowed to explore its possibilities in their fanworks.

You are free to create contrarian content, to write meta about why a particular ship is repulsive, to discuss it endlessly on your private blog with like-minded persons.

It is not appropriate to harass creators about their ships, it is not appropriate to demand they do not create any more fanworks about those ships, or that they create fanwork only in a manner that you deem appropriate.

These three laws add up to the following:

You are not paying for fanworks content, and you have no rights to it other than to choose to consume it, or not consume it. If you do choose to consume it, do not then attack the creator if it wasn’t to your taste. That’s the height of bad manners.

Be courteous in fandom. It makes the whole experience better for all of us.

Yup.

Slaps onto blog.

THIS

Your tags give me life XD

Thank u luv! ♥u♥ *attack hugs*

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I was gonna put my fave tag links here but I cannot do the proper research for it rn, will try to do it later bc BELIEVES IT OR NOT I do try to tag things in such a way that I can organize this mess somewhat but then I add a bunch of THOUGHTS to it which is purely for our own enjoyment >;}

merciful-death:

devilsfool:

thelionscrimsonclaws:

i-see-light:

Can we talk about… how Louis repeatedly has visual/auditory/tactile hallucinations, episodes of dissociation and depersonalization, and panic and anxiety attacks all throughout IWTV but these things are never really touched upon again in the series… like these are all possible symptoms of very severe depression, which I guess Rice alludes to Louis having throughout the series, but like honestly Louis was barely functional in IWTV and that’s never really been demonstrated again… in the later books Louis is always described as being calm, quiet, morally exceptional, conveniently kind, and romantically “sad.” I’ve always felt like the others’ perception of Louis was completely different from Louis’s perception of himself in his own account, and I wonder what ever happened to that intensity in his character in IWTV. I think if it’s touched upon later at all, it’s in Merrick? A little? Still though, it feels like Louis was conveniently stabilized and made static in the narrative in order to make him an easier character to sideline lmao

Very much so…..

//Frankly, this is an astute observation. And I think a lot of the changes in Louis’ character came, frankly, from his author no longer wishing to associate with him. Anne made it quite clear that she hated Louis’ voice and never wished to write in it again–and it took her almost forty years (39, to be exact) for her to be able to write in it again (I’m referring to the Epilogue in Prince Lestat). 

ooc; I agree with @devilsfool re: Anne.  I believe she was actually quoted at one point after writing Merrick saying that she didn’t want to ever write in Louis’ voice again???  Or something like that.  She definitely expressed not caring all that much for his character.

But I can agree with what you’re saying too, because ultimately, IwtV was the only first-person narrative from Louis until the last chapter of PL.  I’ve always felt Louis to be this intense perfectionist that can’t tolerate his own downfalls, and I definitely agree that he shows numerous symptoms of depression.  He’s his biggest critic, and I think that shows a lot in IwtV.

I feel like IwtV would have seemed a lot different if told from Lestat’s perspective?  Because while Lestat may get really, really angry with Louis sometimes, his descriptions of Louis are the most glorified in the books.  He’ll talk about Louis moping around, but he paints a general picture of Louis being a very strong person that is dedicated to his convictions.  Louis is literally his emotional rock, and really, I don’t believe Lestat would actually ever openly write of any breakdowns Louis may or may not have had.  And I feel like if Louis was to have a bad bout of depression, Lestat would be the one to know, above anyone else.

Then you have Khayman’s description of Louis, where he flat out says that Louis can’t exist without Lestat.  And Armand’s bit about Louis in TVA paint him as very melancholy, imo.

I also look at where Louis was when he gave the interview.  He’s a very careful, private person, and he had his reasons for giving the interview in the first place (which can be debated in itself; I’ve always thought it was a cry out for Lestat and/or suicidal recklessness).  He’d been alone for years and felt he’d nothing left.  He was infuriated that Daniel didn’t see his story as despairingly as he himself viewed it to be.  Louis felt down on everything at that point, and I don’t know that he’d really be that open with his experiences and feelings on any other night?

Idk, I’ve always felt that for as emotional as Louis seems to be, he still sucks majorly at actually dealing with his own emotions.  Which is how I reason his major breakdown(s) in Merrick.

/writing this at 1am and hopes it makes sense lol

#YES #THIS #this post cannot be improved upon

Gonna add 2 things anyway.

1 – AR wrote IWTV after the loss of her daughter. Louis was pretty much AR herself, dealing with that grief, questioning a God as to why he had to punish her so much. What did Louis do to deserve a life-in-death living hell? What did Claudia do to deserve eternal imprisonment in that little body? What did AR’s daughter do to deserve dying so painfully at such an early age?

In the end, Louis (and the readers) draws his own answers and has to come to some kind of peace in order to move on. Lestat has his Savage Garden, in which peace lies in the fact that there is no explanation, bad things just happen to good people. The most we can do is try to do Good and help eachother survive the slings and arrows, try not to be the slinger of arrows, and if we are, to do it for the sake of Good. We’re all imperfect.

2 – Louis’ voice is pretty damn hard to write, when done well. My guess is that AR didn’t see a need to revisit his POV, especially with the intensity of focus it required. @annabellioncourt​ had some excellent points on this awhile back:

“Louis is more along the lines of the Oscar Wilde’s era of the very late 19th century, which is what most people think of today when they think “Victorian writing.” Similar in voice (though not subject) would also be Matthew Arnold (read some of his essays, and tell me that’s not how Louis talks), Wilkie Collins, and Henry James.

”…Louis is not so much involved in human goings on, he’s aware of events and films, but still speaks in the language of the century where he spent the most time communicating with others–also he would not have lost his speech patterns over those decades with Armand because Armand was mostly isolated in his language circles. So we can look at all of that as to why Louis talks the way he does.“

“Louis does show a HEAVY influence from the French symbolist poets (the school that Charles Baudelaire was from).”

And of course Louis would express himself in the language of the writers he enjoyed. OF COURSE HE WOULD. We all know he’s basically a big ol’ bookworm w/ fangs.

jardinsalvaje:

jaclcfrost:

do u know how hard it is to love a character that’s an asshole on a regular basis knowing that they’re an asshole and they’ve done asshole things but whenever u look at them u are just like. wow. u asshole. i love u. but u. are an asshole

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Does anybody else feel like they need a TV series based on Anne Rice’s vampire chronicles?

justapartofmylife:

Because I do… Desperately.

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