Well first of all, #I love these kind of stories, where ppl talk about how they got sucked into this fandom, whether it’s when they first saw movie!IWTV (or movie!QOTD) or starting reading one of the books…
Movie!IWTV is frightening, there are brutally scary parts. It touches on a lot of taboo subjects. The kind of violence it has is scary partly because there’s the element of betrayal in many instances, definitely when Claudia knifes Lestat, and then when Louis sets him on fire ;A; We laugh about it now bc if we didn’t have a sense of humor about it, it would just be too cruel. But that is really cute that you watched it with your older sister, hopefully she explained things that were confusing or at least provided some support during the scary parts ;]
I was given book!IWTV when I was 11 and saw the movie soon after, sneaking over to my best friend’s house bc it was rated R and I wasn’t allowed to watch it. It was dark comedy to us, and we ended up watching it repeatedly, trying to memorize the lines so we could say them along with the movie. Our favorite line had to be:
“Just remember: Life – without me – would be even more unbearable.”And I can’t really gif that out, the shot is pretty dark, but you remember, it was here:
That line was a declaration between us, too. We’re still best friends to this day, 20+ years after bonding over this series!
VC had a huge enough influence on us. For better or worse *shrugs*
I was an ambivert. I was completely obsessed with antagonists, too. The VC encouraged me to develop all those extroverted traits I loved in Lestat, which other characters didn’t always approve of, but he dgaf! He marched to his own drum. He craves the spotlight for validation but his own love for himself outweighs these external rewards. The VC has been a huge source of strength. So much great advice. Here’s an example, that suffering can be embraced as being a valuable part of our experience, too:
“It’s an awful truth that suffering can deepen us, give a greater luster to our colors, a richer resonance to our words. That is, if it doesn’t destroy us, if it doesn’t burn away the optimism and the spirit, the capacity for visions, and the respect for simple yet indispensable things.” –Lestat, Queen of the Damned
But really, the quote that bound me and my best friend together, that’s what I hope for fandom to accomplish. We do come and go, but I’ve been in this for 20+ years, and it seems to me that VC fandom as a whole will always be here for those who want it.
“Just remember: Life – without me – would be even more unbearable.”
^What I think is also worth mentioning here is that Lestat could have killed Louis or just left Louis in NOLA at any time (before Claudia). But he didn’t. Even at his worst, Lestat was still fascinated with Louis, and life – without him – would have been even more unbearable ❤
Ummm, I’ve never heard of Enneagram of personality before! I went on Wiki for answers, and I’m still not really clear on it… but anyone is welcome to comment/reblog this post with their ideas re: the character’s alignment on it.
^Gluttony (in the Enthusiast category) would definitely be a vice for Lestat, tho.
I feel like ppl who see Louis as predominantly Melancholy (and ”Fantasizing”, on the chart), well… he is melancholy at the beginning of IWTV, and he’s always been more of an introvert than Lestat, but his revenge on the TdV, and then his rather icy breakup w/ Armand,
…and as canon progressed, I guess I see his strength and dignity such that I don’t see him as all that melancholy anymore. If anything, I see him as more of a Peacemaker, bc that is what he did for 65 years in NOLA. He wanted peace of mind so badly. And I think, over time, he found it in pursuing intrinsic goals and not looking to anyone else to validate his existence.
• the characters are cool and goofy and vampires
• like literally viago is pure as heck
• the actors are awesome
• they have jemaine clement ( vladislav ) who also voice acts as tamatoa from moana
• also taika waititi ( viago ) who directed this movie, eagle vs shark, boy and hunt for the wilderpeople
• 99% of the movie was improv
• the movie’s funny as hell
• its filmed like a documentary?????? isn’t that cool or what?????
• “werewolves not swear-wolves”
• there’s a video on “funny or die” where viago and vladislav explain truths about vampires
• all the characters make you want to hUG THEM
• stu’s my favourite
• i’d hug him
• yeah watch this movie
The jealous cruelty of this anon aside… there’s such a weird expectation that artists need to be creating some kind of socially-valuable “art” at all times… or that what’s created needs to be for the consumption of others. Artists are allowed to make things for their own pleasure, things that are meaningless to anyone other than themselves, things that are practice, things that are ugly.
Happiness is valuable. It’s like, y’know, how much time do people “waste” making themselves happy? Why is it better to spend your free time watching football or playing video games or reading articles on Reddit? Why is it that as soon as you’re making something, the thing itself needs to be valuable, rather than the joy of making it?
Fanworks are valuable too, particularly for women. They’re empowering to create because you are usually taking male-created, male-marketed media and recreating for female consumption. It’s validating to consume because it gives women a place to enjoy media spaces. Its also a way to network and form communities in empty places. It’s not “wasteful” to spend time on fanworks for this reason as well.
Ugh. I wonder if guys drawing Black Widow getting nailed by aliens get these sorts of “what are you doing with your life”/“why are wasting your talent” messages. Prolly not, because this sort of hyperbolic go-kill-yourself missive is pretty much tailored to female recipients.
This is important. When I dabbled in art classes in college I had one teacher who was deadest that all our projects had to have a ‘meaning’ and be ‘socially relevant’. If you were me, and just wanted to make a faerie house full of miniature food because that sounded like a fun way to fulfill her architecture assignment, this teacher would berate you. She spent a lot of time calling me unoriginal and uncreative. She made me cry in front of the class after a particularly nasty insult suggesting what I wanted to make was meaningless drivel and that she ‘expected better of me’.
It feels shameful to admit now, but I seriously considered leaving the art field all together because of this teachers insistence that the things I enjoyed, and enjoyed making, weren’t worthwhile. And looking back now, I think that teacher did a real disservice to countless young artists. Creation itself is valuable. Every act of creation has social significance and is a product of its time. You don’t have to be political for your art to matter. You just have to love making what you make. That’s it. That what makes it art, that’s what gives it value. Anyone who tells you otherwise has bought into the bizarre status-based BS I see sometimes in the fine art world.
And if my old professor from community college happens to see this: making life-size animal sculptures out of recycled plastic in order to send a message about the environment isn’t any more unique than the faeries I wanted to make in your class. I’m glad it makes you happy, I’m glad that message resonates with you and your collectors. But try to look outside yourself and recognize putting others down when you can tell they are passionate about creating is not the right way to teach. Ever. Encourage and nurture more young artists in the world. This isn’t a race to find out who can ‘make it’ by putting people through tests. There is enough room for all of us to shine.