holyshitartrefs:

syua:

literally most things that people write off as just ‘textures’ to use in graphics are stolen & unsourced material created by artists or photographers NOT meant to be used as elements in projects without royalty payments. you can say ‘it’s just random tumblr posts they don’t care’ but you wouldn’t want someone to take your work and edit into their work so they can be praised for their beautiful style and creativity even if they just post it on social media w/o profit, would you?? so maybe if you browse pinterest or google images for pictures without finding the original source, you’re using images that you’re not allowed to use without realizing it.

you see it on here a lot especially in (i won’t link anything but i’m sure you know what i mean) those album track ‘aesthetics’ posts, au ‘aesthetic’ posts (you see these less in kpop, but where people use non-royalty free images to kinda craft a visual au), and even just rather typical graphics that have a lot of ‘texture’ elements. and texture packs too!! that’s often where the problem starts; people just collect images (often literal art), compile them in a folder w/o sources, then insist no one can repost those images w/o crediting the person who compiled them. what???

SO may i suggest some of my fave places you can get FREE, ROYALTY-FREE elements that are totally legal to use

I’m gonna add a few more:

  • Morguefile is my favorite free stock photo site
  • Texturemate is full of excellent free textures, brushes, and patterns. 
  • Transparent Textures actually lets you combine colors and patterns to build your own texture right there in the browser.
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thebatsandthecatskitten:

usedbandaid:

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Here is Episode 6: Get a Grip (Part 3)

Start Reading Lore Olympus from the start On Webtoon.

ABOUT

Lore Olympus is a modern day retelling of the Classic Greek Myth; The Abduction of Persephone.

I love love love love love to a million and beyond love this series

monstersinthecosmos:

In case anyone gets stuck on their @vcsecretgifts or if the holidays are getting you down in general I put some prompts together to push you along! Big thanks to @superhiki for donating the cute artwork. 😀 Write some fics! Draw some stuff! GIVE US THE DARKEST GIFTS! 

Bonus points for sneaking in sweaters (cozy or ugly or otherwise, possibly knitting it themselves?!) and mistletoes (imagine your OTP!), and you will absolutely win my heart if someone gets the Replimoids hammered at the Christmas party. I HC that they make good alcohol conduits. Make it happen.

Tag it #DarkXmasGift so I can stalk you, thanks. 

List in text under the cut!

Keep reading

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i-want-my-iwtv:

A chronological retrospective of the two rings Louis wears. For 200 years. Apparently Lestat could get him to change his wardrobe, kill people, and all kinds of other depraved things etc., but Louis kept his jewelry to a strict minimum.

One appears to be his wedding ring.

  • in the movie version, Louis is a widow. Maybe the ring was his wedding ring.
  • After the Dark Gift, he keeps it on. Maybe it’s earned new significance towards Lestat, now. 
  • After Lestat’s “death,” Louis continues to wear the ring. Maybe it’s significant to both people he’s lost.

The other is a pinky ring.

  • This one may have just been fashionable to begin with.
  • Maybe it symbolized the child who died with his wife in childbirth.
  • Later, maybe it’s earned new significance when Claudia is given the Dark Gift.
  • After Claudia’s death, Louis continues to wear the ring. Maybe it’s significant to both “children” he’s lost.

UPDATE: anaryawe says:

(re: Louis & rings in the film) pinky ring was a gay code, or “no marriage plz”-code at some point. I’ve always thought that Louis’ pinky ring is his dead wifes wedding ring, and so signifies both “all the loves I’ve lost” and “tried heterosexuality once and it was a disaster”…

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sixpenceee:

Ron Mueck, an Australian artist known for his hyperrealistic figural sculptures, has created his largest work to date. His installation Mass contains 100 human skulls which are scattered and stacked throughout a gallery at the National Gallery of Victoria in Melbourne, Australia.

The individual forms are created from fiberglass and resin, and when stood upright, rise to approximately three feet tall. In some areas of the installation piles reach five skulls in height, while in others visitors can approach individual works resting on the gallery’s floor. Placed amongst gilded paintings the works offer a somber reality, a morose peek into what physically relates each of us. (Source)