
Tag Archives: ART
one thing me n my art loving gf would do is visit galleries and play a game called “root, loot or boot”
the gist is that you would look at a group of paintings in a room and decide which figure in the painting you’d root (fuck, in Australian slang), which painting you’d loot (steal and put on your wall at home) and which painting you’d boot (punt into the garbage because it’s shit and Not Art)
a couple of things about my experiences:
1. this game is a lot more fun if you’re attracted to women because there’s so many Hot Gals to choose from
2. if you are attracted to men, you will spend a lot of time going “well, looks like I’ll have to pick jesus again” as my bi gf did
3. it gets more complicated in modern art museums and you find yourself having saying, “I’d fuck the rhombus” “you CAN’T fuck the rhombus” “then I’ll fuck that blue squiggle thing. what’s it called?” “creeping existential dread in blue” “then does that mean I’m fucking the squiggle or am I getting fucked by the existential dread it represents?” “aren’t we all already getting fucked by existential dread?”
4. if you play this with an art history nerd, they may decide to kill you over one of your “boot” choices
5. you will get Disapproving Looks from other patrons who overhear your heated debates
6. it’s also the best fun you’ll ever have in an art gallery
THIS. I saw a post the other day that literally said if you do it to a fictional character, you’ll do it in real life.
No. Just NO.
I’m so glad someone put it into words.
In art, we can be fucking nuts.
Hey I’m planning on writing a VC fic with Armand Daniel and Marius any advice on how to get their characters right?
I can’t advise you, as we all have our own ideas about the canon characters, and “how to get them right,” a phrase I disagree with. Have you read all of canon? Do you accept all of canon into your personal headcanon? I wouldn’t force you to accept it all, I don’t accept it all. If we’re working from different text acceptance, there can be no universal “getting the characters right” authority (not even Anne Rice herself “gets the characters right,” according to the opinion of some of her fans). As an example, if I accept everything in The Vampire Armand but you don’t (or you haven’t read it yet), your fic probably won’t include/address anything that happened in TVA. That’s your prerogative as a fic writer. You are not required to include/address anything that you don’t want to.
Since no one can decide definitively if you’ve “gotten them right,” don’t be afraid to get them WRONG! Get them however YOU see them, Anon. And it’s not really that black and white; I’ve read fics where there was characterization I loved, and some that seemed out-of-character to me in the next paragraph (but again, that’s just ONE PERSON’S opinion. Another reader might have loved/hated all of it). It could be that you struggle with dialogue in general, so it might be out-of-character now, but you’ll improve by writing more fics. And like a painting, it may not be your failure; you might purposely invest more attention/effort on some aspects of your fic than on others, again, that’s
your prerogative as a fic writer.

”Summer’s Day,” about 1879, Berthe Morisot (left) and “Portrait of Mrs. A. Lawrence Rotch,” 1903, by John Singer Sargent (right).
^Here’re two paintings done in different styles, Morisot’s is Impressionist, and Sargent practiced his own form of Realism, with some obvious Impressionist influence. An essay could be written comparing/contrasting these but briefly: just between these two works, you can see that Morisot was less interested in capturing the details that Sargent has, but both portraits are evocative to me in their own way. There’s a breathless kind of anticipation in both. They both look like women I would love to get to know better! The Sargent one might have been painted on commission, idk about the Morisot one, but in the case of a commissioned work, there is a dialogue between the artist and the commissioner. When I’ve commissioned fanart, the artist will aim to meet my requirements, but ultimately, art is nebulous, and I’ve always been pleasantly surprised by the choices my commissioned artists make within the limitations of the request!
Bc here’s the thing, fanfic is for free. And no matter how you write them, even if you just copied text out of canon, there will be ppl who will tell you you’re getting the characters wrong. Again, the actual published author “gets them wrong,” according to some fans. So if she can’t write her own characters “right,” then, like Anne herself, you’re not obligated to appease anyone except yourself.
Here are a few “advice” pairings, with narrow-minded advice first and open-minded advice second.
- “Make sure to include a paragraph about Armand’s physical appearance or else he’s not really in it!!!” – Dye Armand’s hair purple. Have Daniel comment about how striking the color is against his skin. Write Daniel as a POC. Write Armand as if he was able to age, make an AU so that Daniel is the vampire who approaches 50 year old Armand.
- “Make sure to address Marius’ anger management issues!!!” – Write an AU where Marius didn’t turn Armand, maybe they met as vampires on more equal footing. Write that Marius gets angry about dumb inconsequential things like being stuck in transit and the other two tease him about being so impatient.
- “Make sure that if there’s any dubious-consent or non-consensual sexual content at all, to condemn it in the narrative!!!!” – Have a PWP with BDSM with all 3 of them that fails laughably and one of them storms out, naked and angry. WHY NOT???
Fiction is a space where we can explore anything and everything and it does not harm anyone.
Inevitably, some ppl won’t like it no matter what you do, so please yourself.
Whatever you’re writing: Write the fic you want to read! Here’s your permit:


