annabellioncourt:

I’m so glad that you thought of me when you read it! There are far worse things to be associated with omg. And yes: I still wonder if Louis is genuinely deep and depressed, and the pretentious tone comes from honest misery–or if he’s putting on some kind of Byronic mask, unable to actually feel for others any more than the average vampire does, and that this flowery writing is his attempt to reconcile with him self “Yes I CAN feel, I do still maintain that aspect of my humanity.”

And Lestat comes across as the villain because Louis wants him to, when you read the section of The Vampire Lestat that focuses on his time with Louis, you start to wonder how much Louis exaggerated to make himself feel like the long wandering philosopher, and that Lestat was little more than a rich European fleeing his troubles. Lestat, despite being just as melancholic and miserable is affected by things much differently, and unlike Louis, who at the end tries to stay detached from the world, Lestat compensates for his pain by falling in love with everything he sees in the world, throwing himself to the mercy of it in a half-death wish and half-euphoric madness.

They’re both such fascinating characters for the way that they handle pain and their own evilness (there’s a running debate under the surface with all of the vampires “are we inherently wicked becuase of what we are, or are we merely something enhanced, no more wicked than before, but everything we do seems louder?”). The cast of the novels are all so flawed but so heartfelt (often despite themselves).

As far as anti-heroes go, these two drama queens are up on my favorites list with the Phantom and Rochester, (though while Rochester’s failing was merely hiding and running away from his issues, pretending that they weren’t there, I’d say he’s lower on the ‘Byronic anti-hero’ level and more simply a Percy Shelley).

Finally, don’t apologize, I love talking about these books so much. Or at least the first three. I’m ride or die with Anne Rice at this point, but I try to take everything after Queen of the Damned with a grain of salt….or a few cups of salt. A lot of salt….

#Eloquent eloquence #Annabellioncourt #on point as always

^For me, this is what elevates VC from many other vampire/supernatural/any other series. If I liked them as vampires there’s plenty of other vampire media out there to get into, but these characters are who they are first, and vampires secondarily.

I would add that ppl are allowed to have those kinds of feelings when they’re 13, it’s around that time that we’re grasping the harsh reality of the real world. Disappointments about one’s expectations not meeting reality… it’s a trying time. 

Whether growing pains are as valid as Louis’ issues (the whole “killing people is wrong but feels right now” is a big one), that’s up to individual reader’s judgment, but I think @annabellioncourt put it very well, that Louis is trying to maintain some dignity with the way he tells his story, which may come across as pretentious by our modern standards. The other thing to remember is that that book was written in the 70′s, and the writing style may seem dated for that reason, as well.

Remember that Louis reads A LOT, and he likes this older literature, so some of the language of the writers he loves seeps into his own language and the way he frames his memories. I think that’s partly why we see/hear so little of Louis in later canon, capturing his voice is a challenge.