//Okay, so I find this all very interesting, so a few thoughts/canon/headcanon re: Lestat’s dialect in French and how his French changed/evolved over the years.
-Lestat is born and raised in the Auvergne, which means his French patois is ‘Auvergnat,’ which is a branch of Occitan, a dialect of mostly Provence. This dialect, if you’ve never heard it, is NOTHING like the Parisian French that most of us learn in school, nor is it similar to what would have been spoken in Paris at the time (18th century). Here is an Auvergnat lullaby, and here is what Auvergnat sounds like, around 4:17. Here is an example of L’Occitane.
-Lestat then moves to Paris with Nicolas, and spends quite some time there (I don’t have my book on me). His French of COURSE would have changed, as he’d have been mercilessly teased for his dialect, which would have sounded ‘country’ to the people of Paris. Personally, I headcanon Nicolas’ old Uni friends making fun of Lestat’s dialect and Lestat forcing Nicolas to help him with his Parisian French, but that’s not canon, just my thoughts.
-Lestat then relocates to New Orleans around 1791, a time when Louisiana actually belongs to Spain. The French that Louis de Pointe du Lac is going to be speaking here is a whole OTHER kind of French, probably colored by a number of things: Spanish colonists, French colonists, and the patois of the Haitian peoples who also live there. You can read more about Louisiana French here. I headcanon that Lestat definitely learned the patois of New Orleans, especially since he lived there for around 70 years. By the time he meets Louis, his French is an amalgam of at least two different dialects, though the French he’d speak to the Marquis would have been Auvergnat. It’s a testimony to the fact that Louis must have immigrated while very young (hilariously, Louis is NOT actually Créole), b/c I highly doubt he’d recognize the dialect.
-Lestat then learns English from, as he calls it, ‘flatboatmen’ on the Mississippi and comic books, which is hilarious, and pretty much accounts for his tone.
TL:DR; I just feel very strongly about language, especially the evolution of each of these characters, and I love imagining how their capacities for language and dialect have evolved.
Define “bad”? Problematic for sure. Squicky for some ppl. Cracky as heck.
I wanted to delete this ask bc an objective “bad” is so hard to define, especially with regard to fiction in this current wave of scrutiny about it. I think we can all agree on things that are bad in Real Life, but what we’re not agreeing on these days is the role of fiction and Real Life, that consumption/depiction of problematic things =/= endorsement of those things in Real Life.
(This is all aside from the criticism dealing with the writing itself on its own merits, which, I am pretty forgiving about. I don’t consider my palette as a reader to be all that refined, I’m more interested in the ideas, and I don’t mind as much about the skills of the writer, even one who may have been very good and then devolved over the years. So you’ll have to ask someone else if the writing style is your concern.)
Some books will be loved by some ppl and praised to high heaven, those same books despised by others and cursed for existing, and everything in between.
IDK we used to call the later books “the Vampire Crackicles,” and I for one, would love to bring that back!
At its core, it is my belief that VC as a whole is a means of demon exorcism and of wish-fulfillment for their author. Sure they have some higher value, if they didn’t, I don’t think the fandom would be as large and as loyal. But VC also has a ton of various kinds of porn, let’s be honest. As a mix of those elements I just described, they do not have to be that deep, they are whatever each individual reader wants them to be. Personally, I really enjoyed the first few, and have found enjoyable stuff even in the crackiest of later canon. If you don’t take them too seriously, it’s worth the effort. But then, I am pretty forgiving and I can do headcanon gymnastics for fun to explain stuff I don’t like, or treat it as AU.
So they can be considered shallow escapism with problematic dysfunctional hipster vampires:
Or, you can dive in and look for deeper meaning, and make richer analysis out of it. It could be that deep, if you want it to be!
When I got this ask ~6 months ago, it was close to Thanksgiving, I had more pressing real-life things going on like traveling and visiting with family. I also didn’t want to answer it bc I was thinking it might be from a troll. Might be someone asking this in order to trick me into some kind of response that could be a launching pad for Discourse.
Now, time has passed, and having absorbed plenty of fiction =/= reality, anti-anti-shipping, and pro-shipping blog posts, I’m not afraid. Of the two possible approaches above (and there are others, of course), you don’t need to pick a side. Sometimes it can be deep, and sometimes not. You don’t have to defend liking it one way or the other, it’s fiction. It’s whatever any individual reader wants it to be, and keep that in mind when you read. Your reading is your own. Your headcanon is your own. Don’t let ppl concern-troll you, policing what you enjoy in fiction. I’m being a little forceful here bc I want to give you the confidence to know and believe: You. Can. Read. AND. Write. Whatever. You. Want.
Anon, you might be a troll, but this is also an honest question ppl have had about this series over the years. I want to believe you’re coming to this honestly and not trying to start something.
I feel like I’m going to get redundant… to wrap up, the most recent and I would say, the Crackiest of the Crackicles, advertised as:
“There is always room for one more vampire novel.”
This is really hard to answer, and I nearly answered it privately, bc I don’t want to sow dissension in the fandom, it’s something ppl love to scream into the void about. But I see you’ve already started drawing some fanart for the fandom, so I want to encourage you to stay with us!
Some fans would tell you that #4 onwards in canon have certain characters being forgotten or mistreated by the author. I would say that there are storylines that are dark to the point that, even with my very high threshold for Crazy Shit, even I’ve had to close whatever one of these later books and just say, “omgz Aaaaaanne, whyyyy… We didn’t want this, nobody wanted this…”
If you’ve come looking for perfect cinnamon rolls, we only have one, Mojo, and he’s a dog 😉
I’ve heard that the books get worse and stuff and I wonder if I should read all of them or skip some or…?
So this depends on your definition of “worse.” They are a pile of dysfunctional hipster trash vampires, and several characters, but specifically the main character in the books, do some exceedingly problematic stuff, and, arguably, he is not condemned by the author in the text. There are fans who choose to disregard all the books from #4 onwards bc of that, and that’s totally fine.
Your headcanon is your own, and you do NOT have to accept all of canon, and you do NOT have to interpret canon the way any other fan interprets it. Don’t let another fan bully you into thinking their interpretation is the Only one.
PERSONALLY, and I know I’m not the only one who feels this way: back in the old days we called the later books #the Vampire Crackicles (spoilers in that tag) and enjoyed them for the silliness, bc there is plenty of humor still in the darkfic. And there are those, like me, who want to read darkfic, too. We want to go there in fiction, and explore what the consequences of even the most atrocious actions are. Can a character who’s committed X crime ever be redeemed? Redemption might not even be about forgiveness from the victim, but the effort of that character to strive to improve. That can be so cathartic for the reader, whether the character achieves it or not, the inspiration can come from the fact that they TRY and FAIL! repeatedly.
I always recommend that ppl give each of the books a chance, even the most cracky have some good stuff in them.
For the most part I think we’re a kinder fandom than others, since we suffered through our own fandom creator waging war on our fanfic and driving us underground for years.
And the fandom is pretty welcoming, but I’ve found it’s better if you know what happens in canon, and can talk about it with other fans, make fanworks about it, or whatev. Even to criticize.
Like any social media, though, your fandom experience is what you make of it, follow the #vampire chronicles tag, find some bloggers you like, and reach out!