Today, again on the recommendation of @i-want-my-iwtv, I visited Oak Alley Plantation, the plantation Pointe Du Locke was based on, and the filming location for Pointe Du Locke in the film.
Once again I have captioned each of these photos with where they appear in the film/their relevance to the series. If you would like to see the other photos I took/their info just message me.
Fun fact about this location – Brad Pitt returned to the NOLA area after IWTV for 12 Years a Slave, and Oak Alley was the neighboring plantation set for that film. He occasionally visits on his own and stays in one of the guest houses.
This is great @stardustschild! ❤ I’m glad you took my suggestion and visited Oak Alley Pointe du Lac Plantation and shared your lovely photoset with us ^______^
I had to pull this comparison out, of the dining room:
Comparison I’ve been meaning to do for awhile. I don’t think these shots’ similarity was an accident.
Claudia and Madeleine are both wearing green, signaling youth, envy, (Madeleine’s might also relate to her still being part of nature, as a mortal).
Louis and Lestat are both wearing warm colors (purple & red), being in positions of power.
Lighting is reversed; Lestat is back-lit and Louis is front-lit.
Louis and Lestat are looming into frame from the upper right, Claudia and Madeleine are pushed back, and react from the lower left.
Claudia and Madeleine’s reactions are different but similar in their initial expression and silence.
etc…
Also can I just say I love how Louis and Lestat both express their power differently. With Louis, he doesn’t even have to touch Madeleine to intimidate her. He asserts his dominance with a piercing gaze, and his power rests in his cutting words. Meanwhile, Lestat is explosively violent; all flaring arms and snarling lips. He physically pushes Claudia, even though he’s obviously already stronger than her, which I personally interpret as Lestat being unable to trust the power in his words alone and relying on physical touch to express his emotions instead.
^Good addition @covenofthearticulate ;u; This is another one of those moments that’s easy to miss in the movie (and the book), when ppl say Louis is so weak, it’s more that he shows his strength more subtly, like you’ve described.
So, I was bored last night on my day off, and I decided to re-watch “IWTV,” just for fun, of course. I remembered how much I fell in love with the costumes by the lovely Sandy Powell, and so, I wanted to design one for her. Hang in there with me on the description, but here goes nothing:
I know, I know— it probably looks too much like the blue one she already wore beside Madeleine in her final hours, but I wanted it to a mirage of blues from dark cerulean to sky-blue. And then just for fun, I swept some Phoera glitter eyeliner over the finished colors for a sparkle effect. On her small cap sleeves and the large sash on her dress in front, there are black beads. I wanted a nice contrast between the colors, so that’s what came out. Well, I haven’t even finished the dress design if I’m honest!
But mostly, I designed this dress for her with the thought of Louis’ quote involved: “We reached the Mediterranean. I wanted those waters to be blue, but they were black, nighttime waters, and how I suffered then, straining to recall the color that in my youth I had taken for granted.”
I dunno why, but it seemed fun to do. Sorry for the monologue, but I just thought it’d be fun to share. I will also do the re-imagining of costumes of other characters!
Wow! It’s lovely, I think Sandy Powell would be pleased, Claudia would adore it. Nice tribute to the quote from the book! The glitter for the glittering waves? Black beads for contrast, the morbid touching on the lively aspects, since they are undead.
I-want-my-IWTV 