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nodominion:

//THE VAMPIRE CHRONICLES FAMILY TREE

It is finished! Or at least as much as I know. 

I tried to be very thorough regarding names and makers. The unknown branch bothers me the most, and if anyone knows where those Vampires started from, please let me know. Also I’m not 100% sure on all of Rhosh’s fledglings, though from a few sources I think that’s all his named ones.

If you would like to correct anything or add anyone canon, PLEASE send me a message, even on anon. The more eyes I can have on this the better.

Of course this is updated through Prince Lestat, so spoilers for character names and makers. 

Colors refer to gender, though I’m unsure of Petronia, who is technically a hermaphrodite, and Eleni and Eugenie. Again, please message me for any changes/clarifications!  

You can click the images to make them a little clearer/bigger.

@roselioncourt‘s VC family tree is a work of staggering beauty.

(different anon) I read all your posts about Anne Rice’s really strange views on her own characters (Gabrielle being a bad mother like bitch where!?) and I just decided to settle for not caring about AR’s opinions. She is just a human being, and I think me and her see the characters pretty differently, which shouldn’t prevent me from loving them on and on :D

#^THIS #AGREES AGGRESSIVELY

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I, PERSONALLY, don’t need AR’s validation of my opinion on canon. We all have our own headcanon. We can all love the characters in our own way. A good story (or piece of music or art, or whatever) DOES make you “read between the lines,” it DOES make you curious. It leaves things open enough for you to fill in the blanks. It doesn’t need to explicitly state everything for you, and the author has no obligation to do so, either. This has been true ever since the very first story was ever told, the first artwork ever made.

Most of all, I’m forever grateful for the gift she has given us. I don’t have to agree with her to still feel that gratitude.

If you don’t like a character’s trajectory in canon, that’s what fanworks are for 😉 Just try to be respectful of each other, abide by the Fandom Laws and we can all enjoy it all together, which is what we all want, right?

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annabellioncourt
reblogged your photo and added:

THIS FANDOM HAS COLLECTIVELY GONE INSANE AND I LOVE IT SO DAMN MUCH.

#ITS ALL CLASS AND HISTORY AND ART ONE MINUTE# AND THEN WHAT IF IT WAS BOB’S BURGERS? THE NEXT #VAMPIRE CHRONICLES

^YEAH PRETTY MUCH.

I love that we have fanart like this (by vladrodriguez):

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And fanart like THIS (by poodins):

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AND THEY ARE BOTH ACCURATE DEPICTIONS 

FQL:

Lestat here. This question is from Chuck Johnson: “Undoubtedly you know of Armand’s attempted suicide following your acquisition of Veronica’s Veil. Do you have any theories on how he saved Sybelle and Benji? Was it truly Divine Intervention, or a form of projection?” — Chuck, no, I don’t have any theory on how Armand managed to save Sybelle and Benji — based on his description in his memoir. I suspect, however, that it was as you said, “a form of projection.” Armand has always had enormous psychic powers as a vampire, including the power to spellbind others with immense and very convincing illusions, the ability to hypnotize and control others, and to slip into altered states himself in which his dreams seem to provide some real gateway to another plane. I don’t doubt that he could do what we call astral projecting and take it perhaps one step further than many others, materializing or affecting matter in the location to which he’s projected himself. But I’m a novice in all this. I make no judgments on Armand’s abilities but I don’t fully understand them. I take him at his word that he did save Benji and Sybelle, and I’m not entirely sure that even he knows quite how he did it. Due to those mysterious psychic abilities, Armand makes a much better friend than an enemy. His spellbinding gifts are particularly dangerous. Being a person of action and a sensualist, I’m not really on Armand’s level when it comes to these mental skills. Armand’s thoughts are almost impossible for me to penetrate, and his boyish countenance often reveals nothing of his true calculations and feelings. I love him and I respect him — and I know that he loves me — but I never for a moment imagine I’m entirely safe with him.

I love him and I respect him — and I know that he loves me — but I never for a moment imagine I’m entirely safe with him.