Louis, thinking: 👌👀👌👀👌👀👌👀👌👀 good shit go౦ԁ sHit👌 thats ✔ some good👌👌shit right👌👌th 👌 ere👌👌👌 right✔there ✔✔if i do ƽaү so my self 💯 i say so 💯 thats what im talking about right there right there (chorus: ʳᶦᵍʰᵗ ᵗʰᵉʳᵉ) mMMMMᎷМ💯 👌👌 👌НO0ОଠOOOOOОଠଠOoooᵒᵒᵒᵒᵒᵒᵒᵒᵒ👌 👌👌 👌 💯 👌 👀👀 👀 👌👌Good shit
(It’s this line, right?) “Rise, Armand, we must leave here. They have come!”
[^I don’t have a pic of Armand from the scene you mentioned, so have Claudia in a library w/ a bunch of studious older dudes who are probably concerned about what an 11 yo is studying for all these hours so late at night]
Armand’s Venice flashback was in Mind-Gift-Vision™ (or whatever you want to call it!), blasting out of Armand at Lestat and Gabrielle like water from a fire hydrant, and Lestat later transcribed it all for us about 200 yrs later. The Mind Gift is not exactly like reading a book; it seems to be more about sharing images, snippets of sound and feeling. Why did Lestat use Armand’s name in that quote and not “Amadeo”? Some ideas:
Lestat wrote it 200 years after experiencing it, and yes, vampiric memory is supposed to be perfect, but he also went through a few assassination attempts, so it’s possible that a few brain cells were lost along the way.
If Lestat ‘heard’ an “Amadeo,” in the vision, maybe he thought he must have misheard bc he knew Armand as “Armand,” and transcribed the name he knew.
Maybe Armand concealed the name Marius gave him, maybe it was too painful for him to share that information with someone who had just wrecking ball’d his coven like Miley Cyrus in a red velvet tank top & undies.
Maybe Armand had been successfully brainwashed to the point of sealing off that name off from his memory after all those years with the Children of Darkness, to remember it after Lestat left Paris at that time.
Or it was our usual *~unreliable narrator~* situation, assign the blame to Armand or Lestat 😉
… Or, LASTLY, and most likely, it was AR who hadn’t come up with the “Amadeo” part yet. *sighs*
I can understand why discrepancies and discontinuities can be jarring, and people do bash the authors of novels for delivering what the readers see as some kind of inferior product :-
IMO, I don’t think an author, artist, or musician is obligated to serve to you a complete and perfect story/picture/song, w/ complete and perfect facts. AR has never said that was her intention. Even the Bible has discrepancies.
Instead of being jarred out of the story, why not make our own headcanons? You can call them “excuses” if you want 😉 Like I just did above. It’s reasonable to assume Armand didn’t want to share that name. It’s reasonable to assume Armand didn’t remember it in that moment, or that Lestat failed to catch that detail, or thought it was incorrect.
Fanworks can criticize but they can also repair what’s confusing, can fill in the interstices of canon (check out this types of fanfic diagram!). You can engage with the material to criticize it, or you can engage with it to repair it, so many ways to engage with canon and, specifically, its discrepancies.
People doing this with fanfic, fanart, and meta-analysis have made the VC so rich! Shared ideas have cured many things that were jarring for me. The missing musician vampire bothered me for so many years, and then, before PL was even a twinkle in AR’s eye, I had at least one strong answer for his disappearance and it gave me a new appreciation for him, for Lestat, for his part in the fabric of the story.
Your headcanon is up to you. You can enhance canon with it. You have that power. Ask other people for their ideas, they can help, too.
Now I’m not saying every discrepancy can be explained, but it is somewhat more manageable in the earlier books. I would love to see people do it with the later books! With the larger things… that are harder to explain.
Hit the jump for more, cut for length.
Some of my favorite art misleads or leaves things out. Here’s, basically, fanart of Jackie O by Al Hirschfeld:
^She has the slightly cartoonish distortion all around, there are strong gesture lines, there are detailed areas (the necklace, the hair, etc.), there’s her face w/
distorted features, and then there are missing lines. The back of her left arm, most of her right arm, but you as the viewer can fill those in yourself. They’re not drawn but they’re there.
It’s not a photograph, it’s an artist’s interpretation of his subject, how she occupies space, maybe how she moves through it, her inner spirit.