All that said, I do ask for specific and trusted ppl’s advice when I’m writing a fic if I think they’ve got good ideas bc they’re invested in those characters, maybe they’ve even written fics about those characters. I’m working on a fic that I had to ask a few ppl privately about bc I wanted to bounce my ideas off of them, and gain a little insight as to my specific fic situation, but I wasn’t looking for their permission to write what I’m writing.
Stuff I personally would like to see explored re: Armand, Daniel, and/or Marius:
- some backstory on Daniel’s mortal life
- some Difficult Conversations in any combination of those three characters discussing their past relationships
- some closure on things, agreement/forgiveness may not be possible, but some closure would be great.
- some fluff in any combination of those characters, they’ve had so much suffering already
- I always like the fanon that Daniel has glasses even though he doesn’t need to wear them now, bc reasons
- give them roles in a story that move the plot along substantively
WRITE THE FANFIC YOU WANT TO READ.
The official Obama portaits unveiled today. President Obama’s portrait was done by Kehinde Wiley, and Michelle Obama’s portrait was done by Amy Sherald, making the two artists the first African-American artists to be commissioned for portraits at the National Portrait Gallery.
“What I was always struck by when I saw his portraits was the degree to which they challenged our ideas of power and privilege,” Obama said.
The juxtaposition of contemporary urban culture with centuries-old postures and wallpaper-like backgrounds make for bold paintings, of which Obama’s is Wiley’s most famous to date.
For her portrait, Michelle Obama chose Baltimore-based artist Amy Sherald. Sherald is another African-American artist known for her unique style, and her portraits also tend to underscore themes of social justice. She often paints black skin tones in gray as a way to take away the assigned “color” of her subjects. Sherald’s work is less about realism in composition and more about shape and color; like Wiley, the choice of Sherald ushers in a new era of presidential portrait … The former first lady said she was thinking about the impact Sherald’s work will have on “girls and girls of color.”
“They will see an image of someone who looks like them hanging on the walls of this great American institution … And I know the kind of impact that will have on their lives because I was one of those girls,” she said.
(x)

#every time I see this picture I am briefly overwhelmed#this piece of art outlived its context and milieu#but. but. in reality there is no such thing#because art is made anew with every glance. it comes to life. awakens laughing#and time compresses. softens. the past is not so much a mystery if we remember we weren’t the first to dance.#this is what art is for#this is what it can do#it doesn’t only speak to us of our own humanity#it reminds us that humanity is shared. this girl isn’t dancing in a mirror. she is dancing with a friend.#paintings don’t simply show us the world. they help teach us how to live in it.
(via @robotmango)

From In Powder and Crinoline : old fairy tales retold. By Arthur Quiller-Couch; illustrated by Kay Nielsen
- Martin-Jan van Santen (Dutch, b. 1968, Kampen, Netherlands) – Gone Astray, 2016 Paintings: Oil on Canvas
- Martin-Jan van Santen (Dutch, b. 1968, Kampen, Netherlands) – Balcony 2017 Paintings: Oil on Canvas
- Martin-Jan van Santen (Dutch, b. 1968, Kampen, Netherlands) – Dimly Lit Shower, 2016 Paintings: Oil on Canvas
- Martin-Jan van Santen (Dutch, b. 1968, Kampen, Netherlands) – Wake Up, 2016 Paintings: Oil on Canvas
- Martin-Jan van Santen (Dutch, b. 1968, Kampen, Netherlands) – Vacation, 2014 Paintings: Oil on Canvas
- Martin-Jan van Santen (Dutch, b. 1968, Kampen, Netherlands) – Unknown Title Paintings: Oil on Canvas
- Martin-Jan van Santen (Dutch, b. 1968, Kampen, Netherlands) – Gaza, 2010 Paintings: Oil on Canvas
- Martin-Jan van Santen (Dutch, b. 1968, Kampen, Netherlands) – Embedded, 2014 Paintings: Oil on Canvas
- Martin-Jan van Santen (Dutch, b. 1968, Kampen, Netherlands) – Dare, 2014 Paintings: Oil on Canvas
Martin-Jan van Santen (Dutch, b. 1968, Kampen, Netherlands) – 1: Gone Astray, 2016 2: Balcony 2017 3: Dimly Lit Shower, 2016 4: Wake Up, 2016 5: Vacation 6: Unknown Title 7: Gaza, 2010 8: Embedded, 2014 9: Dare, 2014 Paintings: Oil on Canvas























