small satan [x]
@i-want-my-iwtv (thank u for linking me to the thing ~u~)
I LOVE THIS HE DOESN’T EXPECT IT AT ALL omg i can’t stop giggling
small satan [x]
@i-want-my-iwtv (thank u for linking me to the thing ~u~)
I LOVE THIS HE DOESN’T EXPECT IT AT ALL omg i can’t stop giggling
(*´◉◞౪◟◉`) ….
Femslash
FebruaryMarch Film ReviewsDay 24: The Hunger
I’ve reviewed a lot of queer female vampire seduces innocent female mortal movies in this series. What makes The Hunger better than all the rest? David fucking Bowie.
If you only care about the queer lady aspects of these reviews, please skip this paragraph because I need to talk about the immortal space traveling lizard person that is David Bowie. David Bowie is great in this. He plays Catherine Deneuve’s mortal lover who is kept young through her blood but his time runs out and he starts rapidly aging in the first act. I’m really impressed with his performance here. Bowie really made me feel this sort of panic of not only his sudden lack of desirability to the woman who he loves who also sustains him but increasingly his sense of impending doom. I give him major props because playing a man confronting aging is a reach for David Bowie who doesn’t age as us mere mortal earthlings do. Bowie gave a really affecting, chilling and emotional performance that’s the best I’ve seen from him. I’m also impressed how he managed to tone down his whole Bowie-ness and not steal the show from Deneuve too much or clash with the tone of the movie.
So after Bowie starts to age, he visits Dr. Susan Sarandon who’s a dermatologist who he hopes can help him. She cannot and Bowie eventually ages so much that he becomes little more than a skeleton though still conscious. One of the creepiest scenes in the movie comes when Catherine Deneuve places him in a coffin in a room full of all her other lovers who have had the same fate. That’s a great addition to the vampire myth and really scary. The idea of being conscious but unable to move or speak is terrifying and it’s made worse by the fact that you’re also stuck in a coffin. For the lovers of Catherine Deneuve’s character Miriam, the last memory they have of her is betrayal.
Once David Bowie’s become not a valid prospect, Miriam sets her sights on Susan Sarandon and uses her vampire seduction powers to enthral her. This plot line is pretty similar to every other queer vampire movie I’ve reviewed. The difference is the ending. Unless most of the innocent mortals, Susan Sarandon does not turn to the dark side of immortality, blood drinking and scissoring but instead fights back against Miriam and what she represents. Ultimately though, the victory belongs to David Bowie skeleton who leads Miriam’s other past lovers in a skele-uprising and ultimately kills Miriam.
This movie is fucking great. It’s got vampires, lesbians and David Bowie. It’s atmospheric and creepy and overall fucking brilliant. The last scene is a bit disappointing because there’s a lame bit of sequel bait but I can live with that because the film overall is so damn quality. Go watch it.
♛*stretches out on the divan* I happen to be a professional cheerleader, and I might be of service in this regard… fully equipped w/ pom-poms and several official uniforms, which were given to me, not purchased *smirks*

I assume you didn’t deserve a terrible day? I’ve deserved many a terrible night, but many were undeserved, too. You’ll have to tell me what befell you in order for ~Yours Truly~ to prescribe the proper method of cheering up, as there is a nearly limitless spectrum of options *grins widely* Some involve a uniform, and some, well… do not.
Interview with the Vampire (1994) dir. Neil Jordan
one of the greatest performances ever
I’m in love with this film for Tom Cruise ‘s performance and the fabulous long hairstyle of Brad Pitt.
Definitely one of my fave scenes. There’s so much going on here. Lestat bursts in and immediately looks around to see if he can salvage anything out of this, but knows he can only save Louis, and still has time to have this thorny little exchange bc he’ll be damned if he isn’t going to take this as an opportunity to lay in a little verbal smackdown. “Have us sleeping in the field like cattle!” He has this subtle pain in his eyes, as if Louis was actually trying to usurp his role as the captain of this ship, not that he was in fact trying to commit suicide. It doesn’t even cross Lestat’s mind to remark on the fact that that’s what this was, a suicide attempt. Or maybe it does, and in not giving Louis the choice to go down with his fiery mansion, Lestat has made a renewed internal vow to guide Louis into becoming the vampire he knows he can be.
Lestat could have easily just let Louis burn up with the house. Except that he loves him. Even though this was an act of ENORMOUS REBELLION it only makes Lestat love Louis more, bc only a BAMF like Louis could do something like this, try to destroy everything an apparently materialistic creature like Lestat has ever wanted, and not care about the consequences. But that’s not who Lestat really is, that’s all just retail therapy, hoarding shiny things to fill a void, and they both know it. Having stripped away Lestat’s treasured hoard, Louis’ face is 99% sexual ecstasy, he’s so satisfied with himself here.
Louis didn’t do this to rile Lestat, he did it to win, and finally do away with himself. But seeing his maker there, clearly to rescue Louis, the most precious thing to Lestat in the whole place, had to touch something in Louis. Because he lets Lestat save him without putting up a fight, and he doesn’t run away as soon as he’s capable. He stays with Lestat. As much as he doesn’t like his methods or philosophy, he’s captivated by Lestat. He trusts Lestat.
They’re both helplessly bound together in how much they want and need each other ;A;
Part of what makes them so shippable is how much Lestat wants to own Louis, and how not-for-sale Louis is, but how much he is drawn to Lestat against his own better judgment, like a moth to flame.
No need to tell him what to observe, or what to remember. He always knew such things. Years ago, when I’d done the dark magic on him, I hadn’t had to tell him anything; he had savored the smallest aspects of it all on his own. And later he’d said I’d failed to guide him. Didn’t he know how unnecessary that had always been?
Ricean vampires, unfortunately, are condemned to enjoy the Deathsleep which renders them unconscious for the daylight hours. The plus side being: no snoring can wake them! Not that they can snore, since they don’t breathe. But still.

Louis, IWTV: “Numbness came over my limbs, and then the paralysis of oblivion.“
Louis, IWTV: “You see, I wasn’t sure then why I awoke each evening when I did, whether it was automatic when the deathlike sleep left me, and why it happened sometimes earlier than at other times.”
In movie!IWTV, yes, Claudia is awake right at dawn and seems fully conscious, as she tiptoes carefully around the sunlight.

^It was too perfect a moment not to include in a movie about lonely ppl, that singular act of a daughter climbing into bed w/ her mommy!Louis (bc we all know he’s the mom) rather than sleep alone! ❤ And purely platonic at that point in the movie.
There is a fic out there that suggests that Ricean vampires do awaken during the day when they are under extreme emotional duress, and it’s a very disorienting state to be in, they can’t function very rationally, as nocturnal animals also act erratically in daylight.
Hit the jump for a bit moar, and spoilers.
(Similarly, Louis seems to be painfully awake as Claudia and Madeleine burn in the sunlight ;A;)
When movie!Louis takes revenge on the Theatre des Vampires, it’s right before dawn, and he is perfectly able to function right up until he leaves the safety of the theatre, and it’s the sunlight more than the fact that it’s daytime that saps him of any functionality. But that was part of the plan, revenge, then suicide.

Ricean vampires can, however, fight in that unconscious state: Lestat says Gabrielle defended herself in her sleep: “And those mortals who did find us during the daylight hours, unless they exposed us to the sun at once, were doomed. For example, outside Palermo she had slept in a cellar far below an abandoned house, and when she had awakened, her eyes and face were burning as if they had been scalded, and she had in her right hand a mortal, quite dead, who had apparently attempted to disturb her rest.”
Amount of sleep needed seems to be related to the age and/or power of the vampire, and Louis, being weaker, needs more beauty sleep than the older and stronger ones.
Even in a place like Alaska in which nighttime extends during the winter months, Ricean vampires are still susceptible and want to fall into a reasonable Deathsleep rhythm.
In QOTD, Akasha purposely chases the night around the world, preventing Lestat from falling into the Deathsleep. Whether it was bc she had too much to do in too little time, or she was purposely using sleep deprivation as another means of controlling him (or both), we don’t know, but Lestat reflects on it:
“We’d been following the night around the world, perhaps, or rather moving at random in it, as Akasha maybe didn’t need at all to sleep.
I needed it, that was obvious. But I was too curious not to want to be awake. And frankly too miserable.”
Akasha tells him, a little bit later, that he requires sleep for his upgrades: “But you must sleep now. You are young still and fragile. My blood’s working on you, changing you, perfecting you.”
Vampires in other media, like Only Lovers Left Alive for example, CAN stay awake during the daylight hours if they feel like it, and they do sleep in beds. Are they trying to imitate mortals? Maybe!