penfairy:

I always used to roll my eyes at people stanning villains and falling in love with them and saying “they’re just misunderstood! they just need love!”

but then guillermo del toro gave me Lucille Sharpe from Crimson Peak, whose name means light but who was locked away in darkness for so long that she was twisted into a monster

who suffered horrendous abuse as a child and as a teenager, caged at home and then in an institution where she was further neglected and assaulted

who clung obsessively to the only source of love she ever knew, her one comfort, which she ended up hurting, confining and killing in her selfish, yet understandable, need to keep it close

who is constantly stitched into rigid and painful clothing

who could not escape her demons, even in death

whom jessica chastain described as being like an abused animal that desperately wants to be touched and loved, but which will bite the instant it is touched

who has committed horrendous, unforgivable crimes, but who is still, at her core, an abused child

who might have been good, once, but who underwent a terrible metamorphosis and hatched out of her cocoon as a carnivorous black moth instead of a butterfly

who will, for eternity, remain that monster, because there is no undoing such a transformation fed by pain, misery and mistreatment

and I went

fuck

anyway good job on the sympathetic villain guillermo she wrecks me every time and I just want to hold her and love her and write meta and 1000 crappy redemption fics for her I hope you’re happy

Leading the wolf to slaughter

A little breakdown of this scene, re: why I loved Tom’s Lestat so much in this scene, since we’re talking about it.

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^Claudia leads him in, and he’s so trusting. When he sees the boys there, he is not immediately very pleased. He actually looks a little disappointed. The house rule is not to bring victims into the house, and she brought them in, is he going to have to lay down the law again? Bad timing for it, since he’s trying to make peace with her.

She glances up at him to gauge his reaction but looks away before he can meet her gaze. She’s thrilled with what she’s about to do and doesn’t want him derailing her from her mission. 

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^I use this gif a lot for “such feels,” but there’s really more going on here, and not necessarily happiness. She’s told him that the boys are the gift to him. He starts w/ a facepalm, bc, hey, Lestat would actually rather not kill children.* He tries to go for adult evildoers. It’s clearer in TVL than in movie!IWTV, but he does tell Louis in an earlier scene, “Evildoers are easier, and they taste better.”**

Lestat is also very guarded in his body language here, all closed off w/ his arms across his chest (we don’t usually see him this closed off in the movie). When he shows his face, he’s not smiling at first, bc, this wasn’t really the kind of truce he would have wanted. But then he rallies, shakes his head a little bit, and tries to smile, probably tells himself inwardly, “She did this for me, she has good intentions…”

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^”Well, you certainly have… outdone yourself,” he says. He’s struggling to compliment her, that hesitation could have led to a criticism. Trying to convince himself that this is a peace offering and to reign in his usual edgy sense of humor. The main rule in their home was always “Never [kill] in the house” and she wants him to share this kill. In. The. House. A rule she’s broken countless times. He’s still guarded, still has his arms up protectively.

The smile fails as he looks over the boys like he’s looking at something unappetizing at a buffet. For me, that would be the wilted salad area.

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^There’s a full second pause as he looks at her bc he’s still struggling to believe it was all this easy. Then he asks: “We forgive each other, then?” This is Lestat without any of his bravado, no games, not asking as her maker, just as someone who loves her and wants her love, too. This is the Lestat who spent most of his childhood unloved or beaten down for trying to find a place where ppl would love him ;A;

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^There’s almost a full second pause as she looks at him – bc she doesn’t really forgive him – and then says: “Yes” She’s lying right to his face, so evil! If you cover her mouth, her eyebrows don’t change at all with that smile. But there is still a chance to abandon her plan if she wants to.

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^Having secured the peace, putting his trust in her about this gift being OK to consume, he has this little sigh of relief; his usual confidence comes back in, you can see a hint of a smile as he turns away.

(This victim is one of the moments in the film that really pushed the envelope for its time, when Lestat bites into the child. It’s actually a lot less homoerotic/pedophilic than in the book, where he gets his hands wrapped up in the kid’s shirt. Unlike when he bites adults and we see his face, here, we see him from behind. It makes it less sexual, he didn’t choose this victim, it’s seems like it’s more about the consumption.)

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^Anyway… he thinks she spiked their blood with absinthe bc he immediately feels drugged/drunk from it.

She tells him it’s laudanum, and he repeats that word, has he heard of it before? Probably not, bc she tells him what it does. 

So right up until the moment she explicitly lays it out for him, he still believes they’ve reconciled, and even that she flavored the blood for him as an extra consideration! It’s a very painful betrayal, specifically bc he wanted to believe her SO BADLY that he ignored all the red flags ;A;

You could say he deserved this betrayal, but I think this scene is part of what makes Tom’s Lestat so very good. Even as he’s led into getting his punishment, you still feel sorry for him, it’s hard to hate a monster when he’s being this trusting and gentle and really wanting to well… not be a monster.


I recognize that this is a social media site so you are welcome to reblog and comment and engage on this, but please do so respectfully, and keep in mind that #your headcanon may vary, and we are all entitled to our own interpretations/opinions about canon, and about movie!IWTV.    

(Asterisked notes under the cut.)


* It’s implied that Lestat and Claudia finished off whole families together in an earlier scene in the film, including children, but we’ve only seen him kill adults on screen up to this point. In the book, it’s Claudia who insists on killing families (her own, IIRC), and she kills a mother and daughter who worked domestically in the flat for Louis and Lestat. Lestat rarely kills children in the books, typically it’s only in moments of extreme emotional weakness.Tom would have known this, bc he read books 1-4.

**

“Evildoers are easier, and they taste better.” – This is what Lestat tells Louis to try to get him to acclimate to the idea that killing is okay, and in fact, some ppl need to be killed anyway, to protect the general population (like Lestat killing the wolves to save the villagers back in the Auvergne). But in the books it’s implied that innocent blood tastes better, which makes it harder to resist. “…these victims had been taken in the perfect semblance of love. The very blood seemed warmer with their innocence, richer with their goodness.” (TVL)

I might do more of these if you’re interested, but they do take a long time to put together. We’ll see…

me as a villain fan: This character is a fascinating and complex individual, whose complexity makes them sympathetic even while the evil things they have done can never be excused, and whose story provides an intriguing opportunity to explore the dark side of the human psyche.
also me as a villain fan: This is my smol fluffy murder child. They’re such a piece of shit, isn’t it magnificent? Aww, look, they’re still covered in somebody’s arterial spray.

gabbyzvolt25:

bi-est-witch-of-middleearth:

kittenwiskers:

writing-prompt-s:

You’re in charge of assigning every child on Earth the monster under their bed. One child in particular has caused every monster assigned to him/her to quit. You decide to assign yourself.

Case: #273402
Status: Disastrous.

I stare at the file and realize I have no options, over the last 2 years every monster assigned to Charlotte Dower has quit, every last one. Her first monster; a giant goldfish-faced humanoid named Bubba, had been with her for four years, and then she wasn’t scared of him anymore. After that it was a string of different common, uncommon, and rare monsters… I even assigned a sentient sock monster to her. He came back crying!
I look on my tablet, only one assignable monster left; myself. Field work has never been my cup of tea, but desperate times call for desperate measures. So at 8:03 pm, after Mrs. Gideon tucks in Charlotte and her little brother Daniel; I slither into the space beneath Charlotte’s bed.
Across the room underneath Daniel’s crib is a rookie, Chico, a standard Creep kind of monster.
I turn my attention to the bed above me, Charlotte is still awake but barely, I reach up over the bed and run an ice cold finger over her cheek, silence, so I do it again.
“I’m not afraid of you monster!” She whispers, but her voice is shaking. I can see a small clock on the wall 8:14, a door somewhere in the house slams and there is an audible hitch of breath from above me. A few minutes go by I can hear Francis Gideon yelling at his wife. There are heavy footsteps on the stairs, and loud panting breaths, Charlotte scrambles off the bed and…
She. CRAWLS. Under. The. Bed. With. Me.
“Move. Over!” Charlotte hisses at me. I do.
The door to the bedroom slams open and I smell the stench of human intoxicants before the man even steps inside.
I know why Charlotte isn’t afraid of any of my monsters; she’s afraid of her own.
Francis reaches a hand under the bed and I thrust my wrist into it, he starts to pull, I slither out.
“What the…” I cut Francis’s next words off by unfolding to my full 12 foot height. Looming over the drunken man I caress my cold fingers down his face.
“If you ever touch, scare, or harm my child again, I will find you, and I will do the same to you, for all eternity.” I promise to him.
As Francis runs from the room he soils himself.
I pull Charlotte from under the bed, tuck her back under her covers and kiss her forehead goodnight. “I’ll be back tomorrow night, sleep well darling.”
Charlotte Dower is my child, I am the monster under her bed.

WELL GODAMN, WE HAVE OURSELVES A WINNER

Holy shit I’m gonna cry that’s beautiful.

ysvyri:

’Nokken’ by Kim Myatt

New painting for the Month of Fear challenge “Wicked”.

Not all Nokken are wicked, but the ones that are have been said to have the sweetest songs with words like honey. With kisses and promises, they’ll lure you closer and closer to the water’s edge. By the time you notice you’re out of your depth, it’s too late. 

Ysvyri.tumblr.com