Idk, not everyone likes Hirschfeld. I’m sure some people do not consider it to be Art. We all have our own experiences and our own ideas of what Art and Beauty and Good Writing are. Fanworks are a form of engagement with Art.
Idk if I would kill for it but I would really like some of that ❤ I haven’t read PLROA yet, maybe we’ll get some Louis POV there or in the next book. We had a chapter from his POV in PL. What would you want to know about him specifically? What would you want him to write about?
There are Louis RPers out there if you wish to get in touch w/ him directly, so to speak. Hey ppl, Like if you are a Louis RPer, Reblog/Comment on this to recc us Louis RPers!
Another fanart of Lestat from the Vampire Chronicles. We drew it something like 15 years ago and the pic was taken with a camera from the original drawing… sorry for the bad resolution. ^^ Hope you like it all the same!
But there was so much that was good about movie!IWTV!… I know I know, it’s fun to poke fun at it regardless… movie!QOTD was much more cinema sinful. IWTV’s greatest sin was Antonio!Armand but c’mon, ppl who didn’t read the books didn’t know that…
There’s two times in IWTV that Lestat says he just wanted to talk to Louis post-swamping.
1. “There’s something I must tell you… about that night in the swamp.“
^Lestat says this to Louis in Paris, at the Theatre des Vampires, re: smtg Lestat had wanted to tell Louis the night Louis and Claudia put him in the swamp, seemingly dead.
Neither of them ever bring it up again, but my guess would be that it had smtg to do with the feeling Louis had when he put Lestat in the swamp. In the book, he walks into the muck w/ Lestat’s body, going far from shore, and feels a pulling, like he should go down with the body:
“I felt a pull suddenly, as if some force were urging me to go down with him, to descend into the dark water and never come back. It was so distinct and so strong that it made the articulation of voices seem only a murmur by comparison. It spoke without language, saying, `You know what you must do. Come down into the darkness. Let it all go away.‘”
Being maker and fledgling, they technically cannot read eachother’s thoughts, so maybe, in this extremely emotional moment, Lestat was able to pierce that veil to cry out for Louis in the only way he could ;A; Or maybe it was just Louis feeling guilty about, idk, helping kill his own maker!!!
Hit the jump for more, cut for length.
2. “ ‘I wanted to talk to you so much,’ he said. `That night I came home in the Rue Royale I only wanted to talk to you!’… `I went to Paris after you…’ ”
^At the end of IWTV, when Louis finds a very decrepit (but not dying, Louis says “dying” but it’s emotionally dying, not physically) Lestat, Lestat insists he just wanted to talk to Louis the night he dragged his soggy butt out of the swamp and back to the Rue Royale, but it seems to refer to what he said in Paris, smtg about the swamp.
[^What a bittersweet moment in movie!IWTV, that “final” meeting before Louis goes to SF to find some cute guy to tell his life story to.]
Based on the fact that Lestat wrote an entire book in response to IWTV, he most likely wanted to tell Louis EVERY SINGLE THING that was in that book. It’s Lestat’s backstory, everything else he couldn’t tell Louis during the 65ish years they were together in NOLA, and most importantly, WHY he couldn’t tell him any of those things.
*nods* I know that feel. When writing fic, sometimes it’s easier to write Lestat from the outside, let other characters describe things about him that even he himself is unaware of. Someone telling a story about you, describing you, they’re painting a portrait like an artist would, and it’s often much more accurate than a photograph ❤
At the booksigning 11/30/16, AR told us this comment a friend made to her re: Lestat’s portrayal in IWTV
(bc even AR was surprised that Lestat was the one she wanted to explore more!):
“You drew Louis in black ink… and then painted Lestat in flaming colors!”
The Consulting Analyst Masterpost: Interview with the Vampire -Vrai Kaiser
Interview with the Vampire is a lot of things. A queer love story. A moving depiction of debilitating depression. Sometimes heartrending in its prose and sometimes an equally beautiful trainwreck. Frequently problematic from a modern perspective and yet unspeakably important as both an influential work of vampire fiction and one of the few widely-available works for queer kids to see themselves in. Above all, it’s dear to my heart. Which is probably why I spent several months flailing over it in considerable detail (along with the culture and various adaptations around it).
The entire series of essays is here collected for your reading pleasure – with plenty of time to catch up before we move to the next book